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dc.contributor.editorHelff, Sissy
dc.contributor.editorMichels, Stefanie
dc.date.accessioned2018-09-24T13:25:16Z
dc.date.available2018-09-24T13:25:16Z
dc.date.issued2018
dc.identifier.isbnisbn:978-3-8394-3006-4
dc.identifier.urihttps://mediarep.org/handle/doc/1995
dc.description.abstractHow is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography. The contributions sketch the contested field of (post-)colonial photography and trace the manifold intertwinements between historical and contemporary photographs.en
dc.description.tableofcontents<ul> <li><a href ='https://doi.org/10.25969/mediarep/1618'>Sissy Helff/Stefanie Michels: <i>Preface</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1619'>Stefanie Michels: <i>Re-framing Photography – Some Thoughts</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1620'>Jürg Schneider: <i>African Photography in the Atlantic Visualscape. Moving Photographers – Circulating Images</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1621'>Jens Jäger: <i>Elective Affinities? History and Photography</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1646'>Kokou Azamede: <i>How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes. The Case of Togo</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1647'>Marie-Hélène Gutberlet: <i>Presentness, Memory and History: Thabiso Sekgala, HOMELAND</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1650'>Hahn, Hans Peter: <i>On the Circulation of Colonial Pictures. Polyphony and Fragmentation</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1652'>Richard Kuba: <i>Portraits of Distant Worlds. Frobenius’ Pictorial Archive and its Legacy</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1677'>Margrit Prussat: <i>Reflexions on the Photographic Archive in the Humanities</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1678'>Sally Waterman: <i>Re-imagining the Family Album through Literary Adaptation</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1679'>Jens Ruchatz: <i>Public Rites/Private Memories. Reconciling the Social and Individual in Wedding Photography</i></a></li> </ul>
dc.languageeng
dc.publishertranscript
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjecthistoryen
dc.subjectphotographyen
dc.subjectglobalizationen
dc.subjectmemoryen
dc.subjectarchiveen
dc.subjectcolonialismen
dc.subjectpostcolonialismen
dc.subjectcultural historyen
dc.subjecthistory of colonialismen
dc.subject.ddcddc:770
dc.titleGlobal Photographies. Memory - History – Archivesen
dc.typebook
dcterms.bibliographicCitationHelff, Sissy; Michels, Stefanie (Hg.) (2018): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript. DOI: http://dx.doi.org/10.25969/mediarep/760.
dc.type.statuspublishedVersion
dc.identifier.doi10.25969/mediarep/760
dc.identifier.doi10.14361/9783839430064
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1618
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1619
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dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1621
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1646
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1647
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1650
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dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1678
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1679
dc.relation.isReviewedByurl:https://mediarep.org/handle/doc/5181
dc.publisher.placeBielefeld
local.coverpage2021-05-29T01:30:43
local.identifier.firstpublishedhttps://doi.org/10.14361/9783839430064


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