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dc.creatorLindner, Katharina
dc.date.accessioned2018-09-26T11:39:49Z
dc.date.available2018-09-26T11:39:49Z
dc.date.issued2012
dc.identifier.urihttps://www.necsus-ejms.org/test/questions-of-embodied-difference-film-and-queer-phenomenology/
dc.identifier.urihttps://mediarep.org/handle/doc/3208
dc.description.abstractA phenomenological description of the cinematic situation considers the film as a lived body. Just as the human lived body forms the basis for intentionality, perception, expression and action in the world, the film’s body – its technological and instrumental dimension – forms the basis for the films perceptual and expressive engagement with the world. Technological methods and processes thus correlate with modalities of thought and consciousness.en
dc.languageeng
dc.publisherAmsterdam University Press
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectbodyen
dc.subjectfilmen
dc.subjectidentityen
dc.subjectphenomenologyen
dc.subjectqueeren
dc.subjecttangibilityen
dc.subjectKörperde
dc.subjectFilmde
dc.subjectIdentitätde
dc.subjectPhänomenologiede
dc.subjectQueer Theoryde
dc.subjectKörperkontaktde
dc.subject.ddcddc:791
dc.titleQuestions of embodied difference – Film and queer phenomenologyen
dc.typearticle
dcterms.bibliographicCitationLindner, Katharina (2012): Questions of embodied difference – Film and queer phenomenology. In: NECSUS. European Journal of Media Studies 1 (2), 199–217. DOI: https://doi.org/10.5117/NECSUS2012.2.LIND.
dc.type.statuspublishedVersion
dc.subject.personJordan Scott
local.subject.wikidatahttps://www.wikidata.org/wiki/Q2708250
local.source.spage199
local.source.epage217
local.source.issue2
local.source.volume1
dc.identifier.doi10.5117/NECSUS2012.2.LIND
dc.subject.workCRACKS
dc.relation.isPartOfissn:2213-0217
dc.publisher.placeAmsterdam
local.coverpage2020-11-22T11:12:22
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2012.2.LIND


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