2019 | 2
Gesamtheft
Apocalyptic Imaginings
Inhalt
Editorial
S. 7-14
Mr Robot: Hacking the Apocalypse
S. 15-30
Just Popular Entertainment or Longing for a Posthuman Eden? The Apocalypse in Margaret Atwood’s MaddAddam Trilogy
S. 31-50
Totalitarian Opportunism: Cataclysm, Nietzschean Thought and Cultural Transformation in J.J. Connington’s Nordenholt’s Million (1923)
S. 51-68
Apocalypse as Critical Dystopia in Modern Popular Music
S. 69-94
Western Apocalyptic Time and Personal Authentic Time
S. 95-116
Reading Bond Films through the Lens of “Religion”: Discourse of “the West and the Rest”
S. 119-139
On (Dang) Quesadillas and Nachos: Mexican Identity and a Mormon Imaginary in the Films of Jared Hess
S. 141-165
Narrative and Experiment, Religion and Politics in Terrence Malick’s The Tree of Life
S. 167-185
Book Review. Marcus Moberg: Church, Market, and Media: A Discursive Approach to Institutional Religious Change
S. 189-192
Book Review. Anthony Hatcher: Religion and Media in America
S. 193-197
Book Review. Christopher B. Barnett / Clark J. Elliston (eds.): Theology and the Films of Terrence Malick
S. 198-203
Festival Review. 72nd Festival de Cannes
S. 204-213