Blood, sweat, and tears – Bodily inscriptions in contemporary experimental film
Abstract
The contemporary works discussed in this article emerge from a wider desire in experimental film to (re)discover the aesthetic and critical potential of celluloid as it shifts, to employ the terminology coined by Raymond Williams, from the dominant to the residual.
Preferred Citation
Knowles, Kim: Blood, sweat, and tears – Bodily inscriptions in contemporary experimental film. In: NECSUS. European Journal of Media Studies, Jg. 2 (2013), Nr. 2, S. 447–463. DOI: https://doi.org/10.25969/mediarep/15100.
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