Lindner, Katharina2018-09-262018-09-262012https://www.necsus-ejms.org/test/questions-of-embodied-difference-film-and-queer-phenomenology/https://mediarep.org/handle/doc/3208A phenomenological description of the cinematic situation considers the film as a lived body. Just as the human lived body forms the basis for intentionality, perception, expression and action in the world, the film’s body – its technological and instrumental dimension – forms the basis for the films perceptual and expressive engagement with the world. Technological methods and processes thus correlate with modalities of thought and consciousness.engbodyfilmidentityphenomenologyqueertangibilityKörperFilmIdentitätPhänomenologieQueer TheoryKörperkontakt791Jordan Scott10.5117/NECSUS2012.2.LIND10.25969/mediarep/15056CRACKS2213-0217