Alexander D. Ornella

Apocalyptic Imaginings

Alexander D. Ornella

Editorial

S. 7-14

John Lynch

Mr Robot: Hacking the Apocalypse

S. 15-30

Stephanie Bender

Just Popular Entertainment or Longing for a Posthuman Eden? The Apocalypse in Margaret Atwood’s MaddAddam Trilogy

S. 31-50

Jennifer Woodward

Totalitarian Opportunism: Cataclysm, Nietzschean Thought and Cultural Transformation in J.J. Connington’s Nordenholt’s Million (1923)

S. 51-68

Javier Campos Calvo-Sotelo

Apocalypse as Critical Dystopia in Modern Popular Music

S. 69-94

Bina Nir

Western Apocalyptic Time and Personal Authentic Time

S. 95-116

Teemu Taira

Reading Bond Films through the Lens of “Religion”: Discourse of “the West and the Rest”

S. 119-139

David S. Dalton

On (Dang) Quesadillas and Nachos: Mexican Identity and a Mormon Imaginary in the Films of Jared Hess

S. 141-165

Russel C. Powell

Narrative and Experiment, Religion and Politics in Terrence Malick’s The Tree of Life

S. 167-185

Adam Bajan

Book Review. Marcus Moberg: Church, Market, and Media: A Discursive Approach to Institutional Religious Change

S. 189-192

Grace Chiou

Book Review. Anthony Hatcher: Religion and Media in America

S. 193-197

Cassie Overcash; Michael Funk Deckard

Book Review. Christopher B. Barnett / Clark J. Elliston (eds.): Theology and the Films of Terrence Malick

S. 198-203

Joel Mayward

Festival Review. 72nd Festival de Cannes

S. 204-213