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dc.creatorMartin, Adrian
dc.date.accessioned2018-09-26T11:51:33Z
dc.date.available2018-09-26T11:51:33Z
dc.date.issued2014
dc.identifier.urihttps://www.necsus-ejms.org/test/documentary-temptation-fiction-filmmakers-non-fiction-forms/
dc.identifier.urihttps://mediarep.org/handle/doc/3328
dc.description.abstractThis essay addresses the ‘documentary temptation’ for filmmakers more usually associated with fiction: an encounter with reality – whether rendered in minimalist, observational, cinéma-vérité, or conventional reportage formats – that comes on an initial, primary level without artifice, pretence, contrivance, or the industrial and aesthetic machinery of narrative cinema. The notion of such a ‘return to zero’ is critically explored with reference to directors including Jean Eustache, James Benning, Martin Scorsese, Jean-Pierre Gorin, Wim Wenders, and Stan Brakhage.en
dc.languageeng
dc.publisherAmsterdam University Press
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectAvantgardede
dc.subjectDokumentarfilmde
dc.subjectEssayfilmde
dc.subjectReenactmentde
dc.subjectavant-gardeen
dc.subjectcinéma-véritéen
dc.subjectdocumentaryen
dc.subjectessay filmen
dc.subjectre-enactmenten
dc.subject.ddcddc:904
dc.titleThe documentary temptation: Fiction filmmakers and non-fiction formsen
dc.typearticle
dcterms.bibliographicCitationMartin, Adrian (2014): The documentary temptation: Fiction filmmakers and non-fiction forms. In: NECSUS. European Journal of Media Studies 3 (2), 5–20. DOI: https://doi.org/10.5117/NECSUS2014.2.MART.
dc.type.statuspublishedVersion
local.source.spage5
local.source.epage20
local.source.issue2
local.source.volume3
dc.identifier.doi10.5117/NECSUS2014.2.MART
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15145
dc.relation.isPartOfissn:2213-0217
dc.publisher.placeAmsterdam
local.coverpage2021-05-29T05:23:46
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2014.2.MART


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