Sharp, Laura2019-02-042019-02-042018https://necsus-ejms.org/embodied-cartographies-of-the-unscene-a-feminist-approach-to-geovisualising-film-and-television-production/https://mediarep.org/handle/doc/4234As cinema scholars continue turning to cartography and GIS to uncover new dimensions of an old media, they risk repeating the static and top-down approach to maps castigated by feminist and poststructural geographers since the 1990s. Here, I propose that cinematic cartographers strive to bring contradictory positionalities to bear on the cinematic map, a cyborg epistemology that privileges neither the view from above or the view from below. To demonstrate this approach, I detail my own methodology and techniques using GPS tracking and ESRI Story Maps to explore the daily activities of a film location scout in Los Angeles, California.engCreative Commons Attribution Non Commercial No Derivatives 4.0 Genericcinematic cartographyembodimentgeovisualisationlocation filmingmappingKinoKartografieVerkörperungGeovisualisierungFilmproduktion791Embodied cartographies of the unscene: A feminist approach to (geo)visualising film and television production10.25969/mediarep/34652213-0217