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dc.contributor.editorImesch, Kornelia
dc.contributor.editorSchade, Sigrid
dc.contributor.editorSieber, Samuel
dc.date.accessioned2018-09-24T13:25:18Z
dc.date.available2018-09-24T13:25:18Z
dc.date.issued2016
dc.identifier.isbnisbn:978-3-8394-2975-4
dc.identifier.urihttps://mediarep.org/handle/doc/2006
dc.description.abstractNewsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance. This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a »biopic of the nation«, and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel.en
dc.description.tableofcontents<ul> <li><a href='http://dx.doi.org/10.25969/mediarep/1680'>Kornelia Imesch et al.: <i>Introduction</i></a></li> </ul> <h4>Part 1: Constructions of Cultural Identities in Newsreel</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/1705'>Samuel Sieber: <i>The Politics of Archives. Media, Power, and Identity</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/1707'>Knut Hickethier: <i>The Creation of Cultural Identity through Weekly Newsreels in Germany in the 1950s. As Illustrated by the NEUE DEUTSCHE WOCHENSCHAU and the UFA-WOCHENSCHAU (With a Side Glance at the DEFA Weekly Newsreel DER AUGENZEUGE)</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/1708'>Uta Schwarz: <i>West German State Newsreels in the Period of the Economic Miracle 1950-1964. Gender as an Open Approach</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/1709'>Hilde Hoffmann: <i>The Visual Memory of the Cold War. The Long Afterlife of the FOX TÖNENDE WOCHENSCHAU Newsreels on the Building of the Berlin Wall</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/1739'>Catalina Ravessoud and Gianni Haver: <i>Art Exhibitions through Newsreels. An Avatar for Identity Politics (1945-1960)</i></a></li> </ul> <h4>Part 2: Art and Culture in Newsreel, Cinema, and Television</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/1740'>Kornelia Imesch: <i>Jean Tinguely & Le Corbusier in Swiss Weekly Film Newsreels and Television. Medial Rhetorics-Medial Discourses</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/1741'>Pietro Giovannoli: <i>Fiction and Newsreel Documentary in Godard’s Cinema</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/1742'>Marie-Therese Mäder: <i>Between Migration and Integration. Representing Religious Boundaries in Swiss Documentaries</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/1743'>Nadja Borer: <i>Re-marking of Differences: Culture Television and Art Interplaying. Variability of Cultural Magazines and their Heterogeneous Dispositions</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/1770'>Marcel Bleuler: <i>Constructing an Emancipated Culture of Art Spectatorship? The Ambiguity of Ben Lewis’s Reportage-Series ART SAFARI (2003-2006)</i></a></li> </ul>
dc.languageeng
dc.publishertranscript
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectarchiveen
dc.subjectcontemporary arten
dc.subjectcultural historyen
dc.subjectcultural identityen
dc.subjectfilmen
dc.subjecttelevisionen
dc.subjectmedia historyen
dc.subjectnational identityen
dc.subjectNewsreelen
dc.subjecttelevisionen
dc.subject.ddcddc:791
dc.titleConstructions of Cultural Identities in Newsreel Cinema and Television after 1945
dc.typebook
dcterms.bibliographicCitationImesch, Kornelia; Schade, Sigrid; Sieber, Samuel (Hg.) (2016): Constructions of Cultural Identities in Newsreel Cinema and Television after 1945. Bielefeld: transcript (MedienAnalysen, 17). DOI: http://dx.doi.org/10.25969/mediarep/829.
dc.type.statuspublishedVersion
dc.identifier.doi10.25969/mediarep/829
dc.identifier.doi10.14361/9783839429754
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1680
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1705
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1707
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1708
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1709
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1739
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1740
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1741
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1742
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1743
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/1770
dc.publisher.placeBielefeld
local.coverpage2019-08-26T16:07:28


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