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dc.creatorWalton, Saige
dc.date.accessioned2018-09-26T11:48:26Z
dc.date.available2018-09-26T11:48:26Z
dc.date.issued2014
dc.identifier.urihttps://www.necsus-ejms.org/test/beauty-act-figuring-film-delirious-baroque-holy-motors/
dc.identifier.urihttps://mediarep.org/handle/doc/3326
dc.description.abstractLeos Carax’s metamorphic Holy Motors (2012) has been received as evading conceptual, physical, and cinematic coherence. Drawing on Gilles Deleuze’s concept of the fold and Nicole Brenez’s work on the figural powers of the cinema, this article argues that Carax’s film reprises the aesthetics of a delirious baroque. Re-evaluating the relevance of the baroque for Carax and for cinema, it identifies the delirious baroque as an embodied aesthetics of movement, materiality, and multiplicity as well as vision.en
dc.languageeng
dc.publisherAmsterdam University Press
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectBarockde
dc.subjectFilmde
dc.subjectFaltede
dc.subjectFalte <Motiv>de
dc.subjectMetamorphosede
dc.subjectEmpfindungde
dc.subjectSpurde
dc.subjectbaroqueen
dc.subjectcinemaen
dc.subjectfolden
dc.subjectfiguralen
dc.subjectfilmen
dc.subjectmetamorphosisen
dc.subjectsensationen
dc.subjecttracesen
dc.subject.ddcddc:791
dc.titleThe beauty of the act – Figuring film and the delirious baroque in HOLY MOTORSen
dc.typearticle
dcterms.bibliographicCitationWalton, Saige (2014): The beauty of the act – Figuring film and the delirious baroque in HOLY MOTORS. In: NECSUS. European Journal of Media Studies 3 (1), 245–265. DOI: https://doi.org/10.5117/NECSUS2014.1.WALT.
dc.type.statuspublishedVersion
dc.subject.personGilles Deleuze
dc.subject.personLeos Carax
dc.subject.personNicole Brenez
local.subject.gndhttps://d-nb.info/gnd/118524534
local.subject.gndhttps://d-nb.info/gnd/119143356
local.subject.wikidatahttps://www.wikidata.org/wiki/Q184226
local.subject.wikidatahttps://www.wikidata.org/wiki/Q737693
local.source.spage245
local.source.epage265
local.source.issue1
local.source.volume3
dc.identifier.doi10.5117/NECSUS2014.1.WALT
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15143
dc.relation.isPartOfissn:2213-0217
dc.publisher.placeAmsterdam
local.coverpage2021-05-29T05:23:37
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2014.1.WALT


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