Leeker, MartinaSchipper, ImanuelBeyes, Timon2018-09-242018-09-242017978-3-8394-3355-3https://mediarep.org/handle/doc/2050How is performativity shaped by digital technologies – and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique.<ul> <li><a href='http://dx.doi.org/10.25969/mediarep/2075'>Martina Leeker et al.: <i>Performativity, performance studies and digital cultures</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2076'>Martina Leeker: <i>Performing (the) digital. Positions of critique in digital cultures</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2079'>Scott deLahunta and Florian Jenett: <i>Making digital choreographic objects interrelate. A focus on coding practices</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2104'>Marie-Luise Angerer: <i>Speculation about 1:0. On the productive difference of the interval</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2106'>Ann-Christina Lange: <i>The noisy motions of instruments. The performative space of high-frequency trading</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2108'>Susan Kozel: <i>Performing encryption</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2129'>Oliver Leistert: <i>Mobile phone signals and protest crowds. Performing an unstable post-media constellation</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2130'>Sigrid Merx: <i>Mapping invisibility. Surveillance art and the potential of performative cartography</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2131'>Margarete Jahrmann: <i>The big urban game, re-play and full city tags. Art game conceptions in activism and performance</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2133'>Imanuel Schipper: <i>From flâneur to co-producer. The performative spectator</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2135'>Melanie Mohren and Bernhard Herbordt: <i>Performing institutions. A catalogue of performative practices</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2158'>Timon Beyes: <i>‘The machine could swallow everything’. Satin Island and performing organization</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2160'>Jens Schröter: <i>Performing the economy, digital media and crisis. A critique of Michel Callon</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2167'>Jon McKenzie: <i>Performance and democratizing digitality. StudioLab as critical design pedagogy</i></a></li> </ul>engbodycultural theoryculturedigital mediamedia theoryPerformance Studiesperforming artstechnology30010.25969/mediarep/115910.14361/9783839433553http://dx.doi.org/10.25969/mediarep/2075http://dx.doi.org/10.25969/mediarep/2076http://dx.doi.org/10.25969/mediarep/2079http://dx.doi.org/10.25969/mediarep/2104http://dx.doi.org/10.25969/mediarep/2106http://dx.doi.org/10.25969/mediarep/2108http://dx.doi.org/10.25969/mediarep/2129http://dx.doi.org/10.25969/mediarep/2130http://dx.doi.org/10.25969/mediarep/2131http://dx.doi.org/10.25969/mediarep/2133http://dx.doi.org/10.25969/mediarep/2135http://dx.doi.org/10.25969/mediarep/2158http://dx.doi.org/10.25969/mediarep/2160http://dx.doi.org/10.25969/mediarep/2167