2022/2 - #Materiality
Editorial NECSUS
S. 1-3
Special Section: #Materiality
On #Materiality
S. 5-23
Symbolic misery and digital media: How NFTs reproduce culture industries
S. 24-45
The laser: On the quantum materiality of media in the twentieth century
S. 46-68
Sonorous materiality of analogue film
S. 69-93
Thinkering with the Pathé Baby: Materiality, histories and (re)use of 9.5mm film
S. 94-125
Features
Preserving the now! Mediating memories and archiving experiences in Ukraine
S. 126-149
The past is always changing: An interview with Tom Gunning
S. 150-174
Realism as ontological unrest: Digital aesthetics and reparative dynamics in Mati Diop’s ‘Atlantics’
S. 175-200
Distant reading televised public information: The communication of Swedish government agencies, 1978-2020
S. 201-225
Dani Gal’s cinematic and activist engagements with Israel/Palestine in Germany
S. 226-248
Audiovisual Essays
The impersonal essay, or Montage as memory of the world
S. 249-256
Song for Earth and Folk
S. 257-258
Second Sighted
S. 259-260
Parallax Dash
S. 261-262
Most Fabulous Place
S. 263-264
Gli anni
S. 265-266
Festival Reviews
On greening film festivals: The environmental impact of film festivals and their future design and operation
S. 267-287
The post-pandemic festival: Identity, crisis, and curation at Sheffield DocFest 2022
S. 288-300
Embracing hybridity beyond the pandemic: The contrasting cases of PÖFF and SGIFF
S. 301-309
Book Reviews
Absence in Cinema
S. 310-318
Exhibition Reviews
How to Win at Photography: Image-Making and Play
S. 319-326
The Milk Of Dreams, or The Lukewarm Cup That Puts Commons to Sleep
S. 327-339
Documenta Fifteen and Berlin Biennale 12: A comparative review
S. 340-358