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dc.creatorAumont, Jacques
dc.date.accessioned2022-06-15T07:46:17Z
dc.date.available2022-06-15T07:46:17Z
dc.date.issued2010
dc.identifier.urihttps://meiner.de/artikel/1000106297
dc.identifier.urihttps://mediarep.org/handle/doc/19561
dc.description.abstractThe cinema is, as a photographic medium, an art form of light. But the mastery of lightning and the 'dark' side of his rhizomatic, interactive net have led very early to the configuration of shade and shadow and refer, ergo, to something which is perpetually related to all forms of figurative art. To film, 'night' means, however, something different, as it brings the configuration of the skies in a state of darkness with it. This is in disagreement with his usual depiction. It entails embarking on a singular figurative project, which approximates a contradiction in itself. This project demonstrates the autonomy of the configuration process precisely through this contradiction.en
dc.languagedeu
dc.publisherFelix Meiner
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectFilmde
dc.subjectNachtde
dc.subjectSchattende
dc.subject.ddcddc:791
dc.title»Verklärte Nacht«: der Himmel, der Schatten und der Filmde
dc.typearticle
dc.type.statuspublishedVersion
local.source.spage11
local.source.epage31
local.source.issue1
local.source.volume1
dc.identifier.doi10.28937/1000106297
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18436
local.source.issueTitleKulturtechnik
dc.relation.isPartOfissn:1869-1366
dc.publisher.placeHamburg
local.coverpage2022-06-15T10:05:49


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