Questions of embodied difference – Film and queer phenomenology
Author(s): Lindner, Katharina
A phenomenological description of the cinematic situation considers the film as a lived body. Just as the human lived body forms the basis for intentionality, perception, expression and action in the world, the film’s body – its technological and instrumental dimension – forms the basis for the films perceptual and expressive engagement with the world. Technological methods and processes thus correlate with modalities of thought and consciousness.
Lindner, Katharina: Questions of embodied difference – Film and queer phenomenology. In: NECSUS. European Journal of Media Studies, Jg. 1 (2012), Nr. 2, S. 199–217. DOI: https://doi.org/10.25969/mediarep/15056.
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