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dc.creatorMacho, Thomas
dc.date.accessioned2022-06-13T11:33:01Z
dc.date.available2022-06-13T11:33:01Z
dc.date.issued2009
dc.identifier.urihttps://meiner.de/artikel/1000107485
dc.identifier.urihttps://mediarep.org/handle/doc/19547
dc.description.abstractThe varied reception history of Victor Hugo's novel L'Homme qui rit (1869) is outlined in the context of exemplary historicisations of the "laughing face"-character. This reconstruction deals with the interplay of aesthetics and passion, on the one hand, and with the effects of intermedia encounters of literature, photography and film, on the other. Not only the traditional naturalisation of medieval penalty practices (by defacing) is investigated, but also the modern media history of celebrities.en
dc.languagedeu
dc.publisherFelix Meiner
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectlachendes Gesichtde
dc.subjectÄsthetikde
dc.subjectLiteraturde
dc.subjectFotografiede
dc.subjectFilmde
dc.subject.ddcddc:300
dc.subject.ddcddc:702.8
dc.titleMit lachendem Gesicht: en face le pire jusqu’à ce qu’il fasse rirede
dc.typearticle
dc.type.statuspublishedVersion
local.source.spage19
local.source.epage36
local.source.issue1
local.source.volume0
dc.identifier.doi10.28937/1000107485
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18423
local.source.issueTitleAngst
dc.relation.isPartOfissn:1869-1366
dc.publisher.placeHamburg
local.coverpage2022-06-13T13:57:39


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