NECSUS Editorial Board

NECSUS Editorial

S. 1-2

Hagener, Malte; van den Oever, Annie

Early cinema, Sergei Eisenstein, and film culture today: An interview with Ian Christie on new directions in film history

S. 3-21

Rossholm, Anna Sofia

The playfulness of Ingmar Bergman: Screenwriting from notebooks to screenplays

S. 23-42

Catanese, Rossella; Parikka, Jussi

Handmade films and artist-run labs: The chemical sites of film’s counterculture

S. 43-63

Denson, Shane; Mayer, Ruth

Border crossings: Serial figures and the evolution of media

S. 65-84

Special section: #Mapping

edited by Giorgio Avezzù, Teresa Castro, and Giuseppe Fidotta

Avezzù, Giorgio; Castro, Teresa; Fidotta, Giuseppe

The exact shape of the world? Mapping and the media

S. 85-95

Lukinbeal, Chris

The mapping of ‘500 Days of Summer’: A processual approach to cinematic cartography

S. 97-120

de Luca, Tiago

Earth networks: ‘The Human Surge’ and cognitive mapping

S. 121-140

Boni, Marta

Digital maps and fan discourse: Moving between heuristics and interpretation

S. 141-160

Sharp, Laura

Embodied cartographies of the unscene: A feminist approach to (geo)visualising film and television production

S. 161-181

Remy, Lola

Making the map speak: Indigenous animated cartographies as contrapuntal spatial representations

S. 183-203

Wickberg, Adam

Plus ultra: Coloniality and the mapping of American natureculture in the empire of Philip II

S. 205-227

Walker, Janet

Media mapping and oil extraction: A Louisiana story

S. 229-251

Festival reviews:

edited by Marijke de Valck and Skadi Loist

Bañuelos, Jacob; Olmedo, Juan

A brief study of film festivals in Mexico: Consumption and historical evolution 2010-2016

S. 253-262

van Vliet, Harry

The Dutch film festival landscape: A walk-through

S. 263-272

Smith, Patrick

Evidentiary aesthetics: Landscapes of violence at RIDM 2017

S. 273-279

Exhibition reviews:

edited by Miriam de Rosa and Leo Goldsmith

Goldsmith, Leo

Codes of conflux: Collaborations between human and computer in MoMa’s ‘Thinking Machines’

S. 281-287

Muchnick, Justin Ross

Nothing stable under heaven at the San Francisco Museum of Modern Art

S. 289-299

Ramirez, Diego

Racial phantasmagoria: The demonisation of the other in Richard Mosse’s ‘Incoming’

S. 301-307

Book reviews:

edited by Lavinia Brydon and Victoria Pastor-González"

Sanchez-Biosca, Vicente

(Re)imagining African independence

S. 309-314

Watter, Seth Barry

Form and feeling: Kinaesthetic Knowing / Artificial Darkness

S. 315-322

Audiovisual essays:

edited by Miklós Kiss

Kiss, Miklós

Videographic scene analyses, part 2

S. 323-330