Medienwissenschaft / Hamburg: Berichte und Papiere 74, 2007: John Huston. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 30. August 2007. URL der Hamburger Fassung: http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0074_07.pdf. John Huston, Regisseur: Eine erste Arbeitsbibliographie Zusammengestellt v. Hans J. Wulff Inhalt: Southern Illinois University Press 1980, 147 pp. Bücher von Huston (Screenplay Library.) Bücher über Huston Rezensionen zu Büchern über Huston Richards, Stanley (ed.): America on Stage. Ten Gre- Analysen und Gesamtdarstellungen at Plays of American History. Ed. with prefaces and Zeitungsartikel introd. note by Stanley Richards. [...] Garden City, Obituarien NY: Doubleday 1976, XII, 939 pp. Interviews ¬ Enth. u.a.: In Time to Come, v. Howard Koch u. Bücher und Artikel zu einzelnen Filmen (im Alphabet der John Huston. Filme) Unklassifiziertes Bücher über Huston Bücher von Huston Allais, Jean-Claude: John Huston. Lyon: La Société d‘Etudes, de Recherche et de Documentation ciné- Bradbury, Ray: Green shadows, white whale. A no- matographique 1960, 32 pp. (Premier Plan. 6.). vel of Ray Bradbury’s adventures making Moby Dick with John Huston in Ireland / Ray Bradbury. Benayoun, Robert: John Huston. Présentation par [With a new afterword by the author]. New York: Robert Benayoun. Textes et propos de John Huston, Perennial 2002. Filmographie, théâtrographie, bibliographie. Paris: Seghers 1966, 188 pp. (Cinéma d’aujourd’hui. 44.). Huston, John: Frankie and Johnny. Illustrated by ¬ Auszug: “Le faucon maltais”. In: L’Avant-Scène Covarrubias. New York: B. Blom 1968. Cinéma, 233, 1.10.1979, p. 28. Huston, John: High Sierra. Ed. with an introd. by Benayoun, Robert: John Huston. La grande ombre Douglas Gomery. Madison, Wisc.: Published for the d‘aventure. Paris: L‘Herminier 1985, 191 pp. (Coll. Wisconsin Center for Film and Theater Research by Cinéma classique.). the University of Wisconsin Press, 1979. Brill, Lesley: John Huston’s filmmaking. Huston, John: Juárez. Ed. with an introduction by Cambridge/New York: Cambridge University Press Paul J. Vanderwood. Madison, Wisc.: Published for 1997, xiii, 269 pp. (Cambridge Studies in Film.). the Wisconsin Center for Film and Theater Research ¬ Includes bibliographical references, pp. 241-269. by the University of Wisconsin Press, 1983. Brion, Patrick: John Huston. Biographie, filmogra- Huston, John: The Treasure of the Sierra Madre. Ed. phie illustrée, analyse critique. Paris: Ed. de la Mar- with an introd. by James Naremore. Madison: Uni- tinière 2003, 575 pp. versity of Wisconsin Press, 1979, 205 pp. (Wiscon- ¬ Bildband. sin/Warner Bros. Screenplay Series.). Cohen, Allen / Lawton, Harry: John Huston. A guide Maddow, Ben / Huston, John: The Asphalt Djungle. to references and resources. New York: G.K. Hall / A Screenplay by Ben Maddow and John Huston. London: Prentice Hall International 1997, xii, 827 From a novel by W. R. Burnett. Afterword by W. R. pp. (Reference Publication in Film.). Burnett. London: Feffer and Simons / Carbondale: Cooper, Stephen (Ed.): Perspectives on John Hu- ston. New York: G.K. Hall / Toronto: Maxwell Mac- John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 2 millan Canada / New York: Maxwell Macmillan In- Morris, Oswald: Huston, we have a problem. A ka- ternational 1994, xviii, 248 pp. (Perspectives on leidoscope of filmmaking memories. With Geoffrey Film.). Bull. Lanham, Md.: Scarecrow Press 2006, XXI, Fernandez Heredero, Carlos: John Huston. Madrid : 276 pp. (Filmmakers. 124.). Ediciones J.C. 1984 (Coleccion directores de eine. Nolan, William F.: John Huston, king rebel. Los An- 14.). geles: Sherbourne Press [1965], 247 pp. Grobel, Lawrence: The Hustons. The life and times Perspectives on John Huston. Ed. by Stephen of a Hollywood dynasty. Updated ed. New York, Cooper. New York: G.K. Hall / Toronto: Maxwell N.Y.: Cooper Square Press 2000, xx, 830 S. Macmillan Canada / New York: Maxwell Macmillan ¬ Zuerst: New York: C. Scribner’s Sons 1989, xx, International l994 (Perspectives on film.). 812 pp. Pratley, Gerald: The cinema of John Huston. South Hammen, Scott: John Huston. Boston: Twayne Brunswick [usw.]: Barnes [usw.] 1977, 223 pp. 1985, XII, 163 pp. (Twayne’s Filmmakers Series.). Studlar, Daylyn / Desser, David (eds.): Reflections Huston, John: Interviews. Ed. by Robert Emmet in a male eye. John Huston and the American expe- Long. Jackson: University Press of Mississippi rience. Washington : Smithsonian Institution Press 2001, XLIII, 186 pp. (Conversations with filmma- 1993, XVI, 311 S (Smithsonian Studies in the Histo- kers series.). ry of Film and Television.). Huston, John: An open book. New York: Knopf ¬ Rez. (Matthews, Peter: Forgotten Man) in: Sight 1980. and Sound 3,8, Aug. 1993, p. 36. ¬ Autobiographie. ¬ Dt.: ... mehr als nur ein Leben. Die Autobiogra- Ross, Lillian: Picture. New York: Rinehart 1952, phie. Marburg: Schüren 2007, 256 pp. 258 S. ¬ Rez. (Phillips, Gene D.) in: Literature/Film ¬ Repr. London : Gollancz 1953. – Harmonds- Quarterly 29,3, 2001, p. 246. worth [...]: Penguin Books 1962, 219 pp. (Pen- ¬ Rez. (Newman, Kim) in: Empire, 62, Aug. 1994, guin Books. 1838.). – New York: Limelight Ed. pp. 118-119. 1984, 220 pp. – New York: Modern Library 1997, XIII, 376 pp. – London: Faber 1998, XII, John Huston. [Par] Freddy Buache [et al.]. [Lyon: 386 pp. – Cambridge, Mass.: Da Capo Press SERDOC 1966] (=Premier plan. 41.). 2002, XII, 270 S. Kaminsky, Stuart M.: John Huston, maker of magic. ¬ Dt.: Film. Berlin-Grunewald: Herbig [1953], 326 S. Boston: Houghton Mifflin 1978, XIV, 237 pp. ¬ Repr.: Film. Eine Geschichte aus Hollywood. ¬ Zugl.: London [...]: Angus & Robertson 1978, Aus d. Amerikan. von Peter de Mendelssohn. XIV, 237 pp. Nördlingen: Greno 1987, 331 S. ¬ Dt.: John Huston – seine Filme, sein Leben. ¬ Dazu: Calderwood, Butch: Picture – by Lilian München: Heyne 1981, 335 pp. (Heyne-Filmbi- Ross. In: Australian Cinematographer, 16, Dec. bliothek. 41.). 2002, pp. 16-17. ¬ 2., überarb. Aufl. München: Heyne 1986, 350 pp. (Heyne-Bücher. 32.)/(Heyne-Filmbibliothek. 41.). Leclerq, Christophe: Le cinéma de John Huston. Rezensionen zu Büchern über Huston Entre l’épique et l’intime. Paris: Publibook 2006, 208 pp. Madsen, Axel: John Huston. Garden City, N.Y.: Amiel, Mireille: Huston par Huston [Book Review]. Doubleday 1978, vi, 280 pp. In: Cinéma 83,289, Janv. 1983, p. 6. McCarty, John: The films of John Huston. Secaucus, Bourget, Jean-Loup: Theo Angelopoulos: interviews N.J.: Citadel Press l987. sous la dir. de Dan Fainaru [Book Reviews]. In: Po- sitif, 488, Oct. 2001, pp. 96-97. Morandini, Morando: John Huston. Roma: Il Casto- ro Cinema 1980. Buckley, Tom. The classic director and the beautiful ¬ 2. ed. aggiornata. Milano: Ed. Il Castoro 1996, actress: Anopen book by John Huston [Book Re- 163 pp. (Il Castoro cinema. 74.). view]. In: The New York Times 130, 12.10.1980, sect 7, pp. 9-10. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 3 Caldiron, Orio: Il comico e il vecchio dilettante McGilligan, Patrick: Dangerous friends: at large [Book Reviews]. In: Rivista del Cinematografo 54, with Huston and Hemingway in the fifties. By Peter Feb./March 1981, p. 118. Viertel [Book Review]. In: Cineaste 20,1, 1993, p. Cieutat, Michel: John Huston par John Huston 59. [Book Review]. In: Positif, 269/270, July/Aug. Nangle, John: Book reviews [Book Reviews]. In: 1983, pp. 125-126. Films in Review 41, March 1990, pp. 184-187. Codelli, Lorenzo: Les livres [Book Reviews]. In: Po- Niogret, Hubert: La baleine de Dublin (Green sha- sitif, 235, Oct. 1980, p. 78. dows, white whale). Par Ray Bradbury [Book Re- Dakovic, Nevena: Perspectives on John Huston. Ste- view]. In: Positif, 412, June 1995, p. 64. phen Cooper, ed. [Book Review]. In: Historical Patar, Benoit: John Huston, par Robert Benayoun. Journal of Film, Radio and Television 15,3, 1995, In: 24 Images, 33, Spring 1987, p. 78. pp. 446-447. Pisarra, Pietro. Huston sul filo dei ricordi [Book Re- Darrigol, Jean: La baleine de Dublin [Book Review]. view]. In: Rivista del Cinematografo 55 Sept./Dic. In: Le Mensuel du Cinema, 10, Oct. 1993, p. 90. 1982, pp. 393-394. Decaux, Emmanuel: John Huston par John Huston Phillips, Gene D. Film directors speaking their [Book Review]. In: Cinématographe, 86, Feb. 1983, minds [Book Review]. In: Literature/Film Quarterly pp. 68-69. 29,3, 2001, p. 246. Desser, David: John Huston’s filmmaking. By Les- Polan, Dana: Reflections in a male eye: John Huston ley Brill [Book Review]. In: Film Quarterly 53,1, and the American experience. Edited by Gaylyn 1999, pp. 58-59. Studlar and David Desser [Book Review]. In: Film Dufour, Dirk: Letter & groef [Book Review]. In: Criticism 19,2, 1994, pp. 103-108. Film en Televisie + Video, 389, Oct. 1989, p. 29. Pym, John: John’s family [Book Review]. In: Sight Fell, John: The Hustons. By Lawrence Grobel [Book & Sound 59,3, 1990, p. 211. Review]. In: Film Quarterly 43,4, 1990, pp. 23-24. Radin, Victoria: The man who would be king [Book Holm, Doug K.: Reflections in a male eye: John Hu- Review]. In: New Statesman & Society 3, 11.5.1990, ston and the American experience. Edited by Gaylyn p. 36. Studlar and David Desser [Book Review]. In: Film Sauvaget, D.: John Huston, par Robert Benayoun. Quarterly 47,4, 1994, pp. 52-53. In: Révue du Cinéma, 411, Déc. 1985, p. 90. Jensen, Niels: Hustons erindringer [Book Review]. Shachtman, Tom: Dangerous friends: at large with In: Kosmorama 28,162, Dec. 1982, p. 207. Huston and Hemingway in the fifties. By Peter Vier- Johnson, Nora: Big daddy [Book Review]. In: The tel [Book Review]. In: Variety 348, 10.8.1992, p. 71. New York Times 139, 19.11.1989, sect. 7, p. 20. Slide, Anthony: The Slide area film book notes Kakutani, Michiko: Books of the Times: a Holly- [Book Reviews]. In: Classic Images, 200, Feb. 1992, wood legend’s passions and peccadillos [Book Re- pp. 36-38. view]. In: The New York Times 139, 27.10.1989, p. Sobchack, Tom: Encounters with filmmakers: light C33. career studies. By Jon Tuska [Book Review]. In: Kaminsky, Stuart M.: John Huston, maker of magic. Journal of Popular Film and Television 20,1, 1992, (Boston, Houghton Mifflin 1978). In: Cinemonkey: pp. 38-39. A serious film journal 5,1, (=16), 1979, pp. 55-59. Thomson, David: Treasure of the Sierra Padre [Book Lenti, Paul: The Hustons. By Lawrence Grobel Review]. In: The New Republic 202, 29.1.1990, pp. [Book Review]. In: Variety 337, 29.11.1989, p. 79. 39-42. Lor(L.L. Cohn): John Huston’s book: readable, an- Turner, George: September song. By John Weld ecdotal, no “auteur” emphasis [Book Review]. In: [Book Review]. In: American Cinematographer 80, Variety 301, 14.1.1981, p. 28. March 1999, p. 221. Matthews, Peter: Forgotten man [Book Review]. In: Wilson, Paul: The Hustons. Lawrence Grobel [Book Sight & Sound 3, Aug. 1993, p. 36. Review]. In: Film Monthly 2, July 1990, p. 30. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 4 Analysen und Gesamtdarstellungen Grob, Norbert: John Huston: In: Filmregisseure. Biographien, Werkbeschreibungen, Filmographien. Hrsg. v. Thomas Koebner. Stuttgart: Reclam 1999, Agee, James: Undirectable director: John Huston pp. 317-322. (1950). In: Awake in the dark. An anthology of Ame- rican film criticism, 1915 to the present. Ed. by Da- Grobel, Lawrence: ‘We Were All John’s Children’. vid Denby. New York: Vintage Books 1977. In: Proteus: A Journal of Ideas 7,2, Fall 1990, pp. 5- ¬ Zuerst in:: Life 29, 18.9.1950, pp. 128-130. 8. ¬ The author recalls time he spent in the Company Ardu, Eugene: John Huston. The Hemingway traditi- of US film actor and director John Huston on in American film. In: Film Culture, 19,1959, 66ff. (1906-87) and the relationship that developed Bachmann, G.: How I make films: an interview with while he was in the process of writing a book J. Huston. In: Film Quarterly 19,1, Fall 1965, pp. 3- about the Huston family in the mid-1980’s. Hu-ston treated everyone he worked with, knew, and 13. came into contact with like family. Barbry, Francois-Regis: John Huston. Le noir et le Haskell, Molly: John Huston’s Heart of Light and blanc comme l’argile du sculpteur. In: Cinéma 447, Darkness. In: Proteus: A Journal of Ideas 7,2, Fall 1988. 1990, pp. 1-4. Jameson, Richard T.: John Huston. In: Film Com- Buckley, Michael: John Huston. In: Films in Review ment 16,3, May-June 1980, pp. 25-56. 36,4, April 1985, pp. 210-220. ¬ Analyzes the major 11 works of John Huston’s ¬ Bio-filmographic article on US director/actor career as a film director. J.H. Jones, D.: Beating the devil. In: Films & Filming 19, Costanzo, Angelo (ed.): Film Career of John Huston. 4, Jan. 1973, pp. 26-32. [Themenheft der:] Proteus: A Journal of Ideas 7,2, ¬ A critical review of his career and films. Fall 1990. ¬ Introduction: Elizabeth Penn Custer. Kemp, Philip [als: P.K.]: John Huston. In: World ¬ Introduces a Special issue on and pays tribute to Film Directors. 1. 1890-1945. Ed.: John Wakeman. the illustrious career of US filmmaker John Hu- New York: Wilson 1987, pp. 484-493. ston (1906-87), who aspired to live life to the füllest, and who pursued careers as a boxer, sol- Millar, Gavin: John Huston. In: Sight & Sound 50,3, dier, painter, actor, writer, director, and art col- Summer 1981, pp. 203-205. lector. ¬ A consideration of Huston’s work, on the occasi- on of the publication of his autobiography, ‘An Desser, David: The wartime films of John Huston: open book’. film noir and the emergence of the therapeutic. In: Reflections in a male eye: John Huston and the Mörchen, Roland: Einen Jux wollt’ er sich machen: American experience. Ed. by Gaylyn Studlar and Der Regisseur John Huston als Schauspieler. In: David Desser. Washington: Smithsonian Institution Film Dienst 57,14, 2004, pp. 40-41. Press 1993. Persico, Joseph E.: An Interview with John Huston. Drew, B.: John Huston: at 74 no formulas. In: Ame- In: American Heritage 33,3,1982, pp. 8-15. rican Film 5,10, Sept. 1980, pp. 38-42, 44, 66-67. ¬ John Huston discusses his early career, his diffi- ¬ culties with McCarthyism, and his successes and A survey of J.H.’s career in films from his auto- failures as a movie director. biography ‘An open book’. Gagne, Nicole V.: Where Is The Other Side of the Phillips, Gene D.: Talking with John Huston. In: Wind? or Quien es mas macho: Orson Welles, John Film Comment 9,3, May-June 1973, pp. 15-19. Huston, or Ernest Hemingway?. In: Cineaste: Ame- ¬ J.H. examines his whole career. rica’s Leading Magazine on the Art and Politics of Reck, T.: Huston meets the eye. In: Film Comment the Cinema 29,1, Winter 2003, pp. 4-7. 9,3, May-June 1973, pp. 6-11. Garrett, Greg: Let There Be Light and Huston’s film ¬ Examination of J.H.’s career discerning certain noir. In: Proteus: A Journal of Ideas 7,2, 1990, pp. themes and defending his craftsmanship. 30-33. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 5 Taylor, John Russell: John Huston and the figure in Breuning, Ulrich: En mesters vitale testamente. In: the carpet. In: Sight and Sound 38,2, 1969, pp. 70- Levende Billeder 4, Sept. 1988, pp. 12-14. 73. Bulnes, Jose: Les immortels du cinema: John Hu- Taylor, John Russell: John Huston: the film-maker ston. In: Ciné-Télé-Révue 62, 21.10.1982, pp. 26-28. as dandy. In: Films & Filming, 383, Aug. 1986, pp. 23-26. Caprara, Valerio: Il ritorno del “grande vecchio”. In: ¬ Appreciation of J.H.’s career as screenwriter, di- Rivista del Cinematografo 54, Jan. 1981, pp. 13-15. rector and actor. Collura, Joe: Huston film finally shown. In: Classic Tuska, Jon: John Huston. In: Encounters with Images, 78, Nov. 1981, p. 17. filmmakers. Eight career studies. New York: Green- Crawley, Tony: The old man & the sea siren [Inter- wood Press 1991 (Contributions to the study of po- views with John Huston and Bo Derek]. In: Films Il- pulär culture. 29.). lustrated 9, March 1980, pp. 268-275. Wyatt, Emest. Rowden, Ginny: John Huston’s Ob- Crespi, A.: “Fuga per la vittoria”. In: Cineforum, sessive Characters. In: Proteus: A Journal of Ideas 210, Dec. 1981, pp. 51-60. 7,2, Fall 1990, pp. 34-41. Croft, John J.: Impressive direction of John Huston. In: Classic Images, 188, Feb. 1991, p. 42. Zeitungsartikel Denby, David: A good man is hard to find. In: Pre- miere 3, July 1990, pp. 36-38. Drew, Bernard: John Huston: at 74 no formulas. In: Anon.: John Huston gets Film Society honor. In: Va- American Film: a Journal of the Film and Television riety 298, 13.2.1980, p. 26. Arts 5, Sept. 1980, pp. 38-42. Anon.: Behind the cameras for the filming of “An- Eyquem, Olivier: Entretien avec Peter Viertel, scéna- nie”. In: American Cinematographer 63, June 1982, riste. In: Positif, 351, May 1990, pp. 12-16. pp. 560-566. Farber, Manny: Hollywood’s fair-haired boy. [John Anon.: John Huston to receive AFI achievement Huston]. In: The Nation 168, 4.6.1949, p. 642. award. In: Classic Images, 90, Dec. 1982, p. 75. Fenyves, Gyorgy: Ein Ire, zaeh und harnaeckig. In: Anttila, Eila: John Huston. In: Filmihullu, 4, 1988, Film und Fernsehen 16,2, 1988, pp. 42-45. pp. 6-13. Gehler, Fred: Mit der Flagge des Mutes. In: Film Assayas, Olivier: (Nineteen forty-five) 1945: Huston und Fernsehen 16,2, 1988, pp. 38-39. interdit. In: Cahiers du Cinéma, 319, 1981, pp. 34- 35. Gehler, Fred: Sind Sie James Joyce je begegnet? In: Film und Fernsehen 16,2, 1988, pp. 39-41. Bachmann, Gideon: Watching Huston. In: Film Comment 12, Jan./Feb. 1976, pp. 21-22. Goldman, Debra: A guide to the season’s best books. In: Premiere 3, Jan. 1990, pp. 107-108. Bagh, Peter von: Ohjaaja ja hanen monet sotansa. In: Filmihullu, 1, 2000, pp. 34-37. Greenberg, Peter S.: Saints and stinkers. In: Rolling Stone, 337, 19.2.1981, pp. 21-25. Baker, Bob: John Huston. In: Film Dope, 26, Jan. 1983, pp. 19-24. Grobel, Lawrence: Talent to burn. In: Movieline 1, March 1990, pp. 24-25. Bingham, Dennis: Masculinity, star reception, and the desire to perform: Clint Eastwood in “White Hammen, Scott: At war with the army. In: Film Hunter, Black Heart.” In: Post Script: Essays in Comment 16, March/April 1980, pp. 19-23. Film and the Humanities 12,2, 1993, pp. 40-53. Hendrich, Vladimir: John Huston: ve stylu pokero- Boost, Charles: John Huston: eigenzinnig regisseur veho hrace. In: Film a Doba 35m Oct. 1989, pp. die geen slechte films. In: Skoop 12, May 1976, pp. 558-567. 5-10. Huston, John: Ladylike Katie. In: American Film: a Brandes, David: An interview with John Huston. In: Journal of the Film and Television Arts 5, Sept. Filmmakers Newsletter 10, July 1977, pp. 20-24. 1980, p. 40. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 6 Huston, John: Stalling for time. In: American Film: a Scorsese, Martin: Irishamerican. In: Projections, 7, Journal of the Film and Television Arts 5, Sept. 1997, pp. 66-80. 1980, p. 45. Seebohm, Caroline: Restless blueblood. In: Vanity Huston, John: “Einfalt”. In: Fernseh- und Kino- Fair, 445, Sept. 1997, pp. 300-312. Technik 26, Feb. 1982, pp. 80-90. Sinyard, Neil: Character in action – the films of John Huston, John: Sota Hustonin nakemana. In: Filmi- Huston. In: Films Illustrated 11, Dec, 1981, pp. 90- hullu, 1, 2000, pp. 42-44. 95. Huston, John: A propos de Flaherty. In: Positif, 485- Spiegel, Alan: John Huston as survivor of the second 486, July/Aug. 2001, pp. 130-132. Hollywood gen... In: Salmagundi, 35 Fall 1976, pp. ¬ Zuerst engl. in: Sequence, 14, 1952, p. 17. Über 141-152. ein Zusammentreffen von Huston mit Flaherty. Watters, Jim: John Huston on Kipling, Hemingway James, Caryn: John Huston: the director as monster. and Jack Daniels. In: The New York Times 125, 15. In: The New York Times 141, 9.8.1992. 2.1976, sect. 2, p. 1. Jameson, Richard T.: John Huston. In: Film Com- Wolf, William: On film: going back to Huston. In: ment 16, May/June 1980, pp. 25-56. New York Magazine 13, 12.5.1980, pp. 66-67. Kaplan, James: Anjelica rising: stardom for another Huston. In: The New York Times 138, 12.2.1989, sect. 6, pp. 18-21. Obituarien Kilday, Gregg: How Huston beats the Hollywood odds. In: Saturday Review 8, Jan. 1981, pp. 12-16. Maslin, Janet: Film view: what if...? New movies in Anon.: Obituarium. In: Monthly Film Bulletin 54, other hands. In: The New York Times 139, 11.3. 642, July 1987, pp. 356-357. 1990, sect. 2, pp. 17-18. Anon.: Obituarium. In: Hollywood Reporter 298,46, Mccarthy, Todd: Listens as well as he talks; John 1.9.1987, pp. 4, 8. Huston’s DGA weekend. In: Variety 307, 2.6.1982, Anon.: Obituarium. In: Film Français, 2157, 4.9. pp. 6-7. 1987, pp. 56, 58. Millar, Gavin: John Huston. On: Sight & Sound Anon.: John Huston, RIP. In: National Review 34, 9. 50,3, 1981, pp. 203-205. 10.1987, pp. 21-22. Oliva, Ljubomir. John Huston: proti proudu. In: Film Anon.: Huston, John. In: Current Biography 48, Oct. a Doba 27, Aug. 1981, pp. 472-473. 1987, p. 57. Rasmussen, Svend: Tykhuder. In: Levende Billeder Anon.: In memoriam. In: Skrien, 156, Nov./Dec. 6, June 1990, pp. 12-15. sect. 7, p. 17. 1987, p. 7. Ravn, Keld: Bedre sent end aldrig. In: Levende Bil- Anon.: Huston, John. Filmski sodelavci. In: Ekran: leder 7, March 1981, p. 35. Revija za Film in Televizijo 13,2, 1988, p. 28. Reynaert, Philippe: Allez, Huston| A nous la victoire. Ansen, David: A Hollywood iconoclast, a world- In: Amis du Film et de la Télévision, 307, Déc. class director; the high life and sardonic art of John 1981, p. 33. Huston. In: Newsweek, 7.9.1987, p. 71. Rynning, Roald: John Huston. In: Filmrutan: Tids- Barbagli, Guido: In memoriam di Huston. In: Film- krift for Film och Filmstudios 25,4, 1982, pp. 27-29. critica: Rivista mensile di Studi sul Cinema 38, Nov. Rynning, Roald. John Huston: – jeg er med pa a lage 1987 (=379), pp. 628-630. noe som vil leve for alltid. In: Film & Kino, 1, 1984, Buckley, M.: Obituary. In: Films in Review 38, Nov. pp. 22-23. (Norweg.) 1987, p. 567. Sarris, Andrew: Johnny, we finally knew ye. In: The Canby, Vincent: John Huston: Spinner of late-night Village Voice 25, 19.5.1980, p. 49. tales. In: The New York Times 136, 6.9.1987, sect. 2, pp. H15ff. [insges. 31 Spalten.] John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 7 Cockburn, Alexander: Beat the devil: Big John. In: Simon, J.: John Huston R.I.P. In: National Review The Nation 245, 19.9.1987, p. 259. 39, 9.10.1987, pp. 21-22. Combs, Richard: For John Huston – an account of Svendsen, T.O.: John Huston er dod, 81 ar gammel. one man dead. In: Monthly Film Bulletin 54, Dec. In: Z Filmtidsskrift 5,3 (=21), 1987, p. 32. 1987, pp. 356-357. Vinterberg, Soren: Hvis tid er penge er liv heller ik- Dufour, D.: The end. In: Film en Televisie + Video, ke andet. In: Levende Billeder 3, 1.9.1987, pp. 26- 365, Oct. 1987, p. 6. 27. Elia, M.: John Huston. In: Séquences: la Révue de Cinéma, 137, Nov. 1988, 7. Flint, Peter B.: John Huston, film director, writer and Interviews actor, dies at 81. In: The New York Times 136, 29.8. In der folgenden Liste sind nur Interviews aufgelis- 1987, pp. 1ff. (insges. 2 p.). tet, die nicht an anderer Stelle aufgeführt werden. Gaston, R.: Huston at 80. In: Film Directions 8,31, 1986, p. 5. Sight and Sound 21,3, Jan. 1952, pp. 130-132. Inter- Hamill, Pete: John Huston remembered. In: Premie- viewer: Karel Reisz. re 1, Dec, 1987, pp. 58-63. Film (BFFS), 10, Nov. 1956, p. 11. Über „Moby Holst, J.E.: John Huston – humanist og opprorer. In: Dick“. Film & Kino, 7, 1987, pp. 28-29. Film Culture 2,2, April 1956, p. I. Interviewer: Katz, Ephraim [...]: Homage: John Huston. In: Cine- Edouard Iaurot. ma India – International 4,4 (=16), 1987, pp. 6-9. Cinémonde, 1318, 10.11.1959, p. 15. Kuhlbrodt, Dietrich: John Huston. In: EPD Film 4, Oct. 1987, pp. 3-5. Positif, 70, June 1965, p. 1. Artikel und Interview, über „La Bibbia“ Mactrevor, Joan: John Huston etait entre vivant dans la legende! In: Ciné-Télé-Révue, 37, 10.9.1987, pp. Film Daily 130 63, 3.4.1967, pp. 1,11. Über Filmen 37+ [insges. 2pp.]. in Irland. McCarthy, T.: Film legend John Huston dead at 81, Cahiers du Cinéma, 199, March 1968, p. 48. Inter- final pic bows at Venice. In: Variety 328, 2.9.1987, view discussing filming of „Madwoman of Chaillot“ pp. 4+ [insges. 2pp.]. and other films. Obituaries. In: Classic Images, 148, Oct. 1987, p. 60. Positif, 116, May 1970, pp. 1-22. Pelko, Stojan: For John Huston. Ekran: In: Revija za Rivista del Cinematografo, 6, June 1970, p. 346-347. Film in Televizijo 13,2, 1988, pp. 26-27. Action 7,5, Sept. 1972, pp. 21-25. Pohl, G.: Kopfstück: der Abenteurer. In: Film Video Cinema-TV Today, 9995, 16.8.1972, p. 24. Logbuch, 14, Sept. 1987, p. 50. Ecran, 10, Dec. 1972, pp. 61-63. „Fat City“. Pulleine, T.: Obituary: John Huston. In: Films and Filming, 397, Oct. 1987, p. 12. Positif, 142, Sept. 1972, pp. 93-104. Diskussion über „Fat City“. Quinlan, D.: Huston’s honor. In: Photoplay Movies & Video 38, Nov. 1987, pp. 12-15. Interview 3,9, Sept. 1973, pp. 42-45. V.a. über „Fat City“. Sarris, Andrew: John Huston 1906-1987. In: The Village Voice 32, 15.9.1987, p. 66. Film Comment 9,3, May 1973, p. 6-14, 15-19. Re- miniscences of J. Huston’s early stage career and Schickel, Richard: Milestones: wicked gleams of the collaboration with H. Koch (6-14); interview exami- good life. In: Time 130, 7.9.1987, p. 64. ning his whole career (15-19). Schulz-Keil, Wieland: Huston (remembering John Ecran, 46, 154.1976, pp. 26-28. V.a. über „The Man Huston). In: Film Comment 23,5, Sept./Oct. 1987, p. Who Would Be King“. 18. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 8 Film Comment 12,1, Jan. 1976, pp. 21-22, 23, 64. Anon.: Rez. In: Motion Picture Herald 148,8, 22.8. Über „The Man Who Would Be King“ (21-22). 1942. Howard, Tom: Across the Pacific. In: Reid’s Film News, 3, July 1977, p. 1. Interview with Hu- Film Index, 10, 1993, pp. 1-3. ston, on location in Montréal for „Angela“. Howard, Tom: Across the Pacific. In: Reid’s Film In- Filmmakers’ Newsletter 10,9, July 1977, pp. 20-24. dex, 42, 1999, p. 18. Allgemein. Rabourdin, D.: “Stand In” ; “Across the Pacific” ; Cinema Papers, 14, Oct. 1977, pp. 139-141, 185. In- “Passage to Marseille.” In: Cinéma 77,228, Déc. terview with Huston on his transition from screen- 1977, pp. 64-65. writer to director, and his approach to filmmaking. Time Out, 508, 11.1.1980, pp. 14-15. Interviewer: Chris Auty; u.a. über „Wise Blood“. The African Queen (1951) Films Illustrated, 103, March 1980, pp. 268-271. In- African Queen. Un film de John Huston. Paris: terviewer: Tony Crawley; u.a. über „Wise Blood“. Avant-Scène 2003, 109 S.(L’avant-scène: Cinéma. American Film 9,4, Jan. 1984, pp. 19, 22, 70-71. 518.). Time Out, 732, 30.8.1984, pp. 20-21. Über „Under Hepburn, Katherine: African Queen oder wie ich mit the Volcano“. Bogart, Bacall und Huston nach Afrika fuhr und bei- nahe den Verstand verlor. München: Heyne 1987, Positif, 283, Sept 1984, pp. 26-35. Zwei Gespräche 143 pp. (Heyne-Bücher: 40. 33.). mit Huston; das erste 1979 über Lebenserinnerun- ¬ Orig.: The making of the African Queen or How gen; das zweite zu aktuellen Projekten. I went to Africa with Bogart, Bacall and Huston and almost lost my mind. New York: Knopf Prevue, 57, Nov. 1984, pp. 52-53, 77, 79-80. Ge- 1987, 129 pp. (A Borzoi Book.). spräch, in dem es um die Gründung eines Wein-La- ¬ Autobiographischer Bericht von den Dreharbei- bels für das Chateau Mouton-Rothschild geht. ten. Revue du Cinéma/Image et Son, 397, Sept. 1984, pp. Huston, John: An Open Book. New York: Knopf 6, 46-48. Interview (46-48) u.a. über „Under the Vol- 1980, pp. 187-205. cano“. Joseph, Teddy: African adventures. In: Veteran 98, Positif, 320, Oct. 1987, pp. 5-6. Über „The Dead“. March 2003, pp. 5-6. ¬ Über die Dreharbeiten. Viertel, Peter: White hunter, black heart. Garden City, NY: Doubleday 1953, 344 S. Bücher und Artikel zu einzelnen Filmen ¬ Neuaus. New York: Dell 1970, 367 pp. Zahlr. weitere Ausg. Across the Pacific (1942) ¬ Dt.: Mann im Dschungel. Frankfurt: Büchergilde Gutenberg 1958, 438 S. Anon.: Rez. In: Hollywood Reporter 295,21, ¬ Neuübers.: Weisser Jäger, schwarzes Herz. Zü- 6.1.1987, p. 4. rich: Schweizer Verlags-Haus 1990, 380 S. ¬ Film to be ‘colorised’ and syndicated to TV un- ¬ Zahl. weitere Übers. Unter dem Originaltitel ver- der the Color Classic Network One banner by filmt (USA 1990, Clint Eastwood). Turner Program Services. ¬ Dazu: Anon.: Clint et John: une saison infernale. In: Positif, 351, May 1990, pp. 2-4. Anon.: Rez. In: Kinematograph Weekly, 2388, 2.4. 1953, p. 33. Anon.: Rez. In: Jeune Cinéma, 40, June 1969, p. 41. Anon.: Rez. In: Today’s Cinema 80,6725, 26.3.1953, Anon.: Rez. In: Filmkritik, 10, Okt. 1958, p. 206. p. 10. Anon.: Rez. In: Films et Documents 15,78, April Anon.: Rez. In: Kinematograph Weekly, 1855, 5.11. 1954. 1942. Anon.: Rez. In: Sight and Sound 21,4, April 1952, p. Anon.: Rez. In: Today’s Cinema 59,4795, 30.10. 172. 1942. Anon.: Rez. In: Film Music 11,4, March 1952, p. 19. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 9 Anon.: Rez. In: Monthly Film Bulletin 19,217, Fe- Brill, Lesley: „The African Queen” and John Hu- bruary 1952, p. 15. ston’s filmmaking. In: Cinema Journal 34,2, 1995, Anon.: Rez. In: Films in Review 3,2, Febr. 1952. pp. 3-21. Anon.: Rez. In: Motion Picture Herald 185,13, Brill, Lesley: The African Queen and John Huston’s 29.12.1951, p. 1169. Filmmaking. In: Cinema Journal 34,2, Winter 1995, pp. 3-21. Anon.: Rez. In: Variety, 26.12.1951. ¬ Calls for an auteurist reading of John Huston’s career, marking “The African Queen” as atypi- Anon.: Rev. In: Theatre Arts 36, Feb. 1952, pp. 48- cal in its focus on romance and lack of character 49. complexity. Anon.: Rev. In: The New Yorker 28, 23.2.1952, p. Cardello, John A.: Observation post: “The African 85. Queen”. In: Classic Images, 117, March 1985, p. 56. Anon.: Rev. In: Newsweek 39, 3.3.1952, p. 88. Cargin, Peter: The making of “The African Queen.” Anon.: Rev. In: The New Republic 126, 10.3.1952, Katherine Hepburn [Book Review]. In: Film: the p. 21. British Federation of Film Societies Monthly Jour- nal, 10, Dec, 1987, p. 10. Anon.: Rev. In: Film Comment 16, May/June 1980, pp. 40-43. Cohn, L.L.: The making of “The African Queen”. By Katharine Hepburn. In: Variety 328, 23.9.1987, p. Anon.: [Notiz.] In: Televisual, January 1988, p. 20. 172. ¬ Notiz zum Nachbau des Schiffes für einen Wer- beclip für Buxton-Mineralwasser. Comuzio, Ermanno. Katherine Hepburn: “La Regina d’Africa, ovvero come sono finita in Africa con Bo- Anon.: Capsule comments on laserdisc. In: Perfect gart, Bacall e Huston e per poco non ho perso la ra- Vision 6,21, April 1994, pp. 128-129. gione [Book Rev.] In: Cineforum 30,300, Dec.1990, Angermeyer, Charles. Chitty, Arthur Ben. Martin, p. 95. Father. “African Queen Panel.” In: Remembering Eyquem, Olivier: Entretien avec Peter Viertel, scéna- James Agee / edited by David Madden and Jeffrey J. riste. In: Positif, 351, May 1990, pp. 12-16. Folks. 2nd ed. Athens : University of Georgia Press l997, pp. 154-160. Fultz, James R. A classic case of collaboration... “The African Queen”. In: Literature/Film Quarterly Anon.: Bookends: The making of “The African 10,1, 1982, pp. 13-24. Queen”. In: Time 130, 28.9.1987, p. 67. Fultz, James R.: A Classic Case of Collaboration: Aurich, Rolf: Katharine Hepburn in Afrika. In: epd The African Queen. In: Literature/Film Quarterly Film 5, Juni 1988, p. 10. 10,1, 1982, pp. 13-24. L’avant-scène Cinéma 518, 2003: African Queen. Grobel, Lawrence: The Hustons. New York: Scrib- Un film de John Huston. Paris: Avant-Scène 2003, ner’s 1989, pp. 362-382. 109 pp. Hartmann, Britta: Rez. In: Filmgenres: Abenteuer- Behlmer, Rudy (ed.): Behind the Scenes: The Ma- film. Hrsg. v. Bodo Traber u. Hans J. Wulff. Stutt- king of... New York: Samuel French 1990. gart: Reclam 1995. ¬ Includes The Maltese Falcon, Casablanca, and The African Queen. Harvey, James: Screen gems. In: New York Review Bonneville, L. “L’odyssee de l’African Queen,” “La of Books 35, 30.6.1988, pp. 23-26. nuit du chasseur”. In: Séquences: la Révue de Ciné- Hepburn, Katherine: The arts: The making of “The ma, 137, Nov. 1988, p. 7. African Queen”. In: Newsweek 110, 31.8.1987, pp. Boujut, Michel (ed. and introd.): The African Queen. 53-55. In: L‘Avant Scène Cinéma, 518, Janv. 2003, pp. 1- James, C.: “No bunk about Bogie”. In: The New 109. York Times 136, 13.9.1987, sect. 7, p. 35. Braun, Darryl: A look at “African Queen.” In: Clas- Jean, Marcel. “African Queen” [Book Reviews].In: sic Images,191, May 1991, p. 54. 24 Images, 42, Spring 1989, p. 90. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 10 Karasek, Hellmuth: Rez. In seinem: Mein Kino. Die Annie (1982) 100 schönsten Filme. Hamburg: Hoffmann & Cam- pe 1994, pp. 238-241. Anon.: Rez. In: Films 2,10, Sept. 1982, p. 35. Kupfer, Joseph H.: The Work of Love in The African Anon.: Rez. In: Films 2,9, August 1982, p. 33. Queen. In: Ders.: Visions of Virtue in Popular Film. Anon.: Rez. In: Monthly Film Bulletin 49,583, Au- Boulder, Col./Oxford 1999, pp. 61-89. gust 1982, pp. 164-165. Lehmann-Haupt, Christopher: Books of the times.In: Anon.: Rez. In: Films and Filming, 335, August The New York Times 136, 14.9.1987, p. C17. 1982, pp. 29-30. Macnab, Geoffrey: Rez. In: Sight and Sound 11,11 Anon.: Rez. In: Film Comment 18,4, July 1982, pp. Nov. 2001, p. 62. 47-48. ¬ Über den Produzenten Ray Stark. McDowell, E. Hepburn writes a book about “African Queen”. In: The New York Times 136, 17.2.1987, p. Anon.: Rez. In: Screen International, 346, 5.6.1982, C 16. p. 20. Meyers, Jeffrey: Bogie in Africa. In: American Anon.: Rez. In: Motion Picture Product Digest 9,25, Scholar 66,2, 1997, pp. 237-250. 2.6.1982, pp. 97-98. ¬ For Humphrey Bogart, his experience filming the African Queen in 1951 in the Belgian Congo Anon.: Rez. In: Photoplay 33,6, June 1982, pp. 64- was at once adventurous, comic, and romantic, 65. and the resultant film was his best. The author Anon.: Rez. In: American Cinematographer 63,6, examines his interaction with wife Lauren Ba- June 1982, pp. 556-558, 621-622. call, co-star Katherine Hepburn, and director ¬ Über die Dreharbeiten. John Huston and other aspects of the making of the film, as well as Bogart’s reaction to winning Anon.: Rez. In: American Cinematographer 63,6, an Academy Award for his role. June 1982, pp. 560-568, 622-632. Nangle, J. The making of “The African Queen” by ¬ Interview mit Richard Moore, dem „director of photography“. Katharine Hepburn. In: Films in Review 39, Oct. 1988, p. 499. Anon.: Rez. In: Variety, 12.5.1982, p. 11. Nunes, E.: A rainha africana. In: Celuloide 27,341, Anon.: Rez. In: Hollywood Reporter 271,42, 12.5. Nov. 1982, pp. 22-23. 1982, pp. 3-4. O’shea. Michael J.: Rev. In: The Encyclopedia of Annie – The Official Movie Magazine, Jan. 1982. Novels into Film. [Ed. by]] John C. Tibbetts & Ja- ¬ Presseheft. mes M. Welsh. New York: Facts on File 1998, pp. 5- Anon.: Rez. In: Prevue, 46, Nov 1981, pp. 19-21. 7. ¬ Zur Produktion. Potter, Dennis: Rez. In: Premiere 5,7, March 1992, Anon.: Rez. In: Hollywood Reporter 267,8, 9.6. p. 96. 1981, p. 10. Rasmussen, Svend: Tykhuder. In: Levende Billeder Anon.: Rez. In: Motion Picture Product Digest 8,24, 6, June 1990, pp. 12-15. 20.5.1981, p. 96. Reid, John Howard. “The African Queen.” In: Ansen, D.: Rev. In: Newsweek 99, 24.5.1982, p. 82. Reid’s Film Index, 11, 1993, pp. 7-10. Corliss, Richard: Rev. In: Time 119, 24.5.1982, p. Selva, Lucrece De: “African Queen.” In: Révue du 75. Cinéma, 331, 1978, pp. 11-16. Crist, J.: Rev. In: Saturday Review 9, June 1982. Vivas, Ángel: De vez en cuando la tele ...(las pelícu- las El viento y el león [The Wind and the Lion], La Kael, Pauline: Rev. In: The New Yorker 58, 31.5. Reina de África [African Queen]). In: Epoca, Sept. 1982, pp. 82-84. 2005. Kauffmann, Stanley: Rev. In: The New Republic Zakowski, Simon / De Maeyer, Patrice: Klassiekers. 186, 9.6.1982, pp. 22-23. In: Andere Sinema, 38, April 1982, pp. 27-28. Mariani, John: Bringing “Annie” to the screen. In: Millimeter 10, May 1982, pp. 52-54+ [6p]. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 11 OToole, L.: Rev. In: Maclean’s 95, 31.5.1982, p. 57. Dufour, Fernand: Monsieur Lapsus. In: Cinéma (Pa- [S.G.]: Rez. In: Premiere 17,6, March 2004, pp. 96- ris), 167, 1972. 97. [KN]: Rez. In: Empire, 129, March 2000, p. 122. Turan, Kenneth: Hollywood puts its money on “An- Lambert, Gavin: Rez. In: Sight and Sound 19,7, nie”. In: The New York Times 131, 2.5.1982, sect. 6, Nov. 1950, p. 286. pp. 40+ [9p]. Morrison, Alan: Rez. In: Empire, 201, March 2006, Westerbeck, C.L.J.: Rev. In: Commonweal 109, 18. pp. 140-141. 6.1982, pp. 371-372 . Nau, Peter: Die Kunst des Filmesehens. In: Filmma- ker: the Magazine of Independent Film 23, June The Asphalt Jungle (1950) 1979, pp. 259-261.¬ Dt. zuerst in: Filmkritik, 6, 1979. The Asphalt Djungle. A screenplay by Ben Maddow Niederer, Rolf: Der Lohn der Tat. “The Asphalt Jun- and John Huston. From a novel by W. R. Burnett. gle” von John Juston. In: Filmbulletin: Kino in Au- Afterword by W. R. Burnett. London: Feffer and Si- genhöhe, 48, 2006 [=273], pp. 15-17. mons / Carbondale: Southern Illinois University Press 1980, 147 pp. (Screenplay Library.) Sipière, Dominique: Le crime organisé à l’écran. ¬ Drehbuch. Scarface, Angels with dirty faces, Force of evil, The asphalt jungle. Quatre films exemplaires. Paris: Ed. Anon.: Rez. In: Sight and Sound 2,4, Aug. 1992, p. 67. du Temps 2002, 187 pp. (Questions de civilisation.). Anon.: Rez. In: Screen International, 588, 21.2.1987, Telotte, J.P.: Fatal Capers. Strategy and Enigma in p. 243. Film Noir. In: Journal of Popular Film and Televisi- ¬ Über die Kolorisierung des Films durch Turner on 23,4, Winter 1996, pp.163-170. Broadcasting. ¬ Studies classic and recent noir ‘caper’ films, Anon.: Rez. In: Listener 116,2973, 14.8.1986, p. 28. gauging changes and persistence in the genre. Focuses on “Reservoir Dogs”, “The Killers”, Anon.: Rez. In: Cinématographe, 67, May 1981, pp. “Criss Cross”, “The Asphalt Jungle” and “The 49-50. Killing” . Anon.: Rez. In: Time Out, 469, 13.4.1979, p. 47. Vasudevan, Alexander: Writing The Asphalt Jungle. Berlin and the performance of classical modernity. Anon.: Rez. In: Monthly Film Bulletin 17,200, Sept. In: Environment & planning / Society and space: In- 1950, p. 134. ternational journal of urban and regional research Anon.: Rez. In: Today’s Cinema 75,6056, 10.8.1950. (London: Pion) 21, 2003, pp. 169-194. Anon.: Rez. In: American Cinematographer 31,8, August 1950, p. 270. Barbry, François-Régis: John Huston: le noir et le The Barbarian and the Geisha (1958) blanc comme l‘argile du sculpteur. In: Cinéma (Pa- Anon.: Rez. In: Monthly Film Bulletin 25,298, Nov. ris), 447, 1988. 1958, p..139. Chardère, Bernard: Quand la ville dort, John Huston. Anon.: Rez. In: Kinematograph Weekly, 2670, 16. In: Positif, Special, April 1992, p. 4. 10.1958, p. 16. ¬ Auszüge aus einer Rez., ursprünglich in: Positif, 3, août 1952. Anon.: Rez. In: Daily Cinema, 8066, 13.10.1958, p. 6. Collins, Andrew: Rez. In: Radio Times, 5.8.2006, p. 45. Anon.: Rez. In: Motion Picture Herald 213,2, 11.10. Curtis, Adrienne: The Asphalt Jungle In: Film Re- 1958, p. 11. view, 667, March 2006, p. 112. Anon.: Rez. In: Variety, Oct. 1958, p. 6. Delaume, Geneviève: The broadcasting of a colouri- Anon.: Rez. In: Hollywood Reporter 151,44, 30.9. zed version of a film. In: EBU Review: Program- 1958, p. 3. mes, Administration, Law 41,1, Jan. 1990, pp. 14- 15. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 12 Kennedy, Steven A.: Score. In: Film Score Monthly Beat the Devil (1953) 8,2, Feb. 2003, p. 44. ¬ Zu einer CD-Ausgabe der Filmmusik. Anon.: Rez. In: Millimeter 3,12, December 1975, pp. 56-57. Larson, Randall: Rez. [einer CD-Ausgabe der Film- musik]. In: Soundtrack! The Collector’s Quarterly Anon.: Rez. In: Motion Picture Herald 194,10, 6.3. 21,82, July 2002, p. 35. 1954, p. 2205. Reid, John Howard: “The Barbarian and the Anon.: Rez. In: Films in Review 5,3, March 1954, p. Geisha.” In: Reid’s Film Index, 17, 1995, pp. 30-35. 143. Anon.: Rez. In: Monthly Film Bulletin 21,240, Jan. 1954, p. 2. Battle of San Pietro (1945) Anon.: Rez. In: Sight and Sound 23,3, Jan. 1954, p. Anon.: Rez. In: Cinema TV Today, 9995, 26.8.1972, 147. p. 24. Anon.: Rez. In: Variety, 2.12.1953. Anon.: Rez. In: Motion Picture Herald 158,10, 10.3. 1945. Anon.: Rez. In: Kinematograph Weekly, 2422, 26. 11.1953, p. 18. Bertelsen, Lance: San Pietro and the ‘Art’ of War. In: Southwest Review 74,2, Spring 1989, pp. 230- 256. Anon.: Rez. In: Today’s Cinema 81,6894, 25.11. ¬ Describes the December 1943 battle of San Pie- 1953, p. 8. tro, fought by a Texas division during the Italian campaign of World War II, and examines two ac- Anon.: Rez. In: Hollywood Reporter 124,21, 15.5. counts of the dirty and horrible life of the infan- 1953. try, Ernie Pyle’s memorable newspaper dispatch Anon.: Rez. In: Today’s Cinema 79,6595, 23.9.1952, “The Death of Captain Waskow” and John Hu- ston’s documentary film, San Pietro, as artistic p. 12. renderings of unspeakable horror and as confor- Huston, John: Stalling for time. In: American Film: a ming to earlier literary and cinematic representa- Journal of the Film and Television Arts 5, Sept. tions of combat. 1980, p. 45. Edgerton, Gary: Revisiting the Recordings of Wars Jameson, Richard T. John Huston. In: Film Com- Past: Remembering the Documentary Trilogy of ment 16, May/June 1980, pp. 25-56. John Huston. In: Journal of Popular Film and Televi- sion. 15,1, Spring 1987, pp. 27-41. Pattison, Barrie: “Beat the Devil.” In: Reid’s Film Index, 42, 1999, pp. 24-26. Garrett, Greg: John Huston’s The Battle of San Pie- tro. In: War, Literature, and the Arts 5,1, Spring- Reid, John Howard: “Beat the Devil.” In: Reid’s Summer 1993, pp. 1-12. Film Index, 11, 1993, pp. 51-54. Hammen, Scott: At war with the army. In Film Com- Russo, Eduardo A.: “El golpe del diablo.” In: El Ci- ment 16,2, March-April 1980, pp. 19-23 ne Amante 9,102, Sept. 2000, p. 56. ¬ Discusses John Huston’s World War II documen- tary war trilogy, ‘Report from the Aleutians’, ‘Battle of San Pietro’ and ‘Let there be light’ and censorship of the latter.Haskew, Michael E.: San The Bible (1966) Pietro Capturing the Face of War. In: Military History 17,5, Dec. 2000, p. 50. Fry, Christopher: The Bible. Screenplay. With Jona- Huston, John: Sota Hustonin nakemana. In: Filmi- than Griffin. New York: Pocket Books 1966. hullu, 1, 2000, pp. 42-44. Anon.: [On Mayuzumi’s music.] In: Cinestudio, 109, Mackenzie, Midge: An antiwar message from the ar- May 1972, pp. 31-33. my’s messenger; John Huston was asked to help in- Anon.: Rez. In: Positif, 84, May 1967, p. 47. spire troops facing combat; instead, he made films showing its horrors. (’Battle of San Pietro’) In: The Anon.: Rez. In: Bianco e Nero 28,2, Feb. 1967, p. New York Times, 16.4.2000, Sect. AR, cols. 23,1ff. 68. Pellegrinelli, Marco: La battaglia di S. Pietro di Anon.: Rez. In: Monthly Film Bulletin 33,394, Nov. John Huston. Venafro (Isernia): EVA 2002,108 pp. 1966, p. 163. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 13 Anon.: Rez. In: Films in Review 17,8, Oct. 1966, p. Anon.: Rez. In: Hollywood Reporter 195,33, May 509. 1967, p. 3. Anon.: Rez. In: Motion Picture Herald 236,13, 28.9. Anon.: Rez. In: Film Daily 130,83, May 1967, p. 8. 1966, p. 13. Anon.: Rez. In: Kine Weekly, 3106, 22.4.1967, p. Anon.: Rez. In: Hollywood Reporter 192,33, 28.9. 15. 1966, p. 3. Anon.: Rez. In: Variety, 19.4.1967. Anon.: Rez. In: Film Daily 129,26, 28.9.1966, pp. 38-39. Anon.: Rez. In: Daily Cinema, 9356, 17.4.1967, p. 3. Anon.: Rez. In: Hollywood Reporter 192,23, 14.9. Anon.: Rez. In: Films and Filming 13,4, Jan. 1967, 1966, p. 1. p. 61. Anon.: Rez. In: Positif, 70, June 1965, p. 1. Anon.: Rez. In: London Life, 17.12.1966, pp. 12-14. ¬ Zur Regiearbeit Hustons. Anon.: Rez. In: London Life, 7.5.1966, p. 22. Anon.: Rez. In: Cahiers du Cinéma, 163, Feb. 1965, Anon.: Rez. In: London Life, 30.4.1966, p. 27. p. 69. ¬ Zur Produktion. Anon.: Rez. In: London Life, 23.4.1966, p. 8. Anon.: Rez. In: Hollywood Reporter 180,23, 12.5. Armstrong, Steven: Rez. [der Musik]. In: Film Score 1964, p. 1. Monthly 8,2, Feb. 2003, pp. 44-45. Anon.: Rez. In: Daily Cinema, 8806, 30.8.1963, p. 1. Buchsbaum, Tony: Rez. [der Musik]. In: Sound- track! The Collector’s Quarterly 21,84, Dec. 2002, p. Anon.: Rez. In: Cineforum, 20, Dec. 1962, p. 985. 12. ¬ Ethik der Adaption biblischer Stoffe. Dassanowsky, Robert von: “Casino Royale” : the Anon.: Rev. In: Time Magazine, 7.10.1966, pp. 119- postmodern epic in spite of itself. In: Blimp: Zeit- 120. schrift für Film, 44, 2001, pp. 49-63. DR [author], George / Aachen, CF [author] and Xa- Gold, R.: “Variety” recap reviews of James Bond: vier Xerxes: “The Bible... in the Beginning.” In: “Casino Royale”. In: Variety 327, 13.5.1987, p. 64. Reid’s Film Index, 50, 1999, pp. 34-38. Goodwin, Richard: Spiesworld: the movie. In: Neon, Forshey, Gerald E.: American Religious and Biblical Dec. 1998, pp. 124-129. Spectaculars. New York: Praeger 1992 (Media & So- ¬ Zu den Dreharbeiten. ciety.). ¬ Includes a chapter on Huston’s „The Bible“. Harris, Robert Dassanowsky: “Casino Royale” revi- sited. In: Films in Review 39, June/July 1988, pp. Kael, Pauline: From Epics – The Bible. In: The New 336-349. Republic, 22.10.1966. ¬ Repr. In: Kael, Pauline: For Keeps. New York: Parek, Richard: “Casino Royale” is an LP bond with Dutton 1994, pp. 92-94. a gilt edge. In: The New York Times 140, 28.7. Kock, Ivo de: “The Bible.” In: Film en Televisie + 1991, sect. 2, p. 15. Video, 491, April 1999, pp. 46-47. Casino Royale (1967) The Dead (1987) Alion, Yves: “Casino Royale.” In: Révue du Ciné- Ahlund, J.: Hustons sista verk subtil Joyce-filmatise- ma, 446, Feb. 1989, p. 33. ring. In: Chaplin 30,1 (=214), 1988, pp. 16-17. Anon.: Rez. In: Films in Review 39,6/7, June 1988, Anon.: [Diskussion über Hustons Umgang mit Joy- pp. 336-349. ce’ Vorlage.] In: Literature/Film Quarterly 17,2, Anon.: Rez. In: Monthly Film Bulletin 34,401, June April 1989, pp. 91-94. 1967, p. 87. Anon.: Rez. In: Cinema Papers, 69, May 1988, pp. Anon.: Rez. In: Motion Picture Herald 237,19, 10.5. 54-55. 1967, p. 681. Anon.: Rez. In: Sight and Sound 57,1, Dec. 1987, pp. 67-68. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 14 Anon.: Rez. In: Listener 118,3043, 31.12.1987, p. Bataillard, Pascal (ed. and introd.); Sipière, Domini- 29. que (ed. and introd.): Dubliners, James Joyce; The Anon.: Rez. In: City Limits, 323, 10.12.1987, p. 25. Dead, John Huston.Paris: Ellipses 2000, 223 pp. (CAPES et Agrégation d’Anglais.). Anon.: Rez. In: Time Out, 903, 9.12.1987, p. 35. ¬ Artikel einzeln aufgenommen. Anon.: Rez. In: Monthly Film Bulletin 54,647, Dec. Bernardi, Sandro: Joyce ed Ejzenstejn: simbolo, 1987, pp. 355-356. cosa figura. In: Filmcritica: Rivista mensile di Studi sul Cinema 39 (=384), April/May 1988, pp. 187- Anon.: Rez. In: Films and Filming, 399, Dec. 1987, 207. pp. 23-24. Brill, Lesley: Other Dubliners: John Huston’s The Anon.: Rez. In: Positif, 320, Oct. 1987, pp. 3-4. Dead and Joyce’s ‘The Dead’. In: GRAAT: Publica- Anon.: Rez. In: Positif, 320, Oct. 1987, pp. 5-6. tion des Groupes de Recherches Anglo-Americaines de l’Universite Francois Rabelais de Tours 23, 2001, Anon.: Rez. In: Screen International, 619, 26.9.1987, pp. 25-32. p. 27. Brown, William Lansing; Mustaphalli, Selena: Ana- Anon.: Rez. In: Film-Echo/Filmwoche, 54, 25.9. mnesis in ‘The Dead’ and Hiroshima Mon Amour: 1987, p. 15. The Loss of First Loves. In: West Virginia Universi- Anon.: Rez. In: Variety, 2.9.1987, p. 14. ty Philological Papers 47, 2001, pp. 56-62. Anon.: Rez. In: Hollywood Reporter 296,20, 17.3. Burgess, Anthony: The task of turning Joyce’s prose 1987, p. 16. to film poetry. In: The New York Times 137, Anon.: Rez. In: Hollywood Reporter 298,37, 31.8. 3.1.1988, sect. 2, pp. 15 + [2p]. 1987, pp. 3,11. Burkdall, Thomas L.: “Cinema Fakes: Film and Joy- Anon.: Rez. In: Stills, 30, March 1987, p. 79. cean Fantasy.” In: Joyce in the Hibernian metropo-lis. Essays. Ed. by Morris Beja and David Norris. Anon.: Rez. In: Screen International, 579/80, 20.12. Columbus, Ohio: Ohio State University Press l996, 1986, p. 4. pp. 260-269. Anon.: Rez. In: Broadcast, 19.12.1986, p. 11. Calvert, Frances: Rez. In: Metro 76, May 1988, p. Anon.: Rez. In: Screen International, 555, 5.7.1986, 52. p. 6. Canby, Vincent: Rez. In: The New York Times 137, Axel, Gabriel / Müller, Frank: Nourritures spirituel- 17.12.1987, p. 24 [p. C19] [(L) col. 1]. les et nourritures terrestres. Sur les relations entre Cardullo, Bert: Rez. In: The Hudson Review 41,4, l’art, le transcendant et l’immanent dans ‘Les Winter 1989, p. 710. Morts’, de John Huston, et dans ‘Le Festin de Babet- te’. In: Annales de l’Est 55,1, 2005, pp. 49-65. Carson, John F.: John Huston’s The Dead: An Irish Encomium. In: Proteus: A Journal of Ideas 7,2, Fall Baron, A.-M.: “Gens de Dublin” le piège des vies 1990, pp. 26-29. bien ordonnées. In: Cinéma 88 (=424), 13.1.1988, ¬ Was a tribute not only to Irish writer James Joy- pp. 7-8. ce, the author of the original story, but also to the west of Ireland, a place that provided Huston Barry, Kevin: The dead. Cork: Cork University with many fond memories. Press, in ass. with the Film Institute of Ireland 2001, (9), 117 pp. (Ireland into Film. 1.). Corseuil, Anelise Reich: John Huston?s adaptati- ¬ Includes bibliographical references (pp. 113- on of James Joyce?s ‚The dead’: the interrelati- 117). onship between Description and focalization. In: Barolsky, Paul: Joyce’s Distant Music. In: Virginia Cadernos de Traducao 7, 2003, pp. 67-79. Quarterly Review: A National Journal of Literature ¬ Online: http://www.cadernos.ufsc.br/download/7/pdf/An and Discussion 65,1, 1989, pp. 111-118. elise_Cadernos7.pdf. Barry, Kevin: The dead / Kevin Barry. Cork, Ire- Costa de Beauregard, Raphaëlle: Le Motif de la land : Cork University Press, 2001. Ireland into film. nourriture dans Les Morts de John Huston: Nourritu- res terrestres et nourritures célestes. In: Bolter, Tru- John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 15 dy; Les Cinéastes et la table. Condé-sur-Noireau, ¬ James Joyce’s “The Dead” and John Huston’s France: Corlet; 2003, pp. 188-195 (CinémAction. 1987 film adaptation of this story suggest that 108.). the female characters, while victims of male aut- hority, are not completely subject to tradition Crémona, Laëtitia: The City of Dublin and Its Sym- and rise above exploited Status. These characters bols. In: Bataillard, Pascal (ed. and introd.); Sipière, can be seen as migratory, while the men are lar- Dominique (ed. and introd.); Dubliners, James Joy- gely inarticulate failures. ce; The Dead, John Huston. Paris, France: Ellipses; Hughes, Rebecca / O’Hara, Kieron: The Filmmaker 2000, pp. 158-163 (CAPES et Agrégation d’An- as Critic: Huston’s Under the Volcano and The Dead. glais.). In: McCarthy, Patrick A. (ed.); Tiessen, Paul (ed.); de Cacqueray, Elizabeth / Costa de Beauregard, Ra- Joyce/Lowry: Critical Perspectives. Lexington, KY: phaëlle: Polyphony in The Dead by John Huston. In: UP of Kentucky; 1997, pp. 177-196. Bataillard, Pascal (ed. and introd.); Sipière, Domini- Huston, Amjelica: [Interview.] In: Time Out 899, 11. que (ed. and introd.); Dubliners, James Joyce; The 11.1987, p. 22. Dead, John Huston. Paris, France: Ellipses 2000, pp. 183-200 (CAPES et Agrégation d’Anglais.). Huston, John: Sind Sie James Joyce begegnet? [In- terview.] In: Film und Fernsehen, 2, Feb. 1988, pp. Duperray, Max: Des interprètes: L’Ecriture et l’ima- 38-41. ginaire. In: Bataillard, Pascal (ed. and introd.); Sipiè- re, Dominique (ed. and introd.); Dubliners, James Huston, Tony: [Über John Hustons Arbeitsweisen.] Joyce; The Dead, John Huston. Paris, France: Ellip- In: City Limits, 323, 10.12.1987, p. 20. ses 2000, pp. 209-218 (CAPES et Agrégation d’An- Kael, Pauline: Irish Voices. In: The New Yorker, 14. glais.). 12.1987. Frizler, Paul: John Huston’s Film of James Joyce’s ¬ Repr. In: Kael, Pauline: For Keeps. New York: ‘The Dead’. In: Proteus: A Journal of Ideas 7,2, Fall Dutton 1994, pp. 1159-1162 1990, pp. 22-25. Kakutani, Michiko: John Huston’s legacy..” (final ¬ Reviews John Huston’s last film, The Dead, ba- film based on James Joyce’s ‘The Dead’) In: The sed on the story by Irish writer James Joyce. New York Times 137, 13.12.1987, sect. 2, pp. 2ff. This 1987 film was important to Huston for it was Joyce’s works that inspired Huston to beco- Kauffmann, Stanley: “The dead.” In: The New Re- me a writer. public 197,25, 21.12.1987, pp. 26-28. Gallix, François: Silence! On tourne! A l’écoute des L.T.: John Huston. – “The Dead.” In: Cinema Nuo- non-dits de John Huston dans The Dead. In: Batail- vo 36, Jan./Feb. (=311), 1988, pp. 40-43. lard, Pascal (ed. and introd.); Sipière, Dominique (ed. and introd.); Dubliners, James Joyce; The Dead, Mills, Moylan C.: “Huston and Joyce : bringing John Huston. Paris, France: Ellipses; 2000, pp. 164- “The Dead” to the screen.” In: Contemporary Irish 175 (CAPES et Agrégation d’Anglais.). cinema : from The quiet man to Dancing at Lughna-sa / edited by James MacKillop. 1st ed. Syracuse, Gibbons, Luke: ‚The Cracked Looking Glass’ of Ci- N.Y. : Syracuse University Press, 1999 (Irish stu- nema: James Joyce, John Huston, and the Memory dies.). of ‘The Dead’. In: Yale Journal of Criticism: Inter- pretation in the Humanities 15,1, Spring 2002, pp. Murphy, Fred: [Über Murphys Arbeit als Kamera- 127-148. mann.] In: American Cinematographer 68,11, Nov. ¬ John Huston’s 1987 adaptation of James Joyce’s 1987, pp. 62-64,66,68. “The Dead” creates a Visual world for the voice O’Neill, Eithne: The Dead de John Huston: Memory of Lily, the servant, to express the story’s cultu- and Screen. In: Bataillard, Pascal (ed. and introd.); ral underworld. Both works remind modern con- sciousness of how the remembered past has sha- Sipière, Dominique (ed. and introd.); Dubliners, Ja- ped moral history. mes Joyce; The Dead, John Huston. Paris:: Ellipses 2000, pp. 176-182 (APES et Agrégation d’Anglais.) Howes, Marjorie: Tradition, Gender, and Migration in ‘The Dead,’ or: How Many People Has Gretta O’Shea, Michael J.: ‚Raiders and Cinemen Too‘: Conroy Killed? In: Yale Journal of Criticism: Inter- Joyce on Video. In: James Joyce Literary Supple- pretation in the Humanities 15,1, Spring 2002, pp. ment 4,1, Spring 1990, pp. 21-23. 149-171. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 16 Paquet-Deyris, Anne-Marie: Experiences of Epipha- Tiessen. Lexington: University Press of Kentucky ny: John Huston’s The Dead. In: Bataillard, Pascal l997, pp. 159-176. (ed. and introd.); Sipière, Dominique (ed. and in- trod.); Dubliners, James Joyce; The Dead, John Hu- Torreiro, M.: DUBLINESES (The Dead. John Hu- ston. Paris: Ellipses 2000, pp. 201-08 (CAPES et ston. 1987) Los Muertos. In: Filmoteca (Archivos de Agrégation d’Anglais.). la Filmoteca – Filmoteca de la Generalitat Valencia-na, Valencia), 2, 1989, pp. 148-149. Pederson, Ann: Uncovering The Dead: A Study of Adaptation. In: Literature/Film Quarterly 21,1, 1993, Walsh, Michael: John Huston raises The Dead; in pp. 69-70. California, the director puts Joyce’s classic story on film. In: Time 129, 16.3.1987, pp. 92-93. Pilipp, Frank: Narrative Devices and Aesthetic Per- ception in Joyce and Huston’s ‘The Dead’. In: Lite- Wiener, D.J.: “The Dead” – a study in light and sha- rature/Film Quarterly 21,1, 1993, pp. 61-68. dow. In: American Cinematographer 68, Nov. 1987, ¬ Two considerations of Huston’s success in adapt- pp. 62-64+ [insges. 5p.]. ing Joyce’s short story. Zenith and Huston to team on “Dead”. In: Variety Rafferty, Terrence: James Joyce and John Huston’s 325, 17.12.1986, pp. 7+ [insges. 2 pp.]. Joyous Gathering. In: The New York Times, 2.11. 2003, p. 10ff (Insges. 7 cols.). Escape to Victory (1981) Sangiorgi, Claudia: La transformazione dello spazio e del tempo in The Dead di John Huston. In: Con- Ramsden, John: England versus Germany, soccer fronto Letterario: Quaderni del Dipartimento di Lin- and war memory: John Huston’s „Escape to Victory“ gue e Letterature Straniere Moderne dell’Università (1981). In: Historical Journal of Film, Radio and Te- di Paviae del Dipartimento di Linguistica e Lettera- levision 26,4 (2006), pp. 579-590. ture Comparate dell’Università di Bergamo 12,24, Aitio, Tommi / Aitio, Ilmo: Jalkapallo. In: Filmihul- Nov. 1995, pp. 725-746. lu, 6, 1996, p. 39. Scheinfeld, M.: Rev. In: Films in Review 39,1, Jan. Anon.: Rez. In: Films Illustrated 10, Sept. 1981, p. 1988, pp. 43-44. 463. Schulz-Keil, W. / Walker, Beverly: Huston. In: Film Anon.: Rez. In: Films and Filming, 325, Oct. 1981, Comment 29,5, Sept.-Oct. 1987; pp. 18-26. pp. 44-45. ¬ On “The dead”, incl. a discussion of director John Huston’s approach to filmmaking. Actress Anon.: Rez. In: Monthly Film Bulletin 48,572, Sept. Anjelica Huston discusses her father and her 1981, pp. 175-176. own career. Anon.: Rez. In: Films 1,10, Sept. 1981, pp. 33-34. Schwaber, Paul: Huston’s and Joyce’s “The Dead”. The Psychoanalytical Studies of the Child, 52, 1997, Anon.: Rez. In: Screen International, 305, 15.8.1981, pp. 332-339. p. 19. Shout, John D.: Joyce at Twenty-Five, Huston at Anon.: Rez. In: Hollywood Reporter 268,3, 11.8. Eighty-One: The Dead. In: Literature/Film Quarterly 1981, pp. 1,4. 17,2, 1989, pp. 91-94. ¬ Über die Dreharbeiten in Ungarn. Simon, John: Rez. In: National Review 40,1, 22.1. Anon.: Rez. In: Screen Digest, Aug 1981, p. 146. 1988, pp. 64-65. Anon.: Rez. In: Variety, 22.7.1981, p. 18. Sipière, Dominique: The Dead de John Huston: Pre- Anon.: Rez. In: Motion Picture Product Digest 9,4, mières Rencontres. In: Bataillard, Pascal (ed. and in- 22.7.1981, p. 15. trod.); Sipière, Dominique (ed. and introd.): Dubli- ners, James Joyce; The Dead, John Huston. Paris: Anon.: Rez. Hollywood Reporter 263,40, 7.10. Ellipses 2000, pp. 138-157 (CAPES et Agrégation 1980, p. 14. d’Anglais.). Anon.: Rez. Screen International, 243, 31.5.1980, p. Tiessen, Paul: “Literary Modernism and Cinema: 13. Two Approaches.” In: Joyce/Lowry. Critical per- Ansen, D.: Movies: Rocky’s great escape. In: News- spectives. Ed. by Patrick A. McCarthy and Paul week 98, 10.8.1981, p. 69. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 17 Canby Victor: Film: Caine and Stallone in Huston’s Meredith, Reine: “A nous la victoire”. In: Révue du “Victory”. In: The New York Times 130, 31.7.1981, Cinéma 34, HS 1982, 1982. p. C6. Merigeau, P.: “A nous la victoire”. In: Révue du Ci- Carbonnier, A.: “A nous la victoire”. In: Cinéma néma, 366, Nov. 1981, pp. 52-53. 81,275, C81, Nov. 1981, pp. 95-97. Millar, Gavin: Rez. In: Listener 106,2726, 10.9. Castell, D.: “Escape to Victory”. In: Films Illustrated 1981, p. 284. 10, Sept. 1981, p. 444. Milne, Tom: “Escape to Victory”. In: Monthly Film Cebe, G.: “A nous la victoire”. In: Cinématographe, Bulletin 48, Sept. 1981, pp. 175-176. 71, Oct. 1981, p. 50. Moens, C.: “Escape to Victory”. In: Film en Televi- Costabile, J.P.: In release: “Victory”. In: Cinema Ca- sie + Video, 295, Dec. 1981, p. 15. nada, 77, Sept. 1981, p. 45. Mosk(G. Moskowitz): “Victory”. In: Filmbulletin Cowan, G.: “Victory”. In: Films in Review 32 ,Oct. (Schweiz) 30, Aug. 1981. 1981, pp. 494-495. Multer, Barbara: “Victory”. In: Filmbulletin Crespi, A.: “Fuga per la vittoria”. In: Cineforum, (Schweiz) 30, Aug. 1981. 210, Dec. 1981, pp. 51-60. N.N.: Where are they now? In: Empire, 65, Nov. De Semlyen, Nick: Rez. In: Empire, 205, July 2006, 1994, p. 46. p. 141. ¬ Die Football-Spieler des Films erinnern sich an die Dreharbeiten. Hansen, P.H.: “Victory – fangelejrens helte”. In: Le- vende Billeder 7, Dec. 1981, pp. 58-59. Nathan, Ian: War game. In: Empire, 157, July 2002, pp. 95-98. Hitchens, C.: Films: over the moon. In: New States- ¬ Retrospektiver Bericht über die Dreharbeiten. man 102, 4.9.1981, p. 25. Nave, B.: “A nous la victoire”. In: Jeune Cinéma, Holthof, M.: “Escape to Victory”. In: Andere Sine- 139, Dec./Jan. 1981/82, pp. 46-47. ma, 34, Dec. 1981, pp. 40-41. Nightingale, Benedict: Caine stretches his range: in Kauffmann, Stanley: Late summer roundup. In: The “Victory” he displays his maturing art. In: The New New Republic 185, 16.9.1981, pp. 28-29. York Times 130, 26.7.1981, sect. 2, pp. 1-2. Keech, Andrew: Film Music Review: Archival. In: Nightingale, Benedict: Caine stretches his range: in Music from the Movies, 48/49, March 2006, p. 39b. “Victory” he displays his maturing art. In: The New Konjar, V.: “Pobeg v zmago”. In: Ekran: Revija za York Times 130, 26.7.1981, sect. 2, pp. 1-2. Film in Televizijo 9,9/10, 1984, p. 37. Schickel. Richard: Cinema: winning points. In: Time Lauridsen, P.S. [...]. Huston: favoitfilm. In: Kosmo- 118, 3.8.1981, p. 66. rama 34, 185, Fall 1988, pp. 23-30. Shifren, D.: “Victory”. In: The Film Journal 84, 20. Lawrence, Will: Rez. In: Empire, 198, Dec. 2005, p. 7.1981, pp. 16-17. 212. Snee, P.: “Menekules a gyozelembe”. In: Filmvilag Linck, D.: “Victory”. In: Boxoffice 117, Sept. 1981, 28,5, 1985, p. 53. p. 48. Sragow, M.: Movies: fall cleanup. In: Rolling Stone, Madron, P.: “Fuga per la Vittoria”. In: Segnocinema: 354, 15.10.1981, pp. 46-47. Rivista Cinematografica Bimestrale, 2, Dec. 1981, p. Step(S. Klain): “Victory”. In: Variety 303, 22.7. 58. 1981, p. 18. Martineau, R.: “Victory”. In: Séquences: la Revue Thirard, P.L.: “Vers la victoire”. In: Positif, 248, de Cinéma, 106, Oct. 1981, pp. 47-48. Nov. 1981, p. 76. Matthews, John: A very dramatic game. In: Classic Turner, A.: “Escape to Victory”. In: Films and Fil- Television, 5, June 1998, pp. 6-7. ming, 325, Oct. 1981, pp. 44-45. ¬ Über Football-Elemente in Filmen wie A Kind of Loving, Kes, Charlie Bubbles, Escape to Vic- Verbestel, W.: “Escape to Victory”. In: Mediafilm, tory. 140, Winter 1982, pp. 50-52. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 18 Verbestel, W.: “Escape to Victory”. In: Mediafilm, Meeus, Marcel: “Fat City.” Film en Televisie + Vi- 140, Winter 1982, pp. 50-52. deo, 498, Jan. 2000, p. 42. Voi, Pierluigi: “Fuga per la vittoria”. In: Rivista del Plante, Mike: In case you missed it. In: Cinemad, 1, Cinematografo 55, 1982, Jan. 1999, p. 16. Salo, Matti: Paradise city & “Fat City.” In: Filmi- hullu, 6, 1996, pp. 8-13. Fat City (1972) Aitio, Tommi / Aitio, Ilmo: Nyrkkeily. In: Filmihul- lu, 6, 1996, p. 38. Freud (1962) Anon.: Rez. In: Hollywood Reporter 223,44, 15.11. Alion, Yves: “Freud, passions secretes.” In: Révue 1972, p. 9. du Cinéma, 467, Jan, 1991, p. 44. Anon.: Rez. In: Films and Filming 19,2, Nov. 1972, Anon.: Rez. In: Listener 115,2959, 8.5.1986, p. 30. pp. 52-53. Anon.: Rez. In: Positif, 283, Sept. 1984, pp. 40-42. Anon.: Rez. In: Monthly Film Bulletin 39,465, Oct. ¬ Über Sartres Originalskript, das gerade in Frank- 1972, p. 211. reich erschienen war, aber für den Film keine Verwendung fand. Anon.: Rez. In: CinemaTV Today, 9996, 2.9.1972, p. 20. Anon.: Rez. In: Jeune Cinéma 1, Sept. 1964, p. 13. Anon.: Rez. In: Time Out, 133, Sept. 1972, p. 41. Anon.: Rez. In: Filmkunst, 41, Jan. 1964, p. 20. Anon.: Rez. In: Positif, 142, Sept. 1972, pp. 93-104. Anon.: Rez. In: Films and Filming 10,1, Oct. 1963, ¬ Enthält ein Ein Interview mit Huston. p. 22. Anon.: Rez. In: Filmfacts 15,16, 15.8.1972, pp. 361- Anon.: Rez. In: Monthly Film Bulletin 30,357, Oct. 364. 1963, p. 140. Anon.: Rez. In: Sight and Sound 41,3, July 1972, p. Anon.: Rez. In: Kine Weekly, 2917, 29.8.1963, p. 168. 12. Anon.: Rez. In: Variety, 24.5.1972, p. 19. Anon.: Rez. In: Daily Cinema, 8805, 28.8.1963, p. 7. Anon.: Rez. In: Hollywood Reporter 217,6, 16.7. Anon.: Rez. In: Cinématographie Française, 2024, 1971, p. 8. 13.7.1963, p. 15. Denby, David: A good man is hard to find. In: Pre- Anon.: Rez. In: Film-Echo/Filmwoche, 54, 6.7.1963, miere 3, July 1990, pp. 36-38. p. 11. Gronstad, Asbjorn: Topographies of defeat: masculi- Anon.: Rez. In: Filmblätter, 28, 6.7.1963, p. 549. nity and desolation in “Fat City” and “Junior Bon- Anon.: Rez. In: Films in Review 14,1, Jan. 1963, p. ner.” In: Kinema: a Journal for Film and Audiovisu- 44. al Media, 16, Fall 2001, pp. 33-48. Anon.: Rez. In: Motion Picture Herald 228,13, 26. Huston, John: “Einfalt”. In: Fernseh- und Kino- 12.1962, p. 721. Technik 26, Feb. 1982, pp. 80-90. Anon.: Rez. In: Variety, 19.12.1962. Jameson, Richard T.: John Huston. In: Film Com- ment 16, May/June 1980, pp. 25-56. Anon.: Rez. In: Film Daily 121,113, 13.12.1962, p. 11. Laan, Sytze van der: “Fat City.” In: Skrien, 165, April/May 1989, pp. 66-67. Anon.: Rez. In: Hollywood Reporter 173,15, 13.12. 1962, p. 3. Lauridsen, P.S. [...]: Huston: favorltfilm. In: Kosmo- rama 34,185, Fall 1988, pp. 23-30. Anon.: Rez. In: Hollywood Reporter 168,14, 19.12. 1961, p. 11. MacNab, Geoffrey: Story of The Scene: Fat City ¬ Zu den photographischen Methoden des Films. (John Huston, 1972). In: The Independent (London), 11.3.2005. Brown, Royal S.: Theater and film. In: High Fidelity and Musical America 28, Oct. 1978, p. 144. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 19 Chankin, Donald O.: The representation of psycho- Meer, Jeff: Freud: the movie. In: Psychology Today analysis in film: John Huston’s “Freud.” In: Persis- 21, June 1987, pp. 67-68. tence of Vision: the Journal of the Film Faculty of the City University of New York, 10, 1993, pp. 134- Stingelin, Martin: Reflexion der Schaulust und 143. Schaulust der Reflexion. In: Cinema (Schweiz) 45, 2000, pp. 94-109. Cieutat, Michel: Le scénario “Freud” de Jean-Paul Sartre. In: Positif, 283, Sept. 1984, pp. 40-42. Zeul, Monika : John Hustons “Freud” -Film. In: Psy-che, 43, 1989, pp. 952-966. Cieutat, M.: “Freud passion secrete”. In: Positif, ¬ Zuerst 1961. 264, Feb. 1983, pp. 83-84. Crinkley, Richmond: Books: metamorphoses: John and Jean-Paul. In: Film Comment 20, Nov./Dec. Heaven Knows, Mr. Allison (1957) 1984, pp. 78-79. Aachen, George: “Heaven Knows, Mr Allison.” In: Goldschmidt, D.: “Freud passions secretes”. In: Reid’s Film Index, 26, 1996, pp. 65-67. Cinématographe, 86, Feb. 1983, pp. 63-64. Anon.: Rez. In: Listener 119,3049, 11.2.1988, p. 28. Holland, Norman N. (1993) John Huston’s Freud. Anon.: Rez. In: Positif 3,25/26, Sept.r 1957, p. 79. In: Literature and Psychology. Proceedings of the 10th International Conference in Literature and Psy- Anon.: Rez. In: Monthly Film Bulletin 24,280, May chology, Amsterdam, June 24-28, 1993. Ed. by Fre- 1957, p. 55. derico Pereira. Lisbon: ISPA. Anon.: Rez. In: Kinematograph Weekly, 2591, 11.4. ¬ Repr.: How to See Huston’s Freud. In: Perspecti- 1957, p. 17. ves on John Huston. Ed. by Stephen Cooper. New York: G. K. Hall, 1994, pp. 164-183 (Per- Anon.: Rez. In: Daily Film Renter, 7359, 11.4.1957, spectives on Film Series.). p.3. ¬ Intellectually, the film shows Freud developing Anon.: Rez. In: Films in Review 8,4, April 1957, p. his ideas of free association, dreams, the oedipus complex, etc., from his analysis of Cecily (a pro- 176. totype patient) and his self-analysis. Both analy- Anon.: Rez. In: Variety, 20.3.1957. ses reveal, over and over again, one person or thing substituting for or displacing another. Anon.: Rez. In: Motion Picture Herald 206,11, 16.3. Especially, body movement substitutes for min- 1957, p. 297. d’s discovery. Huston himself was a roistering “as if” personality and therefore portrayed psy- Anon.: Rez. In: Hollywood Reporter 144,1, 15.3. choanalysis in “as if” terms. That is, in Huston’s 1957, p. 3. vision, psychoanalysis is the discovery and the- Anon.: Rez. In: Film Daily 111,51, 15.3.1957, p. 6. reby the undoing of displacements to find the original object. Anon.: Rez. In: Hollywood Reporter 137,37, 21.12. 1955, p. 1. Holland, Norman N[orwood]: Meeting movies. Ma- dison, NJ: Fairleigh Dickinson University Press, Latorre, Jose Maria: En un lugar del Pacifico. In: Di- 2006, 201 pp. rigido Por, 297, Jan. 2001, p. 74. ¬ Darin: Huston’s Freud and my Huston. As a trai- ned psychoanalytic critic, Holland sees in John Sullivan, Rebecca: Celluloid sisters: femininity, reli- Huston?s film Freud an intriguing interpretation giosity, and the postwar American nun film. In: Vel- of Freud and psychoanalysis, one that fits Hu- vet Light Trap: a Critical Journal of Film and Televi- ston?s macho personality. But the gossip around sion, 46, Fall 2000, pp. 56-72. the film intrudes on his intellectual act of analy- zing the film – why? Why does he react with fear and distaste to Huston and contempt for Montgomery Clift? In This Our Life (1942) Jameson, Richard T.: John Huston. In: Film Com- Aachen, George: “In This Our Life.” In: Reid’s ment 16, May/June 1980, pp. 25-56. Film Index, 29, 1997, pp. 75-77. Lauridsen, P.S. [...] Huston: favoritflim. In: Kosmo- Anon.: Rez. In: Kinematograph Weekly, 1845, 27.8. rama 34,185, Fall 1988, pp. 23-30. 1942. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 20 Anon.: Rez. In: Today’s Cinema 59,4765, 21.8.1942. Key Largo (1948) Anon.: Rez. In: Motion Picture Herald 147,2, 11.4. Anon.: Rez. In: Sequence, 7, April 1949, p. 34. 1942. Anon.: Rez. In: Today’s Cinema 72,5776, 11.3.1949, Bassan, R.: “In This Our Life.” In: Révue du Ciné- p. 9. ma, Hors série 35, 1988, pp. 57-58. Anon.: Rez. In: Motion Picture Herald 172,2, 10.7. Bleys, Jean-Pierre: Le cinéma retrouvé. In: Positif, 1948. 327, May 1988, pp. 69-70. Anon.: Rev. In: The Nation 167, 31.7.1948, p. 137. Brown, Curtis F.: Movies then: American gothic. In: Bijou: the Magazine of the Movies 1, April 1977, p. Anon.: Rev. In: The New Republic 119, 2.8.1948, p. 63. 30. Nacache, J.: Huston: la vitalité et le mystère. In: Ci- Anon.: Rev. In: The New Yorker 24, 24.7.1948, p. néma 88,426, 27.1./3.2.1988, p. 7. 38. Anon.: Rev. In: Newsweek 32, 26.7.1948, pp. 84-85. Sight and Sound, Supplement, 14, March 1948, p. 14. Anon.: Rev. In: Time 52, 2.8.1948, p. 72. ¬ Mit einer kleinen Filmographie über Schwarze Woodis, Roger: Rez. In: Radio Times 234,3044, 13. im Film, 1905-1948. 3.1982, p. 11. Independence (1976) The Kremlin Letter (1970) Ames, K.: Huston’s salute. In: Newsweek 87, 26.4. Anon.: Rez. In: Sight and Sound 39,4, Oct. 1970, p. 1976, p. 103. 220. American Cinematographer 57,7, July 1976, p. 748- Anon.: Rez. In: Monthly Film Bulletin 37,438, July 749, 800, 816. 1970, p. 139. ¬ Zur Photographie des Films. Anon.: Rez. In: Today’s Cinema, 9813, 12.6.1970, p. Anon.: Rez. In: Films in Review 28,1, Jan. 1977, pp. 13. 21-22. Anon.: Rez. In: Kine Weekly, 3268, 30.5.1970, p. 8. Anon.: Rez. In: Variety, 7.4.1976, p. 26. Anon.: Rez. In: Hollywood Reporter 209,50, 23.2. Anon.: Rez. In: Action 10,5, Sept. 1975, pp. 6-14. 1970, p. 3. Pernod, Pascal: La fiction: une question de temps. Anon.: Rez. In: Motion Picture Herald 240,6, 11.2. In: Positif, 341/342, July/Aug. 1989, pp. 74-76. 1970, p. 371. Prat (d.i.: G.Pratley). In: Variety 282, 7.4.1976, p. Anon.: Rez. In: Variety, 28.1.1970, p. 17. 26. Anon.: Rez. In: Film Bulletin 39,2, 26.1.1970, p. 9. Roizman, Owen: Photographing “Independence” where it happened. In: American Cinematographer Anon.: Rez. In: Hollywood Reporter 205,5, 7.3. 57, July 1976, p. 748. 1969, p. 11. Lauridsen, P.S.[...]: Huston: favoritfilm. In: Kosmo- rama 34,185, Fall 1988, pp. 23-30. Juarez (1939) Richards, Peter: John Huston’s “The Kremlin Let- Huston, John: Juarez. Ed. with an introd. by Paul J. ter“. In: Film Comment 33, Jan./Feb. 1997, pp. 74- Vanderwood. Madison, Wisc.: Published for the 79. Wisconsin Center for Film and Theater Research by the University of Wisconsin Press 1983 (Wisconsin/Warner Bros, screenplay series.). John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 21 Let There Be Light (1946) Huston, John: “The Courage of the Men.” In: Film: Ahlander, Lars: Stagnation i Cannes. In: Chaplin 23, Book 2: Films of Peace and War. Ed. by Robert 4, 1981, pp. 160-164. Hughes. New York: Grove Press 1962, pp. 22-35. Anon.: Huston’s “Let There Be Light” gets green Huston, John: “Let There Be Light: The Script.” light from Army. In: Variety 301, 17.12.1980, pp. 7- Film: Book 2: Films of Peace and War. Ed. Robert 8. Hughes. New York: Grove Press 1962, pp. 205-233. Anon.: Suppressed 35 yrs., Huston’s “Let There Be Huston, John: Sota Hustonin nakemana. In: Filmi- Light” is great. In: Variety 301, 12.11.1980, pp. 26- hullu, 1, 2000, pp. 42-44. 27. Kauffmann, Stanley: Old but new, new butold. In: Anon.: Huston’s suppressed army film prompts Va- The New Republic 184, 31.1.1981, pp. 20-21. lenti plea to Pentagon. In: Variety 301, 19.11.1980, Marzo, Jorge Luis: Las ciencias sociales en su salsa: p. 5. la guerra. In: Film-Historia 8,2/3, 1998, pp. 139-151. Anon.: Rez. In: Cinema-TV Today, 9995, 26.8.1972, Morgan, C.A., III: From ‚Let There Be Light“ to p. 24. „Shades of Grey“: The construction of authoritative Assayas, Olivier: 1945: Huston interdit. In: Cahiers knowledge about combar fatigue (1945-48). In: Si- du Cinéma, 319, 1981, pp. 34-35. gns of life. Cinema and medecine. Ed. by Graeme Harper & Andrew Moor. London/New York: Wall- Canby, Victor: Film: “Let There Be Light”, John Hu- flower Press 2005, pp. 132-152. ston vs. the Army. In: The New York Times 130, 16.1.1981, p. C6. Mostacci, J.J.: World War II: “Let There Be Light”. In: Film News 38, Spring 1981, p. 16. Collura, Joe: Huston film finally shown. In: Classic Images, 78, Nov. 1981, p. 17. Hammen, Scott: At war with the army. In: Film Comment 16, March/April 1980, pp. 19-23. Corliss, Richard: The disasters of modern war. In: Time 117, 19.1.1981, p. 80. Ravn, Keld: Bedre sent end aldrig. In: Levende Bil-leder 7, March 1981, p. 35. Denby, D.: Movies: turtle soup. In: New York Maga- zine 14, 19.1.1981, pp. 43-44. Roy, J: “Let There Be Light”. In: Cinema 81, 271- 272 [=C81], Juli/Aug. 1981, p. 136. Edgerton, Gary: Revisiting the recordings of wars past: remembering the documentary trilogy of John Sarris, Andrew: Films in focus: hobgoblins of reali- Huston. In: Journal of Popular Film and Television ty. In: The Village Voice 26, 21.-27.1.1981, p. 45. 15,1, 1987, pp. 27-41. Zeul, Mechthild: John Hustons “Let There Be Estève, Llorenc / Crusells, Magi: Cine y propaganda Light.” In: Frauen und Film, 61, März 2000, pp. 53- en las guerras del siglo XX. In: Film-Historia 8,2/3, 64. 1998, pp. 249-279. Eyquem, Olivier: “Let There Be Light”. In: Positif, 244/245, Juli/Aug. 1981, pp. 96-97. The Life and Times of Judge Roy Bean (1972) Garrett, Greg: “Let There Be Light and Huston’s Film Noir.” In: Proteus: A Journal of Ideas 7,2, Fall Anon.: Rez. In: Radio Times 243,3162, 16.6.1984, p. 1990, pp. 30-33. 16. Garrett, Greg: It’s Everybody’s War. Racism and the Anon.: Rez. In: Monthly Film Bulletin 41,481, Feb. World War Two documentary. In: Journal of Popular 1974, p. 38. Film and Television 22,2, 1994, pp. 70-78. Anon.: Rez. In: Positif, 155, January 1974, pp. 46- ¬ Considers the representation of non-whites in 48. American docus made during the Second World War. Native Americans were not represented; Ja- Anon.: Rez. In: CinemaTV Today, 10026, 7.4.1973, panese Americans were vilified; Black Ameri- p. 20. cans, where present, had positive representations Anon.: Rez. In: Films and Filming 19,6, March 1973, p. 46. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 22 Anon.: Rez. In: Monthly Film Bulletin 40,470, Richards, Peter: Huston’s killer comedy. In: Film March 1973, p. 64. Comment 27,3, May 1991, pp. 66-68,71. Anon.: Rez. In: Sight and Sound 42,1, Dec. 1972, p. 48. Anon.: Rez. In: Variety, 13.12.1972, p. 20. The MacKintosh Man (1973) Anon.: Rez. In: Hollywood Reporter 224,9, 7.12. Anon.: Interview with producer J. Foreman.. In: Ci- 1972, p. 3. nema-TV Today, 10003, 21.10.1972, p. 16. Anon.: Rez. In: Monthly Film Bulletin 39,467, Dec. Anon.: Rez. In: Positif, 159, May 1974, pp. 67-69. 1972, p. 252. Anon.: Rez. In: Sight and Sound 43,1, Dec. 1973, Anon.: Rez. In: Hollywood Reporter 219,2, 3.12. pp. 52-53. 1971, p .9. Anon.: Rez. In: Monthly Film Bulletin 40,479, Dec. Heredero, Carlos F.: Roy Bean y la ley al Oeste del 1973, p. 252. Pecos. Nosferatu: In: Revista de Cine, 32, Jan. 2000, Anon.: Rez. In: Cinema-TV Today, 10056, 3.11. pp. 58-63. 1973, p. 12. Molinari, Mario: Segni infranti. In: Segnocinema: Anon.: Rez. In: Variety, Aug.t 1973, p. 18. Rivista Cinematografica Bimestrale, 96, March/ April 1999, pp. 68-70. Anon.: Rez. In: Hollywood Reporter 227,16, 23.7. 1973, p. 3. Pust, Maren: “Vestens blodige dommer.” In: Kos- morama 36,192, Summer 1990, pp. [62-63]. Anon.: Rez. In: Hollywood Reporter 223,31, 27.10. 1972, p. 11. Anon.: Rez. In: Cinema-TV Today, 10003, 21.10. The List of Adrian Messenger (1963) 1972, p. 10. Anon.: Rez. In: Listener 124,3182, 13.9. 1990, p. 43. Anon.: Rez. In: Silver Screen 29,1, October 1963, p. The Maltese Falcon (1941) 10. The Maltese falcon, John Huston, director. Ed. by Anon.: Rez. In: Films and Filming 9,10, July 1963, William Luhr. New Brunswick, N.J.: Rutgers Uni- p. 25. versity Press 1995, 210 pp. (Rutgers Films in Print. Anon.: Rez. In: Monthly Film Bulletin 30,354, July 22.). 1963, p. 96. Der Malteser Falke (Die Spur des Falken). Ein Film Anon.: Rez. In: Variety, 29.5.1963. von John Huston. Protokolliert u. hrsg. von Robert Fischer. Stuttgart: Focus-Verlag 1983, 100 pp. (Fo- Anon.: Rez. In: Film Daily 122,104, 29.5.1963, p. 5. cus Film-Text. 1.)/(Hollywood Klassiker.). Anon.: Rez. In: Hollywood Reporter 175,30, 29.5. ¬ Filmprotokoll, Materialien. 1963, p. 3. Abramson, Leslie H.: Two Birds of a Feather: Ham- Anon.: Rez. In: Motion Picture Herald 229,11, 29.5. mett’s and Huston’s The Maltese Falcon. In: Litera- 1963, p. 817. ture/ Film Quarterly 16,2, 1988, pp. 112-118.¬ Notes on John Huston’s cinematic approach to Anon.: Rez. In: Kine Weekly, 2903, 23.5.1963, p. his adaptation of Dashiell Hammett’s ‘The Mal- 19. tese falcon’. Castagna, Gustavo J.: “La lista de Adrian Messen- Anon.: [o.T.] In: Literature/Film Quarterly 17,4, Oct. ger.” In: El Cine Amante 9,100, July 2000, p. 58. 1989, pp. 253-260. ¬ „La Belle Dame Sans Merci“ und „The Neurotic Black, John F.: “Mirage” /” The List of Adrian Mes- Knight“ -über Characterisierungsstrategien in senger.” In: Scarlet Street, 27, 1998, pp. 22-23. „The Maltese Falcon“. Nielsen, Ray: Ray’s way: Jan Merlin in “The List of Anon.: Rez. In: Empire, 136, October 2000, p. 120. Adrian Messenger.” In: Classic Images, 199, Jan. 1992, p. 40. Anon.: Rez. In: Listener 116,2967, 3.7.1986, p. 37. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 23 Anon.: Rez. In: Hollywood Reporter 292,6, 20.5. Bauer, Stephen F.: The Detective Film as Myth: The 1986, p. 4. Maltese Falcon and Sam Spade. In: American Ima- ¬ Anläßlich dr Kolorisierung des Films durch Tur- go: A Psychoanalytic Journal for Culture, Science, ners Color Classic Network. and the Arts 35, 1978, pp. 275-296. Anon.: Rez. In: Focus on Film, 30, June 1978, pp. 4- Bauer, Stephen F. [...]: The detective film as myth: 6. “The Maltese Falcon” and Sam Spade. In: American ¬ Zusammen mit „Casablanca“. Imago 35,3, 1978, pp. 275-296. Anon.: Rez. In: Positif, 171/172, July 1975, pp. 13- Behlmer, Rudy (ed.): Behind the Scenes: The Ma- 18. king of... New York: Samuel French 1990. ¬ Vergleich der drei Verfilmungen des Stoffes. ¬ Includes “The Maltese Falcon”, “Casablanca”, Anon.: Rez. In: Films and Filming 20,6, March and “The African Queen”. 1974, pp. 56-58. Benaquist, L.: Function and index in Huston’s The Anon.: Rez. In: Positif, 75, May 1966, p. 139. Maltese falcon. In: Film Criticism 6,2, Winter 1982, pp. 45-50. Anon.: Rez. In: Films and Filming 11,2, Nov. 1964, ¬ Applies principles of structural analysis to the p. 45. study of “The Maltese Falcon”. Anon.: Rez. In: Kinematograph Weekly, 2388, 2.4. Benayoun, R.: “Le faucon maltais” (Reprinted from 1953, p. 33. “John Huston,” Paris, Seghers). In: L’Avant-Scene Anon.: Rez. In: Today’s Cinema 80,6725, 26.3.1953, Cinema, 233, 1.10.1979, p. 28. p. 10. Berg, Charles M.: Rev. In: The Encyclopedia of No- Anon.: Rez. In: Kinematograph Weekly, 1826, 16.4. vels into Film. [Ed. by]] John C. Tibbetts & James 1942, p. 24. M. Welsh. New York: Facts on File 1998, pp. 257- 259. Anon.: Rez. In: Today’s Cinema 58, 4709, 14.4. 1942. Blum, David: Emotion pictures. In: New Republic 196,6, pp. 13-15. Anon.: Rez. In: Motion Picture Herald 145,1, 4.10. ¬ Focuses on the objections to the idea of coloriza- 1941. tion of movies. Objection of director John Hu- ston to the colorization of his movie “The Malte- Anon.: Rez. In: Scribner’s Commentator v. 11 (De- se Falcon,” by the TV mogul Ted Turner; Criti- cember 1941) p. 108 cism of the argument put by him that colorizati- Anon.: Rez. In: Time v. 38 (October 20 1941) p. 100 on leads to mutilation of an artist’s vision; Infor-mation on the films, which are based on plays Anon.: Rez. In: The New Republic v. 105 (October and novels; View that colorization cannot be 20 1941) p. 508 stopped because money is the pivotal thing in the motion picture making industry. Anon.: Rez. In: Commonweal v. 34 (October 17 1941) p. 614 Boon, Kevin: In Debt to Dashiell: John Huston’s Ad- aptation of The Maltese Falcon. In: Creative Screen- Anon.: Rez. In: Newsweek v. 18 (October 13 1941) writing 4,2, 1997, pp. 99-115. p. 66 Boon, Kevin: Poetics & the screenplay: revisiting Abramson, Leslie H.: Two birds of a feather: Ham- Aristotle. In: Creative Screenwriting 8,3, 2001, pp. mett’s and Huston’s “The Maltese Falcon.” In: Lite- 67-79. rature/Film Quarterly 16,2, 1988, pp. 112-118. Bottiggi, William D.: The importance of “C–ing” in Allan Eyles: Rev. In: Films and Filming, 2, 1964/45. earnest: a comparison of “The Maltese Falcon” and Anobile, Richard: The Film Classics Library: The “Chinatown”. In: The Armchair Detective 14,1, Maltese Falcon. New York/London: Universe 1974, 1981, pp. 86-87. 256 pp. Bottiggi, William D.: The Importance of ‘C – ing’ in Armstrong, Steven: Rez. In: Film Score Monthly 8, Earnest: A Comparison of The Maltese Falcon and 2, Feb. 2003, pp. 45-46. Chinatown. In: Armchair Detective: A Quarterly ¬ Über Filmmusiken Deutschs. Journal Devoted to the Appreciation of Mystery, De- John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 24 tective, and Suspense Fiction 14,1, Winter 1981, pp. San Francisco and the office of Spade and Ar- 86-87. cher. Film noir is distinguished by its interest in social context and its emphasis on the dark side Cahill, Marie: [Hollywood Classics:] The Maltese of its characters. The opening shots present San Falcon. New York, NY: Smithmark / [Leicester:] Francisco as the context and present the names Magna Books 1991, 111 pp. on the office door in reverse, suggesting all is not well. The final scenes of the film would be Care, Ross: Rez. [der Filmmusik]. In: Music from superfluous to a melodrama but were essential to the Movies, 37, April 2003, p. 32. the film noir because they resolved questions ¬ Über die Musik von Adolph Deutsch zu „The about Spade’s character. Maltese Falcon“ und anderen Filmen. Gow, Gordon: Pursuit of the falcon. In: Films & Fil- Care, Ross: „The Maltese Falcon“ and Other Classic ming 20,6, March 1974, pp. 56-58. Film Scores. [Rez.] In: Soundtrack! The Collector’s Quarterly 21,83, Oct. 2002, p. 14. ¬ A comparison of the three versions of the Ham-mett novel ‘The Maltese falcon’. Collins, Glenn: Falcons as fake as the real thing. In: The New York Times 138, 1.11.1988, p. C17. Greenberg, Harvey: Screen Memories. New York 1993. Colpart, G.: “Le faucon maltais.” In: Téléciné, 215, Fev. 1977, pp. 13-14. Hanke, Ken: “The Maltese Falcon.” In: Scarlet Street, 29, 1998, p. 72. Cooper, S.: Sex/Knowledge/Power in the Detective Genre. In: Film Quarterly 42,3, Spring 1989, pp. 23- Harmetz, Aljean: Huston protests coloring of “Fal- 31. con”. In: The New York Times 136, 14.11.1986, p. ¬ Four detective films – “The Maltese Falcon”, C36. “The Big Heat”, “Chinatown”, “Angel Heart” – Jameson, Richard T.: John Huston. In: Film Com- used to discuss characteristics of male-female re- ment 16, May/June 1980, pp. 25-56. lationships within the genre, notably the wo- man’s withholding of knowledge sought by the Jimenez de las Heras, Jose A.: Cine negro: 2a parte. man. In: Dirigido Por, 269, Juni 1998, pp. 34-51. Cooper, Stephen: Sex/knowledge/power in the de- Johnson, William: Sound and image. In: Film Quar- tective genre. In: Film Quarterly 42,3, 1989, pp. 23- terly 43,1, 1989, pp. 24-35. 31. Karasek, Hellmuth: Rez. In seinem: Mein Kino. Die Cooper, S.: Sex/Knowledge/Power in the Detective 100 schönsten Filme. Hamburg: Hoffmann & Cam- Genre. In: Film Quarterly 42,3, Spring 1989, pp. 23- pe 1994, pp. 158-161. 31. ¬ Four detective films – “The Maltese Falcon”, Kearns, Cimberli: Fascinating Knowledge. In: Film “The Big Heat”, “Chinatown”, “Angel Heart” – and Philosophy 3, Jan. 1996, pp. 24-37. used to discuss characteristics of male-female re- ¬ Über die Rolle der Frauen in Detektivfilmen wie lationships within the genre, notably the wo- „The Maltese Falcon“ und „Out of the Past“. man’s withholding of knowledge sought by the Luhr, William: Tracking The Maltese Falcon: Classi- man. cal Hollywood Narration and Sam Spade. In: Close Dufour, Dirk: Harde levens van Humphrey Bogart. Viewings: An Anthology of New Film Criticism/ In: Film en Televisie + Video, 389, Oct. 1989, pp. edited by Peter Lehman. Tallahassee: Florida State 36-37. University Press 1990, pp. 7-22. Edelman, Lee: Plasticity, paternity, perversity: Freu- Luhr, William (ed.): The Maltese Falcon. John Hu- d’s ‘Falcon,’ Huston’s ‘Freud.’ (filmmaker John Hu- ston, director. New Brunswick: Rutgers University ston’s ‘The Maltese Falcon’). In: American Imago Press 1995, x, 210 pp. (Rutgers Films in Print. 22.). 51,l, Spring 1994, pp. 69-105. Marasco, Roberta: Piccola grammatica dell’ellissi. Gale, Steven H.: The Maltese Falcon: Melodrama or In: Cabiria, 7, March 2000, pp. 3-6. Film Noir? In: Literature-Film Quarterly 24,2, April Marks, Martin: Music, drama, Warner Brothers: the 1996, pp.145-147. cases of “Casablanca” and “The Maltese Falcon.” ¬ John Huston effectively establishes his film In: Michigan Quarterly Review 35,1, 1996, pp. 112- “The Maltese Falcon” as a film noir and not a melodrama in the opening shots of the Statuette, 142. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 25 Marling, William: On the relation between American Segond, Jacques: Sur la piste de Dashiell Hammett roman noir and film noir. In: Literature/Film Quar- (Les tris versions de Faucon Maltais). In: Positif, terly 21,3, 1993, pp. 178-193. 171-172, 1975. Maxfield, James F.: ‚La belle dame sans merci‘ and Siniscalco, Lella: “Il mistero del falco.” In: Rivista the neurotic knight: characterization in ‚The Maltese del Cinematografo 63, April, 1993, Suppl., p. IV. Falcon‘. In: Literature-Film Quarterly l7,4, Oct. 1989, pp. 253-261. Sprinker, Michael: Sifting through Treasure. In: ¬ Draws parallels between the John Huston Versi- Montage, 16.4.1982. on of “The Maltese falcon” and the imagery in Stern, Lesley: Paths that wind through the thicket of Keats’ poem ‘La belle dame sans merci’. things” .(things in the cinema). In: Critical Inquiry Maxfield, James F.: “La belle dame sans merci” and 28,1, Autumn 2001, pp. 317-355. the neurotic knight: characterization in “The Maltese Studlar, Gaylyn: A Gunsel Is Being Beaten: Gangs- Falcon.” In: Literature/Film Quarterly 17,4, 1989, ter Masculinity and the Homoerotics of the Crime pp. 253-260. Film, 1941-1942. In: Hidden Histories of the Ameri- Mcvay, Douglas: Revival: “The Maltese Falcon” can Gangster Film. Ed. by Lee Grieveson, Esther and “Casablanca.” In: Focus on Film, 30, June Sonnet & Peter Stansfield. New Brunswick, NJ: Rut- 1978, p. 47. gers University Press 2005, pp. 120-145. Thomson, David: Junior. In: Film Comment 31, Michalczyk, John J.: “Ready! Camera! Action!” Sept./Oct. 1995, pp. 3-4. [Book Review]. In: America 164, 11.5.1991, p. 521. Millar, Gavin: Rez. In: Listener 107,2749, 25.2. Tomasulo, Frank P.: The Maltese Phallcon: The Oe- 1982, p. 32. dipal Trajectory of Classical Hollywood Cinema. In: Authority and Transgression in Literature and Film. Millea, Holly: “The Maltese Falcon.” In: Premiere Ed. by Bonnie Braendlin and Hans Braendlin. Gai- 10, Dec. 1996, p. 134. nesville: University Press of Floridam 1996, pp. 78- Miller, Don: Private Eyes. From Sam Spade to J.J. 88 (Florida State University Conference on Litera- Gittes. In: Focus on Film, 22, 1975. ture & Film. 18.). Naremore, James: John Huston and ‘The Maltese Turner, George: The Maltese falcon: a tale thrice fil- falcon’. In: Literature/Film Quarterly 1,3, Summer med. In: American Cinematographer 78, April 1997, 1973, pp. 239-249. pp. 101-106. ¬ Argues that Huston has successfully adapted ¬ The Maltese Falcon, a classic noir story written Hammett’s novel with great visual style. by Dashiell Hammett, was filmed three times Pace, Terry: “The Maltese Falcon.” In: Scarlet between 1931 and 1941. The film rights of the Street, 39, 2000, pp. 24-25. story were purchased by the head of the Warner Bros.-Vitaphone story department in 1930. The Pattison, Barrie: “The Maltese Falcon.” In: Reid’s first version of The Maltese Falcon, which ap- Film Index, 6, 1991, pp. 124-127. peared in 1931, was a fast-paced Warner Bros, crime drama. The second version, a near parody Perry, Timothy Kevin: The dark world of film noir. that borrowed from the plot of the novel but In: Filmfax, 93/94, Oct. 2002, pp. 101-106, 131. strayed afar elsewhere, reached theaters in Au- ¬ U.a. über „The Maltese Falcon“. gust 1936 as Satan Met A Lady. The final versi- on, The Maltese Falcon, which was directed by Pritts, Nate: The Dingus and the Great Whatsit: Mo- John Huston in 1941, is widely considered to be tivating Strategies in Cinema. In: Midwest Quarter- a masterpiece of adaptation, direction, Perfor- ly: A Journal of Contemporary Thought 47,1, Au- mance, and photography. Each of the three versi- tumn 2005, pp. 68-80. ons is discussed. Robb, David: Huston blasts colorizing. In: Variety Turner, George: “The Maltese Falcon.” Edited by 325, 19.11.1986, pp. 4+ [insges. 2p.]. William Luhr [Book Review]. In: American Cinema- tographer 77, June 1996, p. 141. Santamarina, Antonio: “El halcon maltes.” In: Nos- feratu: Revista de Cine, 20, Jan. 1996, pp. 113-115. Vernet, Marc: The filmic transaction: on the ope- nings of film noirs. In: Velvet Light Trap: a Critical Journal of Film and Television, 20, Summer 1983, pp. 2-9. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 26 Wettstein, Edgar: Rez. In: Zoom/Filmberater, 16, Anon.: Rez. In: Film Review 25,12, Dec. 1975, pp. 1976. 18-19. Wexman, Virginia Wright: Kinesics and Film Ac- Anon.: Rez. In: Photoplay 26,12, Dec. 1975, pp. 14- ting: Humphrey Bogart in “The Maltese Falcon” 15, 61. and “The Big Sleep”. In: Journal of Popular Film Anon.: Rez. In: Films Illustrated 5,52, Dec. 1975, and Television 7,1, 1978, pp. 42-55. pp. 139-142. ¬ An analysis of H.B.’s acting style.based on his use of ‘body language or kinesics’. Anon.: Rez. In: Sight and Sound 44,3, July 1975, pp. 161-165. ¬ Tagebuch über die Dreharbeiten in Marokko. Anon.: Rez. In: Photoplay 26,5, May 1975, pp. 44- The Man Who Would Be King (1975) 45. Anon.: [Interview mit Huston.] In: Film Comment Anon.: Rez. In: Stars & Cinéma, May 1975, pp. 32- 12,1, Jan. 1976, pp. 21-22. 33. Anon.: [Interview mit Huston.] In: Ecran, 46, 15.4. Anon.: Rez. In: Cinema-TV Today, 10116, 11.1. 1976, pp. 23-28. 1975, p. 9. Anon.: Rez. In: Filmovy Prehled, 5, May 2000, pp. Anon.: Allied Artists calls unjust Claims of “unpaid” 13-14. actors in reports. In: Variety 289, 1.2.1978, pp. 5-6. Anon.: Rez. In: Listener 118,3022, 30.7.1987, pp. Anon.: AA pays actors Connery and Caine; terms are 26-27. locked. In: Variety 291, 2.8.1978, pp. 5-6. Anon.: Rez. In: Jump Cut, 12/13, Dec. 1976, pp. 17- Anon.: Allied Artists counter-sues Sean Connery, 18. Michael Caine. In: Variety 290, 8.3.1978, pp. 5-6. Anon.: Rez. In: Ecran, 46, 15.4.1976, pp. 28-32. Anon.: Connery, Caine sue Allied Artists; oddity of ¬ Tagebuch der Dreharbeiten. comment at this time. In: Variety 289, 25.1.1978, pp. Anon.: Rez. In: Sight and Sound 45,2, April 1976, 3-4. pp. 122-123. Bachmann, Gideon: Watching Huston. In: Film Anon.: Rez. In: Films and Filming 22,5, Feb. 1976, Comment 12, Jan./Feb. 1976, pp. 21-22. p. 36. Bartholomew, D.: Rez. In: Filmbulletin 45, Jan. Anon.: Rez. In: Monthly Film Bulletin 43,505, Feb. 1976, pp. 24-25. 1976, p. 32. Beckerman, Jim: On Adapting ‘the Most Audacious Anon.: Rez. In: Photoplay 27,1, Jan. 1976, pp. 14- Thing in Fiction’. In: Klein, Michael (ed. & introd.); 15. Parker, Gillian (ed.); The English Novel and the Mo-vies. New York: Ungar 1981, pp. 180-186. Anon.: Rez. In: Films and Filming 22,4, Jan. 1976, pp. 17-19. Béhar, H.: L’homme qui voulut etre roi. In: Revue du Cinéma, 306, May 1976, pp. 74-77. Anon.: Rez. In: Films Illustrated 5,53, Jan. 1976, p. 168. Benoit, Claude: Cinema-catastrophe? Non: cinema d’aventures. In: Jeune Cinéma, 109, Mars 1978, pp. Anon.: Rez. In: Focus on Film 23, Dec. 1975, pp. 21-26.Beruhe, R.-C: Rev. In: Sequences: la Revue 10-12. de Cinéma, 84, April 1976, pp. 42-43. Anon.: Rez. In: Film Comment 12,1, Jan. 1976, pp. Boost, Charles: John Huston: eigenzinnig regisseur 23,64. die geen siechte films. In: Skoop 12, May 1976, pp. Anon.: Rez. In: Screen International, 16, 20.12.1975, 5-10. p. 21. Brown, Geoff: Rev. In: Sight & Sound 45,2, 1976, Anon.: Rez. In: Hollywood Reporter 239, 18, 12.12. pp. 122-123. 1975, pp. 3, 31. Brown, Royal S.: Theater and film. In: High Fidelity Anon.: Rez. In: Variety, 10.12.1975, p.26. and Musical America 26, July 1976, pp. 107-108. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 27 Buckley, Michael: Rev. In: 27, Feb. 1976, p. 122. Leirens, J.: Rev. In: Amis du Film et de la Televisi- Cliff, Paul: Movie trax. In: Film Monthly 2, Jan. on, 242/243, July/Aug. 1976, p. 35. 1991, p. 29. Marias, Miguel: El hombre que seria rey. In: Ha- Cluny, CM.: Rev. In: Cinema 76,209, May 1976, pp. blemos de Cine, 69, 1978, p. 56. 118-119. Mees, L.: Rev. In: Film en Televisie + Video, 230/ Crist, J. The movies: Mel’s smart godson. In: Satur- 231, July/Aug. 1976, pp. 30-31. day Review 3, 24.1.1976, pp. 49-50. Mereghetti, Paolo: “L’uomo ehe volle farsi re.” In: Cumbow, Robert C: Rev. In: Movietone News, 48, Cineforum, 155, June 1976, pp. 397-398. Feb. 1976, pp. 38-39. Milne, Tom: Rev. In: Monthly Film Bulletin 43, Feb. Dagneau, G.: Rev. In: Revue du Cinema, 309/310, 1976, p. 32. Oct. 1976, p. 172. Murphy, Jim: Rev. In: Cinema Papers, March/April Eyles, Allen: Rev. In: Focus on Film, 23, Winter 1976, p. 366. 1976, pp. 10-11. Pede, Ronnie: ABCD. In: Film en Televisie + Video, Gill, Brendan: The man who would be Kipling. In: 433, Jury 1993, p. 56. Film Comment 12,1976, pp. 23-24. Rainer, Peter: Movies: “Barry Lyndon” and “The Gow, Gordon: Rev. In: Films and Filming 22, Feb. Man Who Would Be King. In: Mademoiselle 82, 1976, p. 36. March 1976, p. 38. Greene, R.L.:” The Man Who Would Be King” : Hu- Rwd: Rez. In: Empire, 162, Dec. 2002, p. 173. ston’s tribute to B imperialism. In: Jump Cut: a Re- San Andres, Miguel: El hombre que seria rey. In: Ci- view of Contemporary Media, 12/13, 30.12.1976, ne al dia, 22, Nov. 1977, pp. 34-35. pp. 17-18. Sarris, Andrew: The male mystique marches on. In: Greenspun, Roger: This earth...this England: “The The VillageVoice 21,12.1.1976, pp. 99-100. Man Who Would Be “The Romantic Englishwo- man.” In: Penthouse 7.3.1976, pp. 48-49. Schepelern, Peter: “Manden der ville vaere konge.” In: Kosmorama 22,129, 1976, p. 82. Hermann, R.: Rev. In: Movietone News, 49, April 1976, pp. 41-42. Segond, Jacques: Le fils d’Alexandre. In: Positif, 181, May 1976, pp. 60-64. Huston, John: L’Homme qui voulut être roi. In: Ca- hiers du Cinéma, 11, 2002, p. 42. Simon, J. Movies. In: New York Magazine 9, 12.1. 1976, pp. 58-59. Jaafar, Ali: What I do: Stunt Coordinator: Lee She- ward. In: Sight and Sound 16,9, Sept. 2006, p. 9. Shear, David. “There is no set pattern”: an interview with director of photography Oswald Morris. In: ¬ Der Stuntman Lee Sheward stellt seine Trai- Film Heritage 12,3, 1977, pp. 1-11. ningsmethoden vor und erläuert dies am Beispiel von Hustons Film. Spiegel, Alan: John Huston as survivor of the second Hollywood [...]. In: Salmagundi, 35, Fall 1976, pp. Jameson, Richard T.: John Huston. In: Film Com- 141-152. ment 16, May/June 1980, pp. 25-56. Voeltz, Richard A.: John Huston, Sean Connery, Mi- Kael, Pauline: The current cinema: brotherhood is chael Caine, and the Epiphany of The Man Who powerful (“The Man Be King” ). In: The New Yor- Would Be King. In: McNeese Review 40, 2002, pp. ker 51, 5.1.1976, pp. 52-55. 40-50. ¬ Repr. In: Kael, Pauline: For Keeps. New York: Dutton 1994, pp. 664-668. Westerbeck, C.L., Jr.: The screen: of kings and kil- Kauffmann, Stanley: Stanley Kauffmann on films. lers. In: Commonweal 103, 30.1.1976, pp. 83-84. In: The New Republic 174, 31.1.1976, pp. 24-25. Wigmore, Gareth: Rez. In: Film Review, 626, Jan. Lehti, Steven J.: The epic film music of Maurice Jar- 2003, p. 92. re; “The Man who Would Be King.” In: Sound- Wolcott, James. Royal flush. In: The New Yorker 68, track! The Collector’s Quarterly 10, June 1991, p. 1.2.1993), p. 27. 20. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 28 The Misfits (1961) Anon.: Rez. In: Film Daily 118,22, Feb. 1961, p. 6. Garrett, George / Hardison, O.B., Jr. / Gelfman, Jane Anon.: Rez. In: Films in Review 12,2, Feb. 1961, p. R. (eds.): Film Scripts. 3. Charade, The Apartment, 102. The Misfits. New York: Irvington Publishers 1989. The Misfits. Die Entstehungsgeschichte eines Films. Anon.: Rez. In: Hollywood Reporter 163,42, Feb Von Magnum-Fotografen dokumentiert. / Nicht ge- 1961, p. 3. sellschaftsfähig. V. Arthur Miller, Serge Toubiana. Baldwin, Douglas B.: Rev. In: The Encyclopedia of Eve Arnold [...]. [Hrsg. von Claudine Paquot und Novels into Film. [Ed. by]] John C. Tibbetts & Ja- Agnès Sire. Übers. von Annette Lallemand und Bar- mes M. Welsh. New York: Facts on File 1998, pp. bara Scriba-Sethe]. München : Kehayoff 2000, 190 278-281. S. ¬ Bildband zu den Dreharbeiten des Films. Beacom, Mike: Misfits screened. In: Classic Images, ¬ Zuerst: The Misfits. Chronique d’un tournage 344, Feb. 2004, p. 20. par les photographes de Magnum ; Eve Arnold, Borgese, Maurizio: Rez. In: Jeune Cinéma, 187, Cornell Capa, Henri Cartier-Bresson, Bruce Da- April/May 1988, pp. 35-37. vidson, Elliott Erwitt, Ernst Haas, Erich Hart- mann, Inge Morath, Dennis Stock / Arthur Mil- Bosworth, Patricia: Desert storm. In: Vanity Fair, ler; Serge Toubiana. Paris: Cahiers du Cinéma 506, Oct. 2002, p. 58. 1999, 189 S. ¬ Über die TV-Dokumentation „Making ‚The Mis- Goode, James: The Story of The Misfits. Indianapo- fits‘“. lis: Bobbs-Merrill 1963, 331 pp. Brill, Lesley: The Misfits and the Idea of John Hu- Anon.: Rez. In: Sight and Sound 2,4, August 1992, ston’s Films. In: Proteus: A Journal of Ideas 7,2, Fall p. 68. 1990, pp. 9-17. Anon.: Rez. In: Listener 120,3086, 27.10.1988, p. Cannon, Damian: Rev. In: Audience, 200 April/May 41. 1998, p. 26. Anon.: Rez. In: Listener 116,2976, 4.9.1986, p. 37. Cieutat, M.: Rev. In: Positif, 260, Oct. 1982, pp.. 67- Anon.: Rez. In: Positif, 260, Oct. 1982, pp. 67-69. 69.[DP]: Rez. In: Empire, 130, April 2000, p. 116. Anon.: Rez. In: Film Quarterly 21,1, Oct.- 1967, pp. 32-37. Exshaw, John: Eli Wallach: the gun beneath the bub- Anon.: Rez. In: Téléciné, 102, Feb. 1962. bles. In: Sight and Sound 16,1, Jan. 2006, pp. 38-42.¬ Über den Darsteller Eli Wallach und seine Rolle Anon.: Rez. In: Positif, 41, Sept. 1961, p. 53. in „The Misfits“ und in „The Good, the Bad, and the Ugly“. Anon.: Rez. In: Monthly Film Bulletin 28,330, July 1961, p. 92. Glotfelty, Cheryll: Old Folks in the New West: Sur- viving Change and Staying Fit in The Misfits. In: Anon.: Rez. In: Sight and Sound 30,3, July 1961, p. Western American Literature 37,1, Spring 2002, pp. 142. 26-49. Anon.: Rez. In: Daily Cinema, 8466, 2.6.1961, p. 6. Goldstein, Laurence: The Misfits and American Cul- Anon.: Rez. In: Films and Filming 7,9, June 1961, p. ture, In: Arthur Miller’s America: Theater & Culture 21. in a Time of Change. Ed. by Enoch Brater. Ann Ar- bor, MI: University of Michigan Press 2005, pp. Anon.: Rez. In: Kine Weekly, 2800, June 1961, p. 109-134. 21. Graumann, Lawrence: Rez. In: Fil m Heritage, 3, Anon.: Rez. In: Cinéma, 57, June 1961, p. 98. 1960-61. Anon.: Rez. In: Film Quarterly 14,3, April 1961, p. Jacobowitz, Florence / Lippe, Richard: Performance 51. and the still photograph: Marilyn Monroe. In: Cine- Anon.: Rez. In: Motion Picture Herald 222,3, 4.2. action, 44, 1997, pp. 12-19. 1961, p. 4. Jameson, Richard T. John Huston. In: Film Com- Anon.: Rez. In: Variety, Feb. 1961. ment 16, May/June 1980, pp. 25-56. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 29 Kaplan, Louise J.: Fits and Misfits: The Body of a Webster, Andy: Rev. In: Premiere 11, April 1998, p. Woman. In: American Imago: Studies in Psychoana- 134. lysis and Culture 50,4, Winter 1993, pp. 457-80. Williams, Lyn: Rez [zur Filmmusik]. In: Legend, 27, Kendall, Lukas: The Massachusette miracle. In: Film Dec. 1998, p. 43. Score Monthly 3,10, Dec. 1998, p. 35. ¬ Zum Soundtrack von Alex North. Klepper, Robert K.: Video tape reviews. In: Classic Images 275, May 1998, pp. 40-44. Moby Dick (1956) Kouvaros, George: The Misfits: What Happened Anon.: Interview [mit Huston]. In: Cinema Nuovo around the Camera. In: Film Quarterly, 55,4, 2002, 8,89, 10.9.1956, p. 114. pp. 28-33. Anon.: Interview with Ray Bradbury. In: Sight and ¬ Discusses how the essay by Serge Toubiana and Sound 43,2, April 1974, pp. 97-99. the photographs in ‘The Misfits: story of a shoot’ provide an insight into the history of the film. Anon.: Rez. In: Sight and Sound 4,5, May 1994, p. McEntee, Jason T.: The Novel-to-Film Translatabili- 70. ty of Satire in the The Day of the Locust and Wise Anon.: Rez. In: Bianco e Nero 47,2, April 1986, p. Blood. In: Quarterly Review of Film and Video 17,3, 45. 2000, pp. 229-243. Anon.: Rez. In: Listener 115,2953, 27.3.1986, p. 37. Mclntyre, A.T.: Making The misfits [or, Waiting for Monroe]. In: Esquire 55, March 1961, pp. 74-81. Anon.: Rez. In: Image et Son, 205, May 1967, p. 109. Lippe, Richard: Montgomery Clift: a critical distur- bance. In: Cineaction, 17, Summer 1989, pp. 36-42. Anon.: Rez. In: Cinema Nuovo 9,98, 15.1.1957, p. 24. Miller, Arthur: Zeitkurven. Ein Leben. Frankfurt 1987. Anon.: Rez. In: Positif 2,20, Jan. 1957, pp. 4-36. Miller, Arthur: Snips about movies. In: Michigan Anon.: Rez. In: Monthly Film Bulletin 23,275, Dec. Quarterly Review 34,4,1995, pp. 592-594. 1956, p. 150. Miller, Arthur: Leben mit Marilyn (2). In: Film und Anon.: Rez. In: Kinematograph Weekly, 2569, 8.11. Fernsehen 18,3, 1990, pp. 28-32. 1956, p. 17. Miller, Arthur / Toubiana, Serge: The Misfits. Die Anon.: Rez. In: Today’s Cinema 87,7647, 8.11.1956, Entstehungsgeschichte eines Films. Dokumentiert p. 5. von Magnum-Photographen. München 2000. Anon.: Rez. In: Motion Picture Herald 204,1, 7.7. Miller + Huston. Les misfits. In: Cinéma 87,422, 30. 1956, p. 962. 12.1987-6.1.1988, p. 8. Anon.: Rez. In: Motion Picture Herald 203,13, 30.6. O’Grady, Gerald: The Dance of The Misfits: A Mo- 1956, p. 20. vie Mobile. In: Journal Of Aesthetic Education 5,2, Anon.: Rez. In: Variety, 27.6.1956. April 1971, pp. 75-89. Anon.: Rez. In: Film Daily 109,124, 27.6.1956, p. 6. 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Huston/Récompenses/Prix pour l’ensemble de sa Cillario, Giuliana: Filmsa: een gesprek met John Hu- carrière. In: L‘Avant-Scène du Cinéma, 518, Jan. ston. In: Skrien, 146, Feb./March 1986, p. 58. 2003, pp. 76-79. Ciment, Michel: Deux rencontres avec John Huston. Anon: Huston honoured by the American Film Insti- In: Positif, 283, Sept. 1984, pp. 26-35. tute. In: Photoplay Movies & Video 34, July 1983, p. 8. Claro, Joseph / Stern, Mark: Letters: Huston and the man who might be Traven. In: The New York Times Anon.: Hospital releases Huston after 22 days. In: 136, 27.7.1987, p. A18. The New York Times 136, 20.8.1987, p. C25. Combs, Richard: The man who would be Ahab. The Anon.: Huston honored in Venice. In: The New York myths and masks of John Huston. In: Monthly Film Times 136, 1.9.1987, p. C15. Bulletin 52, Dec. 1985, pp. 370-374. Anon.: Huston is hospitalized; his condition is good. Coulombe, Michel: Huston et les gens de positif. In: In: The New York Times 136, 30.7.1987, p. C17. Ciné-Bulles 7,4, 1988, p. 48. Anon.: Rez. In: American Film 14,8, June 1989, pp. Crawley, Tony: Acting up a storm. In: Photoplay 66-67. Movies & Video 37, May 1986, pp. 4-6. ¬ Über einen Dokumentarfilm über Huston. Danny Huston to direct dad in “Theophilus” pic. In: Variety 327, 8.7.1987, pp. 3+ [insges. 2pp.]. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 42 Danvers, L.: John Huston: Le vieil homme et l’en- Garel, A.: La matière dont on fait les rêves. In: Re- fant. In: Visions, 36, Feb. 1986, pp. 26-29. vue du Cinéma, 434, Janv. 1988, pp. 58-66. Decaux, E. / Villien, B.: John Huston: souvenirs Ginsburg, Jane C.: Auteur, creation et adaptation en d’Hollywood. In: Cinématographe, 52, Nov. 1979, droit international prive et en droit interne francais. pp. 40-43. reflexions a partir de l’affaire Huston. In: Revue In- Dufour, Dirk: For Hustons mannenmelodrama’s: tus- ternationale du Droit d’Auteur 150, 1991, pp. 3-81. sen hoogmoed en fatalisme. In: Film en Televisie + Gobbers, Eric. Heaven knows, Mr. Huston. In: An- Video, 369, Feb. 1988, pp. 26-29. dere Sinema, 62, Oct. 1984, pp. 10-12. Dufour, Dirk: For John Huston: Helden en misfits. Gold, Herbert: Huston films a cult classic. In: The In: Film en Televisie + Video, 368, Jan. 1988, pp. New York Times 133, 11.12.1983, sect. 6, pp. 60+ 10-12. [insges. 6pp.]. Egger, Urs: John Huston. In: Cinema Papers, 14, Gonzalez Rubio, Javier: John Huston: el de los inad- Oct. 1977, pp. 138-141 (+). aptados con esperanza. In: Dicine: Revista de Diffu- Esposito, Dawn: Gloria, Maerose, Irene, and Me: sion e Investigacion Cinematograficas a.c., 22, Mafia Women and Abject Spectatorship. In: Melus. Nov./Dec. 1987, pp. 16-17. The Journal of the Society for the Study of the Mul- Grobel, Lawrence: Playboy interview: John Huston. ti-Ethnic Literature of the United States 28,3. 2003, In: Playboy 32, Sept. 1985, pp. 63-65 (+, insges. 11 pp. 91-111. pp.). Fava, Claudio G.: John Huston, vecchio amico di Guérif, Francois: Entretien avec John Huston. In: gioventu. In: Bianco e Nero 48, Oct./Dec. 1987, pp. Revue du Cinéma, 397, Sept. 1984, pp. 46-48. 82-86. Harmetz, Aljean: Lowry and Malamud tested on Fell, John: John Huston. In: Film Quarterly 39,4, film. In: The New York Times 133, 14.6.1984, p. 1986, pp. 42-43. C17. Fenyves, György: Ein Ire, zäh und hartnächig. [In- Harmetz, Aljean: Patient: John Huston. Rx: film. In: terview.] In: Film und Fernsehen, 2, Feb. 1988, pp. The New York Times 136, 8.3.1987, sect. 2, pp. 1+ 42-45. [insges. 2p.]. Finslo, Yngve: John Hustons avskjedsgave. In: Film Hamill, Pete: Against all odds. In: American Film: A & Kino, 3, 1988, pp. 12-14. Journal of the Film and Television Arts 9, July/Aug. Fornara, B.: Un cinema che non divide, una Bienna- 1984, pp. 18-26+ [11p]. le che svicola. In: Cineforum 27, Ott. (=268), 1987, Huston, Anjelica: Family ties. In: American Film: A pp. 8-13. Journal of the Film and Television Arts 12, Sept. Frank, A.: Huston: the last movie. In: Photoplay Mo- 1987, pp. 16-19+ [insfes. 5p.]. vies & Video 38, Dec. 1987, pp. 46-47. Huston, John: An interview with John Huston. In: Fuchs, Daniel: Remembering Sam Spiegel. In: Com- Dialogue. A Quarterly Journal of Significant mentary 86, Juli 1988, pp. 53-54. Thought and Opinion on Social, Political, Economic and Cultural, 66, 1984, pp. 60-66. Gagné, Nicole von: Where is the other side of the wind? or Quien es mas macho: Orson Welles, John Huston, John. Associés cinématographiques. In: Po- Huston, or Ernest Hemingway? In: Cineaste 29,1, sitif, 299, Janv. 1986, pp. 5-6. 2003, pp. 4-7. Huston, John: Silhouettes de boxeurs. In: Positif, ¬ Über Orson Welles in Other Side of the Wind, 323, Jan. 1988, pp. 11-12. seine Beziehungen zu Ernest Hemingway und John Huston. Huston, John: Artists and film. In: Sight & sound 3,8, 1993, p. 36. Gandia, Juan Lopez / Pedraza, Pilar: John Huston: una lejana melodia. In: Archivos de la Filmoteca Huston, John: Introduction. In: The one hundred (Filmoteca de la Generalitat Valenciana, Valencia), epic events of World War II in stamps. With an intro- 2, 1989, pp. 154-155. duction by John W. Huston. Cheyenne, Wyo.: Fleet- wood 1995, 63 pp. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 43 Huston, John: “I See Him ...”. In: Remembering Ja- Moret, Henry: Fondu a noir. In: Révue du Cinéma, mes Agee. Ed. by David Madden and Jeffrey J. 431, Oct. 1987, pp. 75-76. Folks. Athens, Ga.: University of Georgia Press 1997. Morris, Oswald: Huston, we have a problem. A ka-leidoscope of filmmaking memories. With Geoffrey Immergut, S.: Filmographies. In: Premiere 1, Dec. Bull. Lanham, Md.: Scarecrow Press 2006, xxi, 276 1987, p. 104. pp. (Filmmakers Series. 124.). John Huston. In: American Film: a Journal of the Morrison, Jaime: Irish choreo-cinema: Dancing at Film and Television Arts 9, Jan./Feb. 1984, pp. 19+ the crossroads of language and performance [Brian [5p]. Friel, John Huston, David Lean, Jim Sheridan]. In: Kakutani, Michiko: John Huston’s last legacy. In: The Yale Journal of Criticism 15,1, 2002, pp. 173- The New York Times 137 13.12.1987, sect. 2, pp. 1+ 185. [insges. 2p.]. Nayeri, Farah: Court upholds its ban on French b’- Kremski, Peter: John Hustons Vermächtnis. In: Me- cast of colorized picture. In: Variety 333, 7.-13.12. dien + Erziehung 32,1, 1988, pp. 19-26. 1988, p. 36. Landureau, Anne-Lise: Intégral, après montage, il- Negulesco, Jean: 2. John Huston: l’artiste qui a du lustré de photographies du film. In: L‘Avant-scène. punch. In: Positif, 308, Oct. 1986, pp. 56-58. Cinéma, 518, 2003, pp. 5-65. Nesselson, Kise: Rencontre avec Guy Hamilton pre- Lauridsen, P.S. [...]: Huston: favoritfilm. In: Kosmo- mier assistant de John Huston. In: L‘Avant-scène. rama 34, Fall 1988 (=185), pp. 23-30. Cinéma, 518, 2003, pp. 71-73. Maheo, Michel: Stimulant John Huston. In: Cinema O’Dowd, B.: John Huston: last of the rebel direc- 87,418, 2.-9.12.1987, pp. 7-9. tors? In: Hollywood Studio Magazine 18,2, 1985, p. 9. Malcolm, Andrew H.: Huston: “I want to keep right on going.” In: The New York Times 129, 11.12. Ollozo: Joyce es a film. In: Filmvilag 31,5, 1988, pp. 1979, p. C7. 58-60. Marill, A.H.: The films of John Huston. In: Films in Pritts, Nate: The Dingus and the Great Whatsit: Mo- Review 36, April 1985, pp. 215-20. tivating Strategies in Cinema. In: The Midwest Quarterly 47,1, 2005, pp. 68-81. Mate, Ken / Mcgilligan, Pat: Burnett. In: Film Com- ment 19, Jan./Feb. 1983, pp. 58-68+ [12p]. Rafferty, T.: House odds. In: Sight & Sound 54,4, 1985, pp. 255-257. McCarthy, Todd: AFT’s Huston tribute appropriately boisterous, funny, unsentimental. In: Variety 310, 9. Robertson, Nan: Artists in old age: the fires of crea- 3.1983, p. 22. tivity burn undiminished. In: The New York Times 135, 22.1.1986, p. C1 (+, insges. 2p.). McCarthy, Todd: The many John Hustons lauded du- ring memorable DGA tribute. In: Variety 328, 16.9. Schulz-Keil, Wieland: Huston. In: Film Comment 1987, pp. 18+ [2p]. 23, Sept./Oct. 1987, pp. 18-23. McCarthy, Todd: Major retro on John Huston slated Schupp, Patrick: John Huston par John Huston. In: for Santa Fe film fest. In: Variety 327, 8.7.1987, p. Séquences: la Révue de Cinéma, 132, Jan. 1988, pp. 17. 8-9. Midding, Gerd / Beier, Lars-Olav: “Die erste Reakti- Skytte, Asbjorn: Den gamle mand og filmen. In: Le- on beim Sehen ein es Films ist emotional”. In: Film- vende Billeder 3, Oct. 1987, pp. 24-25. bulletin (Zürich) 29,2 (=153), 1987, pp. 26-39. Stern, Lesley: “Paths that wind through the thicket Miller + Huston. In: Cinema 87 (=422), 30.12.1987, of things”. In: Critical Inquiry 28,1, 2001, pp. 317- p. 8. 355. Mörchen, Roland: Einen Jux wollt’ er sich machen. Sturrock, John: M. Sartre goes to Hollywood. In: Der Regisseur John Huston als Schauspieler. In: The New York Times 136, 12.10.1986, sect. 7, p. 15. Film-Dienst 57,14, 2004, pp. 40-41. Takacs, Ferenc: A kudarc igezete. In: Filmvilag 30, 12, 1987, pp. 36-41. John Huston // Medienwissenschaft/Hamburg, 74, 2007 /// 44 Taylor, J.R.: John Huston: the film-maker as dandy. Walker, Beverly: The bird is on his own. In: Film In: Films and Filming, 383, Aug. 1986, pp. 23-26. Comment 21, May/June 1985, pp. 53-61. Viertel, Peter: Dangerous friends. At large with He- Walker, Beverly: Anjelica. In: Film Comment 23, mingway and Huston in the fifties. New York [u.a.]: Sept./Oct. 1987, pp. 24-26. Doubleday 1992, 406 S. ¬ Autobiographie. Wiley, Mason: Video guide: John Huston: a home- ¬ Dt.: Gefährliche Freunde. Unterwegs mit He- video retrospective. In: Premiere 1, Dec. 1987, pp. mingway, Huston, Welles und anderen Legenden 93-94. des 20. Jahrhunderts. Zürich: Rüffer und Rub Williams, Paul: North West Group: the films of John 2005,383 S. Huston – residential course. In: Film: The British Vivas, Ángel: De vez en cuando la tele ...(las pelícu- Federation of Film Societies Monthly Journal, 123, las El viento y el león [The Wind and the Lion], La Febr. 1984, p. 4. reina de África [African Queen]). In: Epoca, Sept. 2005. Zimmer, Jacques: Sur le héros hustonien l’éléphant et la baleine. In:L‘Avant-scène. Cinéma, 518, 2003, Viviani, Christian: John Huston: promenade, avec pp. 87-94. amour, apres la mort. In: Positif, 323, Janv. 1988, pp. 5-7.