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Der unmögliche Blick. Medientechnik und inszenierte Weiblichkeit in Michael Powells PEEPING TOM

dc.creatorRiepe, Manfred
dc.date.accessioned2022-06-13T11:32:59Z
dc.date.available2022-06-13T11:32:59Z
dc.date.issued2009
dc.identifier.urihttps://meiner.de/artikel/1000107495
dc.identifier.urihttps://mediarep.org/handle/doc/19542
dc.description.abstractIn retrospect of the scandal caused by the first performance of PEEPING TOM in 1960, the "project" of Michael Powell's prototypal serial killer is analysed from a media theoretical viewpoint. Mark Lewis kills women, because he wants to see their horriffied expression in the moment of death and capture it on celluloid, employing an apparatus made of camera, stiletto and concave mirror. What exactly does Lewis want to spot in his victims' eyes? And how would that involve the issue of voyeurism at the cinema?en
dc.languagedeu
dc.publisherFelix Meiner
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectVoyeurismusde
dc.subjectKinode
dc.subjectFilmtechnikde
dc.subject.ddcddc:300
dc.subject.ddcddc:301
dc.subject.ddcddc:791
dc.titleDer unmögliche Blick. Medientechnik und inszenierte Weiblichkeit in Michael Powells PEEPING TOMde
dc.typearticle
dc.type.statuspublishedVersion
local.source.spage151
local.source.epage165
local.source.issue1
local.source.volume0
dc.identifier.doi10.28937/1000107495
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18418
local.source.issueTitleAngst
dc.relation.isPartOfissn:1869-1366
dc.publisher.placeHamburg
local.coverpage2022-06-13T13:57:38


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