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dc.creatorVismann, Cornelia
dc.date.accessioned2022-06-15T07:46:16Z
dc.date.available2022-06-15T07:46:16Z
dc.date.issued2010
dc.identifier.urihttps://meiner.de/artikel/1000106307
dc.identifier.urihttps://mediarep.org/handle/doc/19557
dc.description.abstractThe text mirrors a theory of cultural technology, which takes culture at its word and the technology of (cultural?) cultivation reclaims the word 'colore'. Cultural technology always asserts a predilection to symbolic order, but it not only institutes symbolic order, but contradicts it as well. After all, the conductors and media of cultural technology dare to put into question the presumption of a sovereign subject which is the master of the constituative processes for culture. Rectitude is challenged to respond to this break-down of the classic sovereign teachings of symbolic order and allow the conductors and media a position other than that of only a means to a legitimately sanctioned end.en
dc.languagedeu
dc.publisherFelix Meiner
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectTheorie der Kulturtechnikde
dc.subject.ddcddc:702.8
dc.subject.ddcddc:300
dc.titleKulturtechniken und Souveränitätde
dc.typearticle
dc.type.statuspublishedVersion
local.source.spage171
local.source.epage181
local.source.issue1
local.source.volume1
dc.identifier.doi10.28937/1000106307
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18432
local.source.issueTitleKulturtechnik
dc.relation.isPartOfissn:1869-1366
dc.publisher.placeHamburg
local.coverpage2022-06-15T10:05:48


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