Braun, Marta2022-06-152022-06-152010https://meiner.de/artikel/1000106299https://mediarep.org/handle/doc/19563Eadweard Muybridge's 1887 photographic atlas Animal Locomotion is a curious mixture of art and science, a polysemic text that has been subject to a number of readings. This paper focuses on Muybridge's technology. It seeks to understand his commitment to making photographs with a battery of cameras rather than a single camera. It suggests reasons for his choice of apparatus and shows how his final work, The Human Figure in Motion (1901), justifies the choices he made.engPhotographieKunstWissenschaftTechnologiephotographyartsciencetechnology370702.8Eadweard Muybridge10.28937/100010629910.25969/mediarep/184381869-1366