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Muybridge / Technology

dc.creatorBraun, Marta
dc.date.accessioned2022-06-15T07:46:18Z
dc.date.available2022-06-15T07:46:18Z
dc.date.issued2010
dc.identifier.urihttps://meiner.de/artikel/1000106299
dc.identifier.urihttps://mediarep.org/handle/doc/19563
dc.description.abstractEadweard Muybridge's 1887 photographic atlas Animal Locomotion is a curious mixture of art and science, a polysemic text that has been subject to a number of readings. This paper focuses on Muybridge's technology. It seeks to understand his commitment to making photographs with a battery of cameras rather than a single camera. It suggests reasons for his choice of apparatus and shows how his final work, The Human Figure in Motion (1901), justifies the choices he made.en
dc.languageeng
dc.publisherFelix Meiner
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectPhotographiede
dc.subjectKunstde
dc.subjectWissenschaftde
dc.subjectTechnologiede
dc.subjectphotographyen
dc.subjectarten
dc.subjectscienceen
dc.subjecttechnologyen
dc.subject.ddcddc:370
dc.subject.ddcddc:702.8
dc.titleMuybridge / Technologyen
dc.typearticle
dc.type.statuspublishedVersion
dc.subject.personEadweard Muybridge
local.subject.gndhttps://d-nb.info/gnd/118735438
local.subject.wikidatahttps://www.wikidata.org/wiki/Q190568
local.source.spage51
local.source.epage62
local.source.issue1
local.source.volume1
dc.identifier.doi10.28937/1000106299
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18438
local.source.issueTitleKulturtechnik
dc.relation.isPartOfissn:1869-1366
dc.publisher.placeHamburg
local.coverpage2022-06-15T10:05:51


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