Yu, Chang-Min2019-01-082019-01-082017https://www.necsus-ejms.org/test/cinemas-turing-test-consciousness-digitality-and-operability-in-hardcore-henry/https://mediarep.org/handle/doc/4153Through defining cinematic subjectivity as both composite and aggregate, this article examines cinema’s Turing test – the relationship between artificial intelligence and cinema – via the case study of HARDCORE HENRY (2015). It does so via analysing how the film is composed of a series of (semi-)subjective images that deliberately imitate the style of first-person shooters in the entanglement of vision and tactility and investigating how the electronic consciousness formulated by the film is ‘pure intelligence’ in both senses.engfilmische SubjektivitätDigitale MedienKameraperspektiveWahrheitcinematic subjectivitydigital mediafirst-person cinematactilitytrueTuring test791Ilja Naischuller10.25969/mediarep/3384HARDCOREHARDCORE HENRY2213-0217