2015/2 – #Vintage
Features:
Editorial NECSUS
S. 1-2
Temps mort: Speaking about Chantal Akerman (1950-2015)
S. 3-12
Agamben’s cinema: Psychology versus an ethical form of life
S. 13-30
Richard Serra: Sculpture, television, and the status quo
S. 31-49
Dredging, drilling, and mapping television’s swamps: An interview with John Caldwell on the 20th anniversary of TELEVISUALITY
S. 51-70
Special section: Vintage
Locating vintage
S. 73-84
A theoretical approach to vintage: From oenology to media
S. 85-102
Technostalgia of the present: From technologies of memory to a memory of technologies
S. 103-121
The way we watched: Vintage television programmes, memories, and memorabilia
S. 123-142
Retro, faux-vintage, and anachronism: When cinema looks back
S. 143-163
No time like the past? On the new role of vintage and retro in the magazines SCANDINAVIAN RETRO and RETRO GAMER
S. 165-185
Death, beauty, and iconoclastic nostalgia: Precarious aesthetics and Lana Del Rey
S. 187-207
Audiovisual essays:
Learning from popular genres – with help from the audiovisual essay
S. 209-213
Construction of a Heist (2014)
S. 214-214
A note on COMEDY VITTI STYLE (2015)
S. 215-216
Book reviews:
The Lumière Galaxy
S. 217-222
Beautiful Data / The Democratic Surround
S. 223-227
Cinema of the Swimming Pool / Cinema as Weather
S. 228-234
Festival reviews:
Selling film in the summer of 2015: Midnight Sun, Il Cinema Ritrovato, and Karlovy Vary
S. 235-245
Made in Peru: Lima Film Festival comes of age
S. 246-251
Strong positioning on the international festival circuit: An interview with Diana Iljine of Filmfest München
S. 252-260
Exhibition reviews:
Hollis Frampton's 'other work'
S. 261-266
Theaters: Cinematic vintage magnified
S. 267-276
Arab Pop: Whose Gaze is it Anyway?
S. 277-283
Artists’ Film Biennial, ICA 2014
S. 284-293