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dc.contributor.editorGeisenhanslüke, Achim
dc.contributor.editorSteltz, Christian
dc.creatorGeisenhanslüke, Achim
dc.date.accessioned2018-09-24T13:25:19Z
dc.date.available2018-09-24T13:25:19Z
dc.date.issued2006
dc.identifier.isbnisbn:978-3-8394-0437-9
dc.identifier.urihttps://mediarep.org/handle/doc/2012
dc.languagedeu
dc.publishertranscript
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0
dc.subjectAffektde
dc.subjectInterkulturalitätde
dc.subjectIntertextualitätde
dc.subjectQuentin Tarantinode
dc.subjectKILL BILLde
dc.subject.ddcddc:791
dc.title»Silly Caucasian girl likes to play with Samurai swords.« Zur Affektpolitik in Quentin Tarantinos KILL BILLde
dc.typebookPart
dcterms.bibliographicCitationGeisenhanslüke, Achim (2006): »Silly Caucasian girl likes to play with Samurai swords.« Zur Affektpolitik in Quentin Tarantinos KILL BILL. In: Achim Geisenhanslüke und Christian Steltz (Hg.): Unfinished Business. Quentin Tarantinos »Kill Bill« und die offenen Rechnungen der Kulturwissenschaften. Bielefeld: transcript (Film), 111-131. DOI: http://dx.doi.org/10.25969/mediarep/882.
dc.type.statuspublishedVersion
local.subject.gndhttps://d-nb.info/gnd/119290685
local.subject.wikidatahttps://www.wikidata.org/wiki/Q3772
local.subject.wikidatahttps://www.wikidata.org/wiki/Q223132
local.source.spage111
local.source.epage131
dc.identifier.doi10.25969/mediarep/882
local.source.booktitleUnfinished Business. Quentin Tarantinos »Kill Bill« und die offenen Rechnungen der Kulturwissenschaften
dc.relation.isPartOfisbn:978-3-8394-0437-9
dc.relation.isPartOfdoi:http://dx.doi.org/10.25969/mediarep/2863
dc.publisher.placeBielefeld
local.coverpage2019-08-26T15:02:12


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