Show simple item record

dc.creatorSpampinato, Francesco
dc.date.accessioned2018-09-26T11:54:44Z
dc.date.available2018-09-26T11:54:44Z
dc.date.issued2015
dc.identifier.urihttps://mediarep.org/handle/doc/3379
dc.description.abstractWhile he is appreciated primarily as a sculptor, Richard Serra also made several films and videos in the 1960s and 1970s which have a pivotal role in both the history of avant-garde film and the development of early video art. This article takes into account this ‘collateral’ production, suggesting that Serra’s work is not merely formalist or materialist. Rather, as his video work suggests, his larger sculptural works and conceptual approach require a re-interpretation as commentaries on social and political issues. This essay focuses on the artist’s videos, reading them as an extension of both his films and his sculptural production, but which takes a more explicit stance than either. The essay will also take into account the similarities between Serra’s stance and that of the contemporary Guerrilla Television movement, trying to position them within the articulated history of the relationships between contemporary art and mass media.en
dc.languageeng
dc.publisherAmsterdam University Press
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectGuerrilla Televisionen
dc.subjectarten
dc.subjectconceptual arten
dc.subjectminimalismen
dc.subjectperformance arten
dc.subjectpoliticsen
dc.subjectsculptureen
dc.subjecttelevisionen
dc.subjectvideo arten
dc.subjectGuerrilla Televisionde
dc.subjectKunstde
dc.subjectConcept Artde
dc.subjectMinimal Artde
dc.subjectMinimalismusde
dc.subjectPerformance
dc.subjectPolitikde
dc.subjectPlastikde
dc.subjectFernsehende
dc.subjectVideokunstde
dc.subjectRaindance Corporationde
dc.subjectRaindance Foundation (Ruby)de
dc.subject.ddcddc:791
dc.titleRichard Serra: Sculpture, television, and the status quode
dc.typearticle
dcterms.bibliographicCitationSpampinato, Francesco (2015): Richard Serra: Sculpture, television, and the status quo. In: NECSUS. European Journal of Media Studies 4 (2), 31–49. DOI: https://doi.org/10.5117/NECSUS2015.2.SPAM.
dc.type.statuspublishedVersion
dc.subject.personRichard Serra
dc.subject.personRosalind E. Krauss
local.subject.gndhttps://d-nb.info/gnd/118796267
local.subject.gndhttps://d-nb.info/gnd/120118599
local.subject.wikidatahttps://www.wikidata.org/wiki/Q321245
local.subject.wikidatahttps://www.wikidata.org/wiki/Q431963
local.source.spage31
local.source.epage49
local.source.issue2
local.source.volume4
dc.identifier.doi10.5117/NECSUS2015.2.SPAM
dc.relation.isPartOfissn:2213-0217
local.coverpage2019-08-26T16:39:00


Files in this item

Thumbnail

Show simple item record

Creative Commons - Attribution - Non Commercial - No Derivatives
Except where otherwise noted, this item's license is described as Creative Commons - Attribution - Non Commercial - No Derivatives