Hagener, Malte2019-07-182019-07-1820079789053569610https://mediarep.org/handle/doc/4870This first critical overview of the European film avant-garde ushers in a new approach and creates its own subject. Arguing that a European perspective is the only way to understand the film avant-garde of the 1920s and 1930s, Hagener provides a much-needed summary of the theory and practice of the movement. This incisive study also pioneers a new approach to the alternative cinema network that sustained the avant-garde, paying particular attention to the emergence of screening clubs, film festivals, and archives.engAvantgarde1919-1939FilmkulturCinephilieEuropaFilm Cultureavant-gardeEurope791Walter RuttmannSergej M. EisensteinJohn GriersonSergej M. Ėjzenštejn10.5117/978905356961010.25969/mediarep/4107BRONENOSEC POTEMKINDRIFTERSMELODIE DER WELTPANZERKREUZER POTEMKIN