Hui, YukBroeckmann, Andreas2018-09-252018-09-252015978-3-95796-031-3https://mediarep.org/handle/doc/2775In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years.<ul> <li><a href='http://dx.doi.org/10.25969/mediarep/982'>Yuk Hui and Andreas Broeckmann: <i>Introduction</i></a></li> </ul> <h4>Part I: Document</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/955'>Jean-François Lyotard: <i>After Six Months of Work… (1984)</i></a></li> </ul> <h4>Part II: Art</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/981'>Antony Hudek: <i>From Over to Sub-Exposure. The Anamnesis of Les Immatériaux</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/986'>Jean-Louis Boissier and Andreas Broeckmann: <i>The Production of Les Immatériaux. Jean-Louis Boissier in conversation with Andreas Broeckmann</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/873'>Jean-Louis Boissier: <i>The Bus of Les Immatériaux</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/877'>Francesca Gallo: <i>Contemporary Art as “Immatériaux”. Yesterday and Today</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/887'>Thierry Dufrêne: <i>Les Immatériaux. An “Immodern” Project</i></a></li> </ul> <h4>Part III: Theory</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/892'>Bernard Stiegler: <i>The Shadow of the Sublime. On Les Immatériaux</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/914'>Anne Elisabeth Sejten: <i>Exhibiting and Thinking. An Anamnesis of the Postmodern</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/920'>Yuk Hui: <i>Anamnesis and Re-Orientation</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/924'>Charlie Gere: <i>The Silence of God</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/944'>Robin Mackay: <i>Immaterials, Exhibition, Acceleration</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/950'>Daniel Birnbaum and Sven-Olov Wallenstein: <i>From Immaterials to Resistance. The Other Side of Les Immatériaux</i></a></li> </ul>engCreative Commons Attribution Share Alike 4.0 GenericKommunikationKunstKunstausstellungJean-François LyotardPostmoderne10010.14619/00210.25969/mediarep/620http://dx.doi.org/10.25969/mediarep/982http://dx.doi.org/10.25969/mediarep/955http://dx.doi.org/10.25969/mediarep/981http://dx.doi.org/10.25969/mediarep/986http://dx.doi.org/10.25969/mediarep/873http://dx.doi.org/10.25969/mediarep/877http://dx.doi.org/10.25969/mediarep/887http://dx.doi.org/10.25969/mediarep/892http://dx.doi.org/10.25969/mediarep/914http://dx.doi.org/10.25969/mediarep/920http://dx.doi.org/10.25969/mediarep/924http://dx.doi.org/10.25969/mediarep/944http://dx.doi.org/10.25969/mediarep/950