Janssens, LiisaAssmann, Nicky2020-02-182020-02-182016https://mediarep.org/handle/doc/14311The immaterial and intangible character of light, colour, and movement form the starting point of Nicky Assmann’s spatial installations in which she tries to heighten the perception. In this essay she describes how she combines artistic, scientific, technological, and cinematographic knowledge in experiments with physical processes aimed at sensorial interference. She embeds her work in a context of visual music, expanded cinema, and the concept of synaesthesia. Set against the backdrop of our visual culture, where the perception of reality increasingly occurs in the virtual domain, she returns to the physical foundations of ‘seeing’ in which the embodied experience is central.engCreative Commons Attribution Non Commercial No Derivatives 4.0 Genericartscienceperceptionfilmlightcolourmovementtransitionsensorialembodied experiencesynaesthesiatechnologykinetic installationvideo installationvisual musicExpanded Cinemasublimeephemeralaffect00470010.25969/mediarep/133899789462984493https://doi.org/10.25969/mediarep/13454