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dc.creatorEngell, Lorenz
dc.date.accessioned2022-06-15T08:09:20Z
dc.date.available2022-06-15T08:09:20Z
dc.date.issued2010
dc.identifier.urihttps://meiner.de/artikel/1000107508
dc.identifier.urihttps://mediarep.org/handle/doc/19572
dc.description.abstractPhilosophy and comedy are parallel enterprises of self-detachment. But while philosophy consistently carries out the detachment, comedy underlines its contradictions and undermines it. Thus, comedy gains an advantage especially where it reflects upon the material body which underlies every reflection, namely, its medium. My paper observes this process by studying Woody Allen's Annie Hall. Thus, the media-philosophy of the film can be contrasted against a philosopher's philosophy of the very same film.en
dc.languagedeu
dc.publisherFelix Meiner
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectKomödiede
dc.subjectPhilosophiede
dc.subjectFilmde
dc.subject.ddcddc:791.44
dc.titleUnter Aufsicht. Medium und Philosophie in Woody Allens Filmkomödie ANNIE HALLde
dc.typearticle
dc.type.statuspublishedVersion
local.subject.gndhttps://d-nb.info/gnd/4340735-3
local.subject.wikidatahttps://www.wikidata.org/wiki/Q233464
local.source.spage149
local.source.epage167
local.source.issue2
local.source.volume1
dc.identifier.doi10.28937/1000107508
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18446
dc.subject.workANNIE HALL
local.source.issueTitleMedienphilosophie
dc.relation.isPartOfissn:1869-1366
dc.publisher.placeHamburg
local.coverpage2022-06-15T10:29:14


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