2020 | 2
Gesamtheft
Religion and Popular Music
Inhalt
“You Need a Big God”: Fascinating Interactions between Music and Religion
S. 7-20
Comfort the Waste Places, Defend the Violated Earth: An Ecofeminist Reading of Isaiah 51:1–52:6 and Tracy Chapman’s Song “The Rape of the World”
S. 21-33
Combating Gender Norms with a Lipstick-Gun: Lady Gaga’s JUDAS
S. 34-39
What Makes Popular Christian Music “Popular”? A Comparison of Current US-American and German Christian Music Using the Examples of Lauren Daigle and Koenige & Priester
S. 41-57
Paths of Destiny: Rosalía’s Spiritual Car Ride in AUNQUE ES DE NOCHE
S. 58-63
Heavy Metal Bricolage: Religious Imagery and “Religionized” Visual Language in Music Videos
S. 65-85
“But are as the Angels which are in Heaven” (Mark 12:25): Reimagining a Gender-Ambiguous Heaven in Dorian Electra’s ADAM & STEVE
S. 86-89
"And God Is Never Far Away”: Or the Sum of this Issue
S. 91-102
Book Review. Assaf Gamzou / Ken Koltun-Fromm (eds.), Comics and Sacred Texts: Reimagining Religion & Graphic Narratives
S. 105-109
Book Review. Terry Lindvall, God on the Big Screen: A History of Hollywood Prayer from the Silent Era to Today
S. 110-113
Book Review. Ken Derry / John C. Lyden (eds.), The Myth Awakens: Canon, Conservatism, and Fan Reception of STAR WARS
S. 114-118
Music Review: Kanye West, Jesus Is King
S. 119-123