2016/1 – #Smalldata
Features:
Editorial Necsus
S. 1-4
A philosophy of weaving the web: An interview with media theorist Sebastian Giessmann
S. 5-18
Remake: Chantal Akerman’s and John Smith’s plays on reality
S. 19-39
Videographic film studies and the analysis of camera movement
S. 41-58
Photobiographies: The ‘Derrida’ documentaries as film-philosophy
S. 59-76
‘The Right Stuff’: From Western to melodrama and comedy
S. 77-93
Pleasure | Obvious | Queer: A conversation with Richard Dyer
S. 95-110
Special section: Small data
Forms of binding: On data and not ‘fitting in’
S. 111-130
Compact cinematics
S. 131-147
From Saul Bass to participatory culture: Opening title sequences in contemporary television series
S. 149-175
Database aesthetics, modular storytelling, and the intimate small worlds of Korsakow documentaries
S. 177-197
Towards a ‘minor data’ manifesto
S. 199-214
Exhibition reviews:
Ryoji Ikeda at ZKM
S. 215-223
Re-enacting pre-existing image collections in Akram Zaatari’s ‘Unfolding’
S. 225-233
The milieu of poetry: Yuri An’s ‘The Unharvested Sea’ and ‘Sailing Words’
S. 235-243
Festival reviews:
Of calendars and industries: IDFA and CPH:DOX
S. 245-254
Human rights, film, and social change: Screening Rights Film Festival, Birmingham Centre for Film Studies
S. 255-263
Rediscovering Frantz Fanon at Scotland’s Africa in Motion film festival
S. 265-272
Book reviews:
Complex series and struggling cable guys
S. 273-282
New media configurations and socio-cultural dynamics in Asia and the Arab world
S. 283-288
Audiovisual essays:
Whose Cinema: The video-essay on the big screen of the International Film Festival Rotterdam
S. 289-295
Live Streaming US
S. 297-298
re_making
S. 299-300
Warped Reflections: The Cinematic Identity of Helmut Berger
S. 301-304