2012/2 – #Tangibility
Editorial Necsus
S. 1-3
Articles
The relocation of cinema
S. 5-34
MP3s, rebundled debt, and performative economics – Deferral, derivatives, and digital commodity fetishism in Lady Gaga’s spectacle of excess
S. 35-54
Can you see yourself living here? Structures of desire in recent British lifestyle television
S. 55-76
Investigatory art – Real-time systems and network culture
S. 77-89
Beyond cognitive estrangement – The future of science fiction cinema
S. 91-113
The care for opacity – On Tsai Ming-Liang’s conservative filmic gesture
S. 115-131
Special Section: Tangibility
Material properties of historical film in the digital age
S. 135-153
Early cinema’s touch(able) screens – From Uncle Josh to Ali Barbouyou
S. 155-176
Aporias of the touchscreen – On the promises and perils of a ubiquitous technology
S. 177-198
Questions of embodied difference – Film and queer phenomenology
S. 199-217
The intangible ground – A neurophenomenology of the film experience
S. 219-239
From subject-effect to presence-effect – A deictic approach to the cinematic
S. 241-267
‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM
S. 269-298
Festival reviews
‘The Angels’ Share’ at the 2012 Cannes Film Festival
S. 299-305
The 37th annual Toronto International Film Festival – Seeking the social in the virtual
S. 305-312
Alternative Film/Video Belgrade 2011
S. 313-316
Book reviews
The good, the beautiful and the sublime
S. 317-322
A multiplied medium – Reviewing recent publications on television’s transitions
S. 322-328
European nightmares – Horror cinema in Europe since 1945
S. 328-333
Cinema and experience – Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
S. 333-337
Exhibition reviews
Exhibition Reviews
S. 338-346
‘Non Non Non’ – Visiting the exhibition with Yervant Gianikian and Angela Ricci Lucchi
S. 346-357