2012/1 – Crisis
Editorial NECSUS #1, Spring 2012, 'Crisis'
The gaps of cinema
Twitter as a multilingual space: The articulation of the Tunisian revolution through #sidibouzid
Policing the people: Television studies and the problem of ‘quality’
The photo-novel, a minor medium?
Special Section: Crisis
Sea-change: Transforming the ‘crisis’ in film theory
A sideways view of the film economy in an age of digital piracy
Portraying the global financial crisis: Myth, aesthetics, and the city
Universal, Germany, and ALL QUIET ON THE WESTERN FRONT: A case study in crisis historiography
Ephemeral bodies and threshold creatures: The crisis of the adolescent rite of passage in Sofia Coppola’s THE VIRGIN SUICIDES and Gus Van Sant’s ELEPHANT
Crisis and Capitalism in Contemporary Argentine Cinema - written by Joanna Page, Durham-London: Duke University Press, 2009
Towards a new media archaeology? A report on some books and tendencies
Moving image and institution: Cinema and the museum in the 21st century, University of Cambridge (6-8 July 2011)
Lost in translation? On the diverging responses to the question concerning technology - The Impact of Technological Innovations on the Historiography and Theory of Cinema, La Cinémathèque québécoise, Montreal (1-6 November 2011)
Festival + Exhibition reviews
Atlas. How to carry the world on one’s back?
Busan Cinema Forum 2011