The Camera Shot and the Gun Sight

dc.creator	Moss, Anne Eakin
dc.date.accessioned	2022-06-21T12:37:31Z
dc.date.available	2022-06-21T12:37:31Z
dc.date.issued	2019
dc.identifier.uri	https://meiner.de/artikel/1000108349
dc.identifier.uri	https://mediarep.org/handle/doc/19880
dc.description.abstract	This article examines the connections between the camera shot and the gun sight in the age of classic Hollywood cinema. Comparing THE LOST PATROL (USA 1934, John Ford) with TRINADTSAT (THIRTEEN, UdSSR 1936, Mikhail Romm), it asks what kind of relationship films from this era strove to establish between the viewer and the gun shot on screen. The ideological and stylistic differences between the films make visible divergent fantasies of agency, community and technology.	en
dc.language	eng
dc.publisher	Felix Meiner
dc.relation.ispartofseries	ZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.uri	https://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subject	klassisches Hollywoodkino	de
dc.subject	Kamera	de
dc.subject	classic Hollywood cinema	en
dc.subject	camera shot	en
dc.subject.ddc	ddc:791.44
dc.title	The Camera Shot and the Gun Sight	en
dc.type	article
dc.type.status	publishedVersion
local.source.spage	25
local.source.epage	38
local.source.issue	2
local.source.volume	10
dc.identifier.doi	10.28937/1000108349
dc.identifier.doi	http://dx.doi.org/10.25969/mediarep/18735
local.source.issueTitle	Blockchain
dc.relation.isPartOf	issn:1869-1366
dc.publisher.place	Hamburg
local.coverpage	2022-06-21T14:53:29

Except where otherwise noted, this item's license is described as Creative Commons - Attribution - Non Commercial - Share Alike