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dc.creatorSiegert, Bernhard
dc.date.accessioned2022-06-15T07:46:16Z
dc.date.available2022-06-15T07:46:16Z
dc.date.issued2010
dc.identifier.urihttps://meiner.de/artikel/1000106306
dc.identifier.urihttps://mediarep.org/handle/doc/19556
dc.description.abstractDoors are mediums of architecture as an elementary cultural technique, as they process the key differences of architecture from within and without. The door is a machine, through which the symbolic was materialized in architecture. This contribution describes, by means of examples from cultural, literary and art history, the monologic, epistemic and social aspects and paradoxes of the door as an analog and binary medium. With the obsolescence of the door knob, engendered by the invention of the automated revolving door, the analog door has bid farewell to society and is now mutating to a bio-political instrument which no longer addresses mankind as 'persona', but as a major perturberence.en
dc.languagedeu
dc.publisherFelix Meiner
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectTürde
dc.subjectArchitekturde
dc.subjectKulturtechnikde
dc.subjectMaterialisierungde
dc.subjectBiopolitikde
dc.subject.ddcddc:702.8
dc.titleTüren. Zur Materialität des Symbolischende
dc.typearticle
dc.type.statuspublishedVersion
local.source.spage151
local.source.epage170
local.source.issue1
local.source.volume1
dc.identifier.doi10.28937/1000106306
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18431
local.source.issueTitleKulturtechnik
dc.relation.isPartOfissn:1869-1366
dc.publisher.placeHamburg
local.coverpage2022-06-15T10:05:47


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