Lindner, Katharina2018-09-262018-09-262012https://www.necsus-ejms.org/test/questions-of-embodied-difference-film-and-queer-phenomenology/https://mediarep.org/handle/doc/3208A phenomenological description of the cinematic situation considers the film as a lived body. Just as the human lived body forms the basis for intentionality, perception, expression and action in the world, the film’s body – its technological and instrumental dimension – forms the basis for the films perceptual and expressive engagement with the world. Technological methods and processes thus correlate with modalities of thought and consciousness.engCreative Commons Attribution Non Commercial No Derivatives 4.0 GenericbodyfilmidentityphenomenologyqueertangibilityKörperFilmIdentitätPhänomenologieQueer TheoryKörperkontakt791Jordan Scott10.5117/NECSUS2012.2.LIND10.25969/mediarep/15056CRACKS2213-0217