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dc.creatorBaschiera, Stefano
dc.creatorCaoduro, Elena
dc.date.accessioned2018-09-26T11:54:45Z
dc.date.available2018-09-26T11:54:45Z
dc.date.issued2015
dc.identifier.urihttps://www.necsus-ejms.org/test/retro-faux-vintage-and-anachronism-when-cinema-looks-back/
dc.identifier.urihttps://mediarep.org/handle/doc/3385
dc.description.abstractThis article explores the definition of ‘vintage cinema’ and specifically re-evaluates the fetishism for the past and its regurgitation in the present by providing a taxonomy of the phenomenon in recent film production. Our contribution identifies three aesthetic categories: faux-vintage, retro and anachronistic; by illustrating their overlapping and discrepancies it argues that the past remains a powerful negotiator of meaning for the present and the future. Drawing on studies of memory and digital nostalgia, this article focuses on the latter category: anachronism. It furthermore unravels the persistence of and the filmic fascination for obsolete analogue objects through an analysis of ONLY LOVERS LEFT ALIVE (Jim Jarmusch, 2013).en
dc.languageeng
dc.publisherAmsterdam University Press
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectAnachronismusde
dc.subjectFetischismusde
dc.subjectNostalgiede
dc.subjectObsoleszenzde
dc.subjectvintagede
dc.subjectanachronismen
dc.subjectanalogueen
dc.subjectfetishismen
dc.subjectnostalgiaen
dc.subjectobsolescenceen
dc.subjectvintageen
dc.subject.ddcddc:791
dc.titleRetro, faux-vintage, and anachronism: When cinema looks backen
dc.typearticle
dcterms.bibliographicCitationBaschiera, Stefano; Caoduro, Elena (2015): Retro, faux-vintage, and anachronism: When cinema looks back. In: NECSUS. European Journal of Media Studies 4 (2), 143–163. DOI: https://doi.org/10.5117/NECSUS2015.2.BASC.
dc.type.statuspublishedVersion
dc.subject.personJim Jarmusch
local.subject.gndhttps://d-nb.info/gnd/120820366
local.subject.wikidatahttps://www.wikidata.org/wiki/Q191755
local.subject.wikidatahttps://www.wikidata.org/wiki/Q3352751
local.source.spage143
local.source.epage163
local.source.issue2
local.source.volume4
dc.identifier.doi10.5117/NECSUS2015.2.BASC
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15202
dc.subject.workONLY LOVERS LEFT ALIVE
dc.relation.isPartOfissn:2213-0217
dc.publisher.placeAmsterdam
local.coverpage2021-05-29T05:27:59
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2015.2.BASC


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