2013/1 – #Green
Editorial Necsus
S. 1-3
Articles
Anecdotal evidence
S. 5-18
Still TV – On the resilience of an old medium
S. 19-34
Nenette – Film theory, animals, and boredom
S. 35-50
Advertisarial relations and aesthetics of survival: Advertising –> advertisign
S. 51-73
Special section: Green
Greening media studies – An interview with Richard Maxwell and Toby Miller
S. 77-82
‘Global warming is not a crisis!’ – Studying climate change skepticism on the Web
S. 83-112
Painting the town green – From urban teleology to urban ecology in New York cinema, 1960-present
S. 113-144
A filmic exploration by means of botanical imagery – Notes on Rose Lowder
S. 145-158
Dialectical Modes of Nature in Terrence Malick’s THE THIN RED LINE
S. 159-178
Her green materials – Mourning, ‘Melancholia’, and not-so-vital materialisms
S. 179-196
Disharmonious designs – Colour contrast and curiosity in Jane Campion’s IN THE CUT
S. 197-212
Greenface – Exploring green skin in contemporary Hollywood cinema
S. 213-232
Scalar entanglement in digital media ecologies
S. 233-254
Book reviews
Subjectivity and ostrannenie – Key debates in European film studies
S. 255-261
Screen dynamics – Mapping the borders of cinema
S. 262-267
Branding Television
S. 268-273
Festival reviews
Go east by southeast – 13th Festival of Central and Eastern European Film Wiesbaden
S. 274-280
From Chernobyl to Fukushima – The Uranium Film Festival
S. 281-285
Indigenous film festival as eco-testimonial encounter – The 2011 Native Film + Video Festival
S. 285-291
Exhibition + Website + Conference reviews
Discovering repetition
S. 292-302
Playing with digital byproduct data – An indicative example
S. 303-311
Screen industries in East-Central Europe – Cultural policies and political culture (22-25 November 2012, Masaryk University, Brno, Czech Republic)
S. 312-319