Cinema, meteorology, and the erotics of weather
Author(s): Meilvang, Emil Leth
This article explores the notion of a meteorology of cinema. Through the close reading of a string of books – with subjects such as clouds, rain, and snow – the article conceptualises an approach to weather on film, and grounds this approach in the anti-hermeneutics of Susan Sontag, André Bazin’s geography of cinema, and the movement philosophy of Gaston Bachelard.
Meilvang, Emil Leth: Cinema, meteorology, and the erotics of weather. In: NECSUS. European Journal of Media Studies, Jg. 7 (2018), Nr. 1, S. 67–85. DOI: https://doi.org/10.25969/mediarep/3440.
Initial publication here:
Except where otherwise noted, this item's license is described as Creative Commons - Attribution - Non Commercial - No Derivatives