Helff, SissyMichels, Stefanie2018-09-242018-09-242018978-3-8394-3006-4https://mediarep.org/handle/doc/1995How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography. The contributions sketch the contested field of (post-)colonial photography and trace the manifold intertwinements between historical and contemporary photographs.<ul> <li><a href ='https://doi.org/10.25969/mediarep/1618'>Sissy Helff/Stefanie Michels: <i>Preface</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1619'>Stefanie Michels: <i>Re-framing Photography – Some Thoughts</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1620'>Jürg Schneider: <i>African Photography in the Atlantic Visualscape. Moving Photographers – Circulating Images</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1621'>Jens Jäger: <i>Elective Affinities? History and Photography</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1646'>Kokou Azamede: <i>How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes. The Case of Togo</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1647'>Marie-Hélène Gutberlet: <i>Presentness, Memory and History: Thabiso Sekgala, HOMELAND</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1650'>Hahn, Hans Peter: <i>On the Circulation of Colonial Pictures. Polyphony and Fragmentation</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1652'>Richard Kuba: <i>Portraits of Distant Worlds. Frobenius’ Pictorial Archive and its Legacy</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1677'>Margrit Prussat: <i>Reflexions on the Photographic Archive in the Humanities</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1678'>Sally Waterman: <i>Re-imagining the Family Album through Literary Adaptation</i></a></li> <li><a href ='https://doi.org/10.25969/mediarep/1679'>Jens Ruchatz: <i>Public Rites/Private Memories. Reconciling the Social and Individual in Wedding Photography</i></a></li> </ul>enghistoryphotographyglobalizationmemoryarchivecolonialismpostcolonialismcultural historyhistory of colonialism77010.25969/mediarep/76010.14361/9783839430064http://dx.doi.org/10.25969/mediarep/1618http://dx.doi.org/10.25969/mediarep/1619http://dx.doi.org/10.25969/mediarep/1620http://dx.doi.org/10.25969/mediarep/1621http://dx.doi.org/10.25969/mediarep/1646http://dx.doi.org/10.25969/mediarep/1647http://dx.doi.org/10.25969/mediarep/1650http://dx.doi.org/10.25969/mediarep/1652http://dx.doi.org/10.25969/mediarep/1677http://dx.doi.org/10.25969/mediarep/1678http://dx.doi.org/10.25969/mediarep/1679https://mediarep.org/handle/doc/5181