2018/1 – #Resolution
Features:
Editorial Necsus
S. 1-2
From mass psychology to media studies: Interview with Jaap van Ginneken on his Kurt Baschwitz biography
S. 3-16
Interactive media and imperial subjects: Excavating the cinematic shooting gallery
S. 17-44
The uncanny mediality of the photographic GIF
S. 45-65
Cinema, meteorology, and the erotics of weather
S. 67-85
Special section: #Resolution
Resolution: Digital materialities, thresholds of visibility
S. 87-103
The resolution of sound: Understanding retro game audio beyond the ‘8-bit’ horizon
S. 105-121
The instability of the digital archive: How to deal with pixels by hand
S. 123-144
From grain to pixel? Notes on the technical dialectics in the small gauge film archive
S. 145-164
To double or diffuse: Art and the mobility of images, ca. 2005
S. 165-184
Beyond human vision: Towards an archaeology of infrared images
S. 185-215
Breaking Bollywood: Moving pictures on mobile screens
S. 217-233
How machines see the world: Understanding image annotation
S. 235-254
Festival reviews:
Mobile cinema as an archive in motion: A Wall is a Screen and urban memories
S. 255-262
We need to talk about Indian Panorama: A report from the International Film Festival of India 2017
S. 263-271
20 Years of Ícaro spreading its wings: Ícaro International Film Festival
S. 273-281
Exhibition reviews:
Sergei Eisenstein: The Anthropology of Rhythm, a conversation with curators Marie Rebecchi and Elena Vogman
S. 283-294
Engaging new audiences with old and new experimental film: The E*Cinema Academy film series at EYE Filmmuseum
S. 295-305
We have never been (post)modern: Photography’s late encounters with film
S. 307-316
Book reviews:
Inhuman Networks / Controversies in Digital Ethics
S. 317-325
TV Socialism / Broadcasting Modernity
S. 327-334
First Comes Love / Presumed Intimacy
S. 335-343
Audiovisual essays:
Videographic scene analyses, part 1
S. 345-348