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dc.creatorKoch, Lars
dc.date.accessioned2022-05-19T12:01:27Z
dc.date.available2022-05-19T12:01:27Z
dc.date.issued2021
dc.identifier.urihttps://www.sciendo.com/article/10.2478/kwg-2021-0018
dc.identifier.urihttps://mediarep.org/handle/doc/19243
dc.description.abstractOn the basis of two aesthetic interventions of Christoph Schlingensief and the Center for Political Beauty (ZPS) this article analyses the relationship between artivism and invectivity. In each case the underlying theatrical dispositifs are being discussed. With this, the article inquires into the respective procedures of disturbing the audience and the public. Whereas Schlingensief’s politics of form aims at creating a sphere of ambiguity, the ZPS is all about stimulating moral indignation. This also reflects the diametrically opposed capabilities of artivistic art: Controversy on the one hand, partisanship on the other.en
dc.languagedeu
dc.publisherDe Gruyter
dc.relation.ispartofseriesKulturwissenschaftliche Zeitschrift
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0/
dc.subjectInvektivitätde
dc.subjectArtivismusde
dc.subjectkonfliktuelle Ästhetikde
dc.subjectInvectivityen
dc.subjectArtivismen
dc.subjectconflictual aestheticsen
dc.subject.ddcddc:300
dc.subject.ddcddc:800
dc.titleÜber artivistische Interventionen. Invektivität, Medien, Moralde
dc.typearticle
dc.type.statuspublishedVersion
local.source.spage247
local.source.epage266
local.source.issue1
local.source.volume6
dc.identifier.doi10.2478/kwg-2021-0018
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18255
dc.relation.isPartOfissn:2451-1765
dc.publisher.placeBerlin
local.coverpage2022-05-19T14:25:43


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Except where otherwise noted, this item's license is described as Creative Commons - Attribution - Non Commercial - No Derivatives