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dc.creatorFlückiger, Barbara
dc.date.accessioned2018-09-26T11:39:48Z
dc.date.available2018-09-26T11:39:48Z
dc.date.issued2012
dc.identifier.urihttps://mediarep.org/handle/doc/3205
dc.description.abstractIn his landmark study THE VIRTUAL LIFE OF FILM, David N. Rodowick rephrases André Bazin’s famous question ‘what is cinema?’ using the past tense: ‘what was cinema?’ He notes that, paradoxically, film studies is dealing with an object that no longer exists; it ceased existing as an object of study in the 1970s when ‘cinema’ as ‘the projection of a photographically recorded filmstrip in a theatrical setting’ was replaced by various other means of presentation, such as video cassettes and later video discs.en
dc.languageeng
dc.publisherAmsterdam University Press
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectDigitales Kinode
dc.subjectDigitalisierungde
dc.subjectFilmde
dc.subjectMaterialitätde
dc.subjectOpazitätde
dc.subjectKonservierungde
dc.subjectKörperkontaktde
dc.subjectdigitalen
dc.subjectfilmen
dc.subjectmaterialen
dc.subjectopacityen
dc.subjectpreservationen
dc.subjecttangibilityen
dc.subject.ddcddc:028
dc.titleMaterial properties of historical film in the digital agede
dc.typearticle
dcterms.bibliographicCitationFlückiger, Barbara (2012): Material properties of historical film in the digital age. In: NECSUS. European Journal of Media Studies 1 (2), 135–153. DOI: https://doi.org/10.5117/NECSUS2012.2.FLUE.
dc.type.statuspublishedVersion
local.source.spage135
local.source.epage153
local.source.issue2
local.source.volume1
dc.identifier.doi10.5117/NECSUS2012.2.FLUE
dc.relation.isPartOfissn:2213-0217
local.coverpage2019-08-26T16:38:13


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