Yu, Chang-Min2019-01-082019-01-082017https://www.necsus-ejms.org/test/cinemas-turing-test-consciousness-digitality-and-operability-in-hardcore-henry/https://mediarep.org/handle/doc/4153Through defining cinematic subjectivity as both composite and aggregate, this article examines cinema’s Turing test – the relationship between artificial intelligence and cinema – via the case study of HARDCORE HENRY (2015). It does so via analysing how the film is composed of a series of (semi-)subjective images that deliberately imitate the style of first-person shooters in the entanglement of vision and tactility and investigating how the electronic consciousness formulated by the film is ‘pure intelligence’ in both senses.engCreative Commons Attribution Non Commercial No Derivatives 4.0 Genericfilmische SubjektivitätDigitale MedienKameraperspektiveWahrheitcinematic subjectivitydigital mediafirst-person cinematactilitytrueTuring test791Ilja Naischuller10.25969/mediarep/3384HARDCOREHARDCORE HENRY2213-0217