NECSUS Editorial Board

Editorial Necsus

S. 321-322

Engell, Lorenz

The tactile and the index – From the remote control to the hand-held computer, some speculative reflections on the bodies of the will

S. 323-336

Fournier, Anik

Archival gambits in recent art – What can an image do?

S. 337-358

Smyrnaios, Nikos; Rieder, Bernard

Social infomediation of news on Twitter – A French case study

S. 359-382

Tiainen, Milla

Revisiting the voice in media and as medium – New materialist propositions

S. 383-406

Special section: Waste

guest edited by Alexandra Schneider and Wanda Strauven

Strauven, Wanda; Schneider, Alexandra

Waste – An introduction

S. 409-418

Parks, Lisa

Orbital ruins

S. 419-429

Nardelli, Matilde

‘The Sprawl of Entropy’ – Cinema, waste, and obsolescence in the 1960s and 1970s

S. 431-446

Knowles, Kim

Blood, sweat, and tears – Bodily inscriptions in contemporary experimental film

S. 447-463

Hölling, Hanna B.

Transcending obsolescence in technological ruins? Questions of conservation and presentation in Nam June Paik’s Something Pacific and Rembrandt Automatic

S. 465-482

Schoonover, Karl

Documentaries without documents? Ecocinema and the toxic

S. 483-507

Tybjerg, Casper

‘The Sown and the Waste’ – or, the psychedelic writing of film history

S. 509-525

Parikka, Jussi

Media zoology and waste management – Animal energies and medianatures

S. 527-544


Lovink, Geert

The aesthetics of dispersed attention – An interview with German media theorist Petra Löffler

S. 545-555

Olesen, Christian

Found footage photogénie – An interview with Elif Rongen-Kaynakçi and Mark-Paul Meyer

S. 555-562

Book reviews

edited by Lavinia Brydon and Alena Strohmaier (NECS Publication Committee)

Hanssen, Eirik Frisvold

Colour Films in Britain

S. 563-568

Camporesi, Enrico

Re-writing the history of the avant-garde

S. 569-573

Gnesda, Sophie; Reichert, Ramón

Moving data

S. 573-578

Festival reviews

edited by Marijke de Valck and Skadi Loist (Film Festival Research Network)

de Valck, Marijke; Loist, Skadi

Trans* film festivals – An interview with Eliza Steinbock

S. 579-588

Kredell, Brendan

The business of audience festivals – Calgary International Film Festival 2012

S. 588-593

Akser, Murat

Antalya Golden Orange Film Festival – Between the national and the global

S. 593-598

Exhibition reviews

Di Chiara, Francesco

Framing, painting, collecting images – Antonioni’s legacy

S. 599-605

van den Oever, Annie

Federico Fellini and the experience of the grotesque and carnavalesque – Dis-covering the magic of mass culture

S. 606-615

Conference reviews

Behlil, Melis

Contemporary Women’s Cinema – Global Scenarios and Transnational Contexts (28-29 May 2013, Roma Tre University, Italy)

S. 616-620

Gmiterková, Šárka

Revisiting Star Studies (12-14 June 2013, Newcastle University)

S. 621-625