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dc.creatorKnowles, Kim
dc.date.accessioned2018-09-26T11:47:33Z
dc.date.available2018-09-26T11:47:33Z
dc.date.issued2013
dc.identifier.urihttps://www.necsus-ejms.org/test/blood-sweat-and-tears-bodily-inscriptions-in-contemporary-experimental-film/
dc.identifier.urihttps://mediarep.org/handle/doc/3283
dc.description.abstractThe contemporary works discussed in this article emerge from a wider desire in experimental film to (re)discover the aesthetic and critical potential of celluloid as it shifts, to employ the terminology coined by Raymond Williams, from the dominant to the residual.en
dc.languageeng
dc.publisherAmsterdam University Press
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectKörperde
dc.subjectExperimentalfilmde
dc.subjectAbfallde
dc.subjectbodyen
dc.subjectexperimentalen
dc.subjectfilmen
dc.subjectwasteen
dc.subject.ddcddc:791
dc.titleBlood, sweat, and tears – Bodily inscriptions in contemporary experimental filmen
dc.typearticle
dcterms.bibliographicCitationKnowles, Kim (2013): Blood, sweat, and tears – Bodily inscriptions in contemporary experimental film. In: NECSUS. European Journal of Media Studies 2 (2), 557-463. DOI: https://doi.org/10.5117/NECSUS2013.2.KNOW.
dc.type.statuspublishedVersion
local.source.spage447
local.source.epage463
local.source.issue2
local.source.volume2
dc.identifier.doi10.5117/NECSUS2013.2.KNOW
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15100
dc.relation.isPartOfissn:2213-0217
dc.publisher.placeAmsterdam
local.coverpage2021-05-29T05:20:33
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2013.2.KNOW


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