2016/2 – #Home
Features:
Editorial Necsus
S. 1-2
Even today there are people who think these harmless little books are dangerous: An interview with David Bordwell
S. 3-14
From single male guest worker to Muslim: An archaeology of iterating archival footage on Dutch television
S. 15-48
The politics of spatiality in experimental nonfiction cinema: Jonathan Perel’s ‘Toponimia’
S. 49-71
For here there is no place that does not see you: ‘Minority Report’ and art as de/legitimisation
S. 73-88
Special section: #Home
The Calais Jungle: Mediations of home
S. 89-106
From the bedroom to LA: Revisiting the settings of early video blogs on YouTube
S. 107-131
The filmic representation of home in transnational families: The case of ‘I for India’
S. 133-150
The home screen as an anchor point for mobile media use: Technologies, practices, identities
S. 151-170
Songs of home (and away): Ethnically-coded diegetic music and multidirectional nostalgia in fiction films about Polish migrants
S. 171-191
Festival reviews:
How do film festivals work?: A conversation with Joshua Oppenheimer
S. 193-200
Virtual futures and cinematic pasts at the 65th Melbourne International Film Festival
S. 201-208
Films from Asia, attention around the world: 18th Far East Film Festival, Udine
S. 209-215
Exhibition reviews:
‘Pierdom’ by Simon Roberts
S. 217-228
A place between desire and experience: Afterthoughts on Carolee Schneemann: Kinetic Painting
S. 229-237
Book reviews:
Dreaming of Cinema / Slow Cinema
S. 239-245
A geography of resistance: Locating US underground film and TV cultures
S. 247-253
Audiovisual essays:
The audiovisual essay as performative research
S. 255-265
House Arrest
S. 267-269
The Place of Voiceover in Academic Audiovisual Film and Television Criticism
S. 271-275
Being Bowie
S. 277-282