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dc.creatorStrauven, Wanda
dc.date.accessioned2018-09-26T11:39:48Z
dc.date.available2018-09-26T11:39:48Z
dc.date.issued2012
dc.identifier.urihttps://www.necsus-ejms.org/test/early-cinemas-touchable-screens-from-uncle-josh-to-ali-barbouyou/
dc.identifier.urihttps://mediarep.org/handle/doc/3206
dc.description.abstractLast spring a ‘magic moment’ happened at an afternoon screening of Martin Scorsese’s 3D film HUGO (2011). When the end credits were scrolling across the huge screen-wall and the audience was leaving the auditorium, a little girl ran to the front. At first a bit hesitant, she reached up and touched the screen. Then she ran to her father who was waiting for her back at the entrance. Is this the ‘return of the rube in the digital age’, Malte Hagener wondered when he posted the anecdote on Facebook? Why did this little girl want to touch the screen? Was it indeed to find out ‘the location of the images’, as Hagener suggests?en
dc.languageeng
dc.publisherAmsterdam University Press
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectKinode
dc.subjectFilmde
dc.subjectKörperkontaktde
dc.subjectTouchscreende
dc.subjectcinemaen
dc.subjectfilmen
dc.subjecttangibilityen
dc.subjecttouchscreenen
dc.subject.ddcddc:791
dc.titleEarly cinema’s touch(able) screens – From Uncle Josh to Ali Barbouyouen
dc.typearticle
dcterms.bibliographicCitationStrauven, Wanda (2012): Early cinema’s touch(able) screens – From Uncle Josh to Ali Barbouyou. In: NECSUS. European Journal of Media Studies 1 (2), 155–176. DOI: https://doi.org/10.5117/NECSUS2012.2.STRA.
dc.type.statuspublishedVersion
local.source.spage155
local.source.epage176
local.source.issue2
local.source.volume1
dc.identifier.doi10.5117/NECSUS2012.2.STRA
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15054
dc.relation.isPartOfissn:2213-0217
dc.publisher.placeAmsterdam
local.coverpage2021-05-29T05:17:10
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2012.2.STRA


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