NECSUS Editorial Board

Editorial Necsus

S. 1-2

Roy, Elodie A.

For a radical media archaeology: A conversation with Wolfgang Ernst

S. 3-14

Ferencz-Flatz, Christian

Statistic intersubjectivity: A phenomenology of television audiences

S. 15-33

Witt, Michael

Taking stock: Two decades of teaching the history, theory, and practice of audiovisual film criticism

S. 35-59

Special section: #True

edited by Ilona Hongisto, Toni Pape, and Alanna Thain

Hongisto, Ilona; Pape, Toni; Thain, Alanna

Introduction: The ring of the true in contemporary media

S. 61-75

Coley, Rob

The case of the speculative detective: Aesthetic truths and the television ‘crime board’

S. 77-104

Granata, Yvette

False color/real life: Chromo-politics and François Laruelle’s photo-fiction

S. 105-124

Hongisto, Ilona

Sweeping changes in Eastern Europe: The documentary frame in Gerd Kroske’s ‘Kehraus’ trilogy (1990-2006)

S. 125-144

Licha, Emanuel

Training the eye for war: A politics of spatial fictions

S. 145-166

Walsh, Maria

Acts of laughter, acts of tears: The production of ‘truth-effects’ in Oriana Fox’s ‘The O Show’ and Gillian Wearing’s ‘Self Made’

S. 167-187

Yu, Chang-Min

Cinema’s Turing test: Consciousness, digitality, and operability in ‘Hardcore Henry’

S. 189-207

Festival reviews:

edited by Marijke de Valck and Skadi Loist

de Valck, Marijke

Current trends across three European human rights film festivals

S. 209-218

Virginás, Péter

Romanian and Hungarian film cultures at the Transilvania International Film Festival

S. 219-225

Umaran, Amaia Nerecan;Vallejo, Aida

Rethinking geolinguistic spaces: The San Sebastian Film Festival between Latin America and Europe

S. 227-236

Exhibition reviews:

edited by Miriam De Rosa and Malin Wahlberg

Wahlberg, Malin

Archives of the present − memory work in the making: ‘Transmission from the Liberated Zones’ (Filipa César, 2015)

S. 237-244

Bartunkova, Barbora

Confronting the screen. Pipilotti Rist: Pixel Forest at the New Museum

S. 245-260

Greslé, Yvette

William Kentridge: Thick Time

S. 261-269

Audiovisual essays:

guest edited by Kevin B. Lee

Lee, Kevin B.

Critique, protest, activism, and the video essay

S. 271-278

Galibert-Laîné, Chloé

My crush was a superstar

S. 279-281


Outbreak of violent protests prompts a state of emergency

S. 283-285

Boone, Steven

Snake oil in N—–town

S. 287-288

Sandusky, Kiera

Problems with the gendered POV shot in ‘Lilya 4-Ever’

S. 289-291