Features

NECSUS Editorial Board

Editorial Necsus

S. 1-4

Martin, Adrian

The documentary temptation: Fiction filmmakers and non-fiction forms

S. 5-20

Hassapopoulou, Marina

Reconfiguring film studies through software cinema and procedural spectatorship

S. 21-42

Hanich, Julian

Laughter and collective awareness: The cinema auditorium as public space

S. 43-62

Harvey-Davitt, James

Disputing Rossellini: Three French perspectives

S. 63-80

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Special section: War

Farocki, Harun

Serious games

S. 89-97

Väliaho, Pasi

The light of God: Notes on the visual economy of drones

S. 99-111

Shpolberg, Masha

The din of gunfire: Rethinking the role of sound in World War II newsreels

S. 113-129

Pringle, Thomas

Photographed by the Earth: War and media in light of nuclear events

S. 131-154

Archibald, David; Velez-Serna, Maria

Kilts, tanks, and aeroplanes: Scotland, cinema, and the First World War

S. 155-175

Pitassio, Francesco

Shell shock cinema: A discussion with Anton Kaes

S. 177-188

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Audiovisual essays:

Martin, Adrian; Álvarez López, Cristina

Introduction to the audiovisual essay: A child of two mothers

S. 81-87

Dirk de Bruyn

Found found found

S. 259-260

Laura Lammer

Smells like Armageddon day – Dreamlike settings and magnified trash

S. 261-262

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Book reviews

edited by Lavinia Brydon and Alena Strohmaier (NECS Publication Committee)

Hillrichs, Rainer

Haunted by participatory culture

S. 189-195

Wright, Julie Lobalzo

Female celebrity and ageing in the limelight and under the microscope

S. 195-202

de Cuir, Jr, Greg

Film festival management and programming

S. 202-207

Valente, Donatella

Cinema, postmedia, and resolutions

S. 207-215

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Festival reviews

edited by Marijke de Valck and Skadi Loist (Film Festival Research Network)

Galt, Rosalind; Schoonover, Karl

Minds, bodies, and hearts: Flare London LGBT Film Festival 2014

S. 217-224

Newton, James

Progressive spaces and lines of battle: Bristol Radical Film Festival 2014

S. 225-230

Acciari, Monia

River-to-River Florence Indian Film Festival: The Italian response to Bollywood cinema

S. 231-237

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Exhibition reviews

edited by Miriam De Rosa and Malin Wahlberg (NECS Publication Committee)

Hu, Tung-Hui

Appropriation / Collaboration: Christian Marclay / Harrell Fletcher and Miranda July at the University of Michigan Museum of Art

S. 239-244

Marcheschi, Elena

A spiritual journey in Bill Viola’s art

S. 245-251

Wahlberg, Malin

LEVIATHAN: From sensory ethnography to gallery film

S. 251-258