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dc.creatorDidi-Huberman, Georges
dc.date.accessioned2022-06-13T11:32:59Z
dc.date.available2022-06-13T11:32:59Z
dc.date.issued2009
dc.identifier.urihttps://meiner.de/artikel/1000107493
dc.identifier.urihttps://mediarep.org/handle/doc/19540
dc.description.abstractStarting from the hypothesis that we are faced with pictures as dynamic entities and as actions, this article investigates scenes of (political) confliict and of fight in Pasolini's films. Priority is given to the rhythmic quality of Pasolini's vital realism, which also characterises his application of montage as a procedure of contamination. Abigioia – that abysmal joy, which is based on the fear of and the longing for the lost life – here determines the poetics of anachronistic and impure sacredness.en
dc.languagedeu
dc.publisherFelix Meiner
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectBilderde
dc.subjectHandlungende
dc.subjectKonfliktede
dc.subjectMontagede
dc.subject.ddcddc:300
dc.subject.ddcddc:301
dc.subject.ddcddc:791
dc.titleAbgioia. Tanz der Angst und des Konfl iktsde
dc.typearticle
dc.type.statuspublishedVersion
dc.subject.personPier Paolo Pasolini
local.subject.gndhttps://d-nb.info/gnd/118591908
local.subject.wikidatahttps://www.wikidata.org/wiki/Q25120
local.source.spage119
local.source.epage131
local.source.issue1
local.source.volume0
dc.identifier.doi10.28937/1000107493
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18416
local.source.issueTitleAngst
dc.relation.isPartOfissn:1869-1366
dc.publisher.placeHamburg
local.coverpage2022-06-13T13:57:37


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