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dc.creatorBergfelder, Tim
dc.creatorHarris, Sue
dc.creatorStreet, Sarah
dc.date.accessioned2019-07-18T12:19:29Z
dc.date.available2019-07-18T12:19:29Z
dc.date.issued2007
dc.identifier.isbnisbn:9789053569801
dc.identifier.urihttps://mediarep.org/handle/doc/4865
dc.description.abstractFilm Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns.en
dc.languageeng
dc.publisherAmsterdam University Press
dc.rights.urihttps://creativecommons.org/licenses/by-nc/3.0/
dc.subjectKinode
dc.subjectFilmde
dc.subject1920er Jahrede
dc.subject1930er Jahrede
dc.subjectArchitekturde
dc.subjectSetdesignde
dc.subjectBühnenbildde
dc.subjectEuropäisches Kinode
dc.subjectEuropäischer Filmde
dc.subjectRaumde
dc.subjectcinemaen
dc.subjectmovieen
dc.subject1920sen
dc.subject1930sen
dc.subjectarchitectureen
dc.subjectset designen
dc.subjectEuropean cinemaen
dc.subjectspaceen
dc.subjectmotion pictureen
dc.subject.ddcddc:791
dc.titleFilm Architecture and the Transnational Imagination : Set Design in 1930s European Cinemaen
dc.typebook
dc.type.statuspublishedVersion
dc.subject.personBrigitte Helm
dc.subject.personJosephine Baker
local.subject.gndhttp://d-nb.info/gnd/4741555-1
local.subject.gndhttp://d-nb.info/gnd/116690585
local.subject.gndhttp://d-nb.info/gnd/118506099
local.subject.wikidatahttps://www.wikidata.org/wiki/Q386620
local.subject.wikidatahttps://www.wikidata.org/wiki/Q3617426
local.subject.wikidatahttps://www.wikidata.org/wiki/Q1219900
local.subject.wikidatahttps://www.wikidata.org/wiki/Q473554
local.subject.wikidatahttps://www.wikidata.org/wiki/Q1170115
local.subject.wikidatahttps://www.wikidata.org/wiki/Q1297250
local.subject.wikidatahttps://www.wikidata.org/wiki/Q3224830
local.subject.wikidatahttps://www.wikidata.org/wiki/Q5417169
local.subject.wikidatahttps://www.wikidata.org/wiki/Q76813
local.subject.wikidatahttps://www.wikidata.org/wiki/Q151972
dc.identifier.doi10.5117/9789053569801
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/4102
local.academicbookseriesFilm Culture in Transition
dc.subject.workASPHALT
dc.subject.workANGST
dc.subject.workDIE WUNDERBARE LÜGE DER NINA PETROWNA
dc.subject.workDIE HERRIN VON ATLANTIS
dc.subject.workTHE PROVATE LIFE OF HENRY VIII
dc.subject.workFIRE OVER ENGLAND
dc.subject.workTHE SCARLET PIMPERNEL
dc.subject.workEVERGREEN
dc.publisher.placeAmsterdam
local.coverpage2021-05-29T01:30:02
local.identifier.firstpublishedhttps://doi.org/10.5117/9789053569801


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Except where otherwise noted, this item's license is described as Creative Commons - Attribution - Non Commercial