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dc.contributor.editorGeisenhanslüke, Achim
dc.contributor.editorSteltz, Christian
dc.creatorGeisenhanslüke, Achim
dc.creatorSteltz, Christian
dc.date.accessioned2018-09-24T13:25:18Z
dc.date.available2018-09-24T13:25:18Z
dc.date.issued2006
dc.identifier.isbnisbn:978-3-8394-0437-9
dc.identifier.urihttps://mediarep.org/handle/doc/2005
dc.languagedeu
dc.publishertranscript
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0
dc.subjectFilmwissenschaftde
dc.subjectGender Studiesde
dc.subjectKILL BILLde
dc.subjectKulturwissenschaftde
dc.subjectLiteraturwissenschaftde
dc.subjectPopulärkulturde
dc.subjectQuentin Tarantinode
dc.subject.ddcddc:791
dc.titleVorwortde
dc.typebookPart
dcterms.bibliographicCitationGeisenhanslüke, Achim; Steltz, Christian (2006): Vorwort. In: Achim Geisenhanslüke und Christian Steltz (Hg.): Unfinished Business. Quentin Tarantinos »Kill Bill« und die offenen Rechnungen der Kulturwissenschaften. Bielefeld: transcript (Film), S. 7–12. DOI: http://dx.doi.org/10.25969/mediarep/828.
dc.type.statuspublishedVersion
local.source.spage7
local.source.epage12
dc.identifier.doi10.25969/mediarep/828
local.source.booktitleUnfinished Business. Quentin Tarantinos »Kill Bill« und die offenen Rechnungen der Kulturwissenschaften
dc.relation.isPartOfisbn:978-3-8394-0437-9
dc.relation.isPartOfdoi:http://dx.doi.org/10.25969/mediarep/2863
dc.publisher.placeBielefeld
local.coverpage2021-01-15T01:01:16


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