2012/1 – #Crisis
Editorial NECSUS #1, Spring 2012, 'Crisis'
S. 1-3
Articles
The gaps of cinema
S. 4-13
Twitter as a multilingual space: The articulation of the Tunisian revolution through #sidibouzid
S. 14-34
Policing the people: Television studies and the problem of ‘quality’
S. 35-53
The photo-novel, a minor medium?
S. 54-66
Special Section: Crisis
Sea-change: Transforming the ‘crisis’ in film theory
S. 67-84
A sideways view of the film economy in an age of digital piracy
S. 85-97
Portraying the global financial crisis: Myth, aesthetics, and the city
S. 98-125
Universal, Germany, and ALL QUIET ON THE WESTERN FRONT: A case study in crisis historiography
S. 126-147
Ephemeral bodies and threshold creatures: The crisis of the adolescent rite of passage in Sofia Coppola’s THE VIRGIN SUICIDES and Gus Van Sant’s ELEPHANT
S. 148-168
Book reviews
Crisis and Capitalism in Contemporary Argentine Cinema - written by Joanna Page, Durham-London: Duke University Press, 2009
S. 169-173
Towards a new media archaeology? A report on some books and tendencies
S. 174-180
Conference reviews
Moving image and institution: Cinema and the museum in the 21st century, University of Cambridge (6-8 July 2011)
S. 181-186
Lost in translation? On the diverging responses to the question concerning technology - The Impact of Technological Innovations on the Historiography and Theory of Cinema, La Cinémathèque québécoise, Montreal (1-6 November 2011)
S. 187-192
Festival + Exhibition reviews
Atlas. How to carry the world on one’s back?
S. 193-196
Busan Cinema Forum 2011
S. 197-200